Breton Girl with a Basket, Study for “En route pour la pêche” and “Fishing for Oysters at Cancale”

A study for one or both of two related paintings of Breton fisherfolk, John Singer Sargent's Breton Girl with a Basket presents a sideways view of a statuesque young woman, dressed in patched work clothes and balancing a large empty basket on her left hip. Filling the narrow vertical space of the canvas, the full-length figure is set against a broad expanse of beach that almost fills the background, the high horizon culminating in bright fair-weather sky. Her face shaded by the white scarf that envelopes her head, she looks out toward the sea as if anticipating the work of filling her basket with its fruits.

At the start of his brilliant career, Sargent spent a productive two months during the summer of 1877 in the picturesque Breton fishing town of Cancale, on the northwest coast of France. His aim was to make sketches for an important work, his first major outdoor subject, which would command attention in important exhibitions in Paris and the United States. To suit the different audiences, Sargent painted two slightly different versions of the subject, the one for Paris entitled En route pour la pêche (Setting Out to Fish) (1878, National Gallery of Art, Washington, DC), and the smaller version called Fishing for Oysters at Cancale (1878, Museum of Fine Arts, Boston), which may have begun as a preparatory sketch for the larger work. Both were well received by local critics. Sargent had chosen his subject with attention to current interest on both sides of the Atlantic in themes from peasant life, especially fisherfolk. In later works he painted other costumed types, such as Venetian beadstringers, Spanish dancers, Bedouin tribespeople, and even beggars, as in the romantic A Parisian Beggar Girl (TF 1994.14).

Along with Girl on the Beach (TF 1999.131), Breton Woman with a Basket (TF 1996.53), and Young Boy on the Beach (TF 1999.132), Breton Girl with a Basket is one of several painted sketches of individual figures that Sargent made on site. From Cancale he wrote to his sister Emily of his difficulties in finding models and then painting them on the beach surrounded by a crowd of onlookers. Despite such challenges, the studies are animated by lively, fluid brushwork and graceful poses. The exact process by which Sargent worked from the sketches to create the two finished compositions in the studio is unknown. Although more closely related to En route pour la pêche, the figure of the young woman in this study was transferred with little change into the two finished canvases, although in both the horizon line has shifted downward noticeably as the solitary figure becomes the leading member of a group of six women and children, one of whom is partly hidden by her basket.

American Paintings from the Collection of Daniel J. Terra, Museum of Art, The Pennsylvania State University, University Park, Pennsylvania (organizer). Venue: Museum of Art, The Pennsylvania State University, University Park, Pennsylvania, June 5–July 17, 1977 (as Oyster Gatherer of Cancale (female)). [exh. cat.]

Americans in Brittany and Normandy: 1860–1910, Phoenix Art Museum, Phoenix, Arizona (organizer). Venues: Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, September 24–November 28, 1982; Amon Carter Museum, Fort Worth, Texas, December 17, 1982–February 6, 1983; Phoenix Art Museum, Phoenix, Arizona, March 19–May 1, 1983; National Museum of American Art, Washington, D.C., June 10–August 14, 1983 (as Breton Girl with a Basket, Sketch for "The Oyster Gatherers of Cancale"). [exh. cat.]

A Proud Heritage: Two Centuries of American Art, Terra Museum of American Art, Chicago, Illinois (organizer). Venue: Terra Museum of American Art, Chicago, Illinois, April 21–June 21, 1987 (as Breton Girl with a Basket, Sketch for "The Oyster Gatherers of Cancale"). [exh. cat.]

An American Revelation: The Daniel J. Terra Collection, Terra Museum of American Art, Chicago, Illinois (organizer). Venue: Terra Museum of American Art, Chicago, Illinois, February 28–October 1, 1988 (as Breton Girl with a Basket, Sketch for "The Oyster Gatherers of Cancale").

American Painters in France, 1830–1930, Terra Museum of American Art, Chicago, Illinois (organizer). Venue: Terra Museum of American Art, Chicago, Illinois, June 14–September 3, 1989 (as Breton Girl with a Basket (Sketch for "The Oyster Gatherers of Cancale")). [exh. cat.]

Impressions de toujours: les peintres américains en France, 1865–1915 (Lasting Impressions: American Painters in France, 1865–1915), Musée d'Art Américain Giverny, France (organizer). Venue: Musée d'Art Américain Giverny, France, June 1–November 1, 1992; April 1–October 31, 1993; April 1–October 30, 1994; April 1–October 31, 1995 (as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale" (Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale")). [exh. cat.]

American Artists and the French Experience, Terra Museum of American Art, Chicago, Illinois (organizer). Venue: Terra Museum of American Art, Chicago, Illinois, April 12–August 27, 1997 (as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale").

Rivières et rivages: les artistes américains, 1850–1900 (Waves and Waterways: American Perspectives, 1850–1900), Musée d'Art Américain Giverny, France (organizer). Venue: Musée d'Art Américain Giverny, France, April 1–October 31, 2000 (as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale" (Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale")). [exh. cat.]

Selections from the Permanent Collection: American Artists in France, 1860–1910, Terra Museum of American Art, Chicago, Illinois (organizer). Venue: Terra Museum of American Art, Chicago, Illinois, March 10–June 3, 2001 (as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale").

D'une colonie à une collection: le Musée d'Art Américain Giverny fête ses dix ans (From a Colony to a Collection: Celebrating the Tenth Anniversary of the Musée d'Art Américain Giverny), Musée d'Art Américain Giverny, France (organizer). Venue: Musée d'Art Américain Giverny, France, March 30–June 16, 2002 (as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale" (Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale")).

A Place on the Avenue: Terra Museum of American Art Celebrates 15 Years in Chicago, Terra Museum of American Art, Chicago, Illinois (organizer). Venue: Terra Museum of American Art, Chicago, Illinois, November 16, 2002–February 16, 2003 (on exhibit extended run: November 2, 2002–March 2, 2003) (as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale").

En plein air: personnages dans un paysage (En Plein Air: Figures in a Landscape), Musée d'Art Américain Giverny, France (organizer). Venue: Musée d'Art Américain Giverny, France, April 1–October 31, 2004 (as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale" (Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale")).

Le Passage à Paris: les artistes américains en France, 1860–1930 (Passing through Paris: American Artists in France, 1860–1930),  Musée d'Art Américain Giverny, France (organizer). Venue: Musée d'Art Américain Giverny,  April 1–October 31, 2005 (as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale" (Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale")). [exh. brochure]

Sargent and the Sea, Corcoran Gallery of Art , Washington, DC (organizer). Venues: Corcoran Gallery of Art, Washington, DC, September 12, 2009–January 3, 2010; Museum of Fine Arts, Houston, Texax, February 14–May 23, 2010; Royal Academy of Arts, London, England, July 10–September 26, 2010. [exh. cat.]

American Impressionism: a New Vision, 1880–1900 (L'Impressionnisme et les Américains/ Impresionismo Americano (French & Spanish titles), Musée des Impressionnismes Giverny, Giverny, France and the Terra Foundation for American Art, Chicago, Illinois in collaboration with the National Galleries of Scotland, Edinburgh, United Kingdom and the Museo Thyssen-Bornemisza, Madrid, Spain (organizers). Venues: Musée des Impressionnismes Giverny, Giverny, France, March 28–June 29, 2014; Scottish National Gallery, Edinburgh, United Kingdom, July 19–October 19, 2014; Museo Thyssen-Bornemisza, Madrid, Spain, November 4, 2014–February 1, 2015 (as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale"). [exh. cat.]

Whistler to Cassatt: American Painters in France, Denver Museum of Fine Arts, Denver (organizer); Venues: Denver Art Museum, November 14, 2021 - March 13, 2022; Virginia Museum of Fine Arts, Richmond, April 16 - July 31, 2022. [exh. cat.]

   

Parke-Bernet Galleries, Inc., New York, New York (April 7–8, 1971): lot 30. Ill. lot 30 (as Breton Girl with a Basket: Sketch for "The Oyster Gatherers of Cancale").

Mount, Charles Merrill. “The Works of John Singer Sargent in Washington.” Records of the Columbia Historical Society, Washington D.C. 49 (1973/74): Text p. 450 (general reference to studies for Oyster Gatherers of Cancale).

Driscoll, John Paul. American Paintings from the Collection of Daniel J. Terra. (exh. cat., Museum of Art, The Pennsylvania State University). University Park, Pennsylvania: Museum of Art, The Pennsylvania State University, 1977. Ill. (black & white as Oyster Gatherer of Cancale (female)).

John Singer Sargent, his own work. (exh. cat., Coe Kerr Gallery). New York: Coe Kerr Gallery and Wittenborn Art Books, 1980. Text p. 4 (general reference to studies for Oyster Gatherers of Cancale).

Schulze, Franz. "Terra Incognita: A New Museum of American Art." Art News 79, no. 10 (December 1980): 84–87. Ill. p. 86 (black & white, as Figure Study for ‘The Oyster Gatherers of Cancale’).

Ratcliff, Carter. John Singer Sargent. New York: Abbeville Press, Publishers, 1982. Text p. 49; ill. p. 52, no. 68 (black & white, as Female Study for "The Oyster Gatherers of Cancale").

Sellin, David. Americans in Brittany and Normandy: 1860–1910 (exh. cat., Phoenix Art Museum). Phoenix, Arizona: Phoenix Art Museum, 1982. Ill. no. 15 (black & white, as Breton Girl with a Basket, Sketch for "The Oyster Gatherers of Cancale").

Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Ill. p. 195, pl. T-86 (color, as Breton Girl with a Basket, Sketch for "The Oyster Gatherers of Cancale").

Shelby, Carole. American Painters in France, 1830–1930. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of Art, 1987. Text no. 33 (checklist, as Breton Girl with a Basket (Sketch for "The Oyster Gatherers of Cancale")).

Fairbrother, Trevor. "Sargent's Genre Paintings and the Issues of Suppression and Privacy." In Studies in the History of Art: Vol. 37 Symposium Papers XXI: American Art around 1900: Lectures in Memory of Daniel Fraad. Washington D.C.: National Gallery of Art, 1990. Text p. 30 (general reference to studies for Oyster Gatherers of Cancale).

Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Ill. p. 217, pl. 52 (color, as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale").

Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Ill. p. 217, pl. 52 (color, as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale").

Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 54 (checklist, as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale").

Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 36 (color, as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale").

Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 36 (color, as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale").

Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 94, 204; ill. pp. 95 (color), 204 (black & white, as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale").

Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 94, 204; ill. pp. 95 (color), 204 (black & white, as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale").

Kennedy, Elizabeth. "The Terra Museum of American Art." American Art Review (December 2002): 126–41. Text p. 128; ill. p. 132 (color, as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale").

McHugh, Rich. The Rough Guide to Chicago. London: Rough Guides Limited, 2003. Text p. 61 (general reference to studies for Oyster Gatherers of Cancale).

Ormond, Richard, et al. John Singer Sargent: Figures and Landscapes, 1874–1882; Complete Paintings: Volume IV. New Haven; London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2006. Text pp. 86, 108,116, 117, 396; ill. p. 116 (color, as Study for "Oyster Gatherers of Cancale"), p. 117, fig. 63 (black & white).

Cash, Sarah. Sargent and the Sea. (exh. cat., Corcoran Gallery of Art). Washington, DC: Corcoran Gallery of Art, 2009. Text pp. 97-98, 103, 105; ill. p. 96, fig. 133 (color).

Scherer, Barrymore Laurence. “Sargent’s Sea Fever.” The Wall Street Journal (October 27, 2009). Accessed October 27, 2016. http://www.wsj.com/articles/SB10001424052748703746604574463420530345580. Text (general reference to studies for Oyster Gatherers of Cancale).

Donnelly, Jennifer A. “Sargent and the Wyeths in London: Sargent and the Sea, Royal Academy of Arts (10 July–26 September 2010) The Wyeth Family: Three Generations of American Art, Dulwich Picture Gallery (9 June–22 August 2010).” Transatlantica: Revue d’études américaines. American Studies Journal 1 (2010): Text p. 2 (general reference to studies for Oyster Gatherers of Cancale).

Payne, Christiana. “Modernity at the Seaside.” Oxford Art Journal 33 no. 2 (2010): Text p. 239 (general reference to studies for Oyster Gatherers of Cancale).

Curry, David Park. “Sargent: Washington, Houston and London.” The Burlington Magazine 152 no. 1289 (2010): Text p. 560 (general reference to studies for Oyster Gatherers of Cancale).

Cumming, Laura. “Sargent and the Sea: Royal Academy, London.” The Guardian (July 17, 2010). Accessed October 27, 2016. https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy. Text (general reference to studies for Oyster Gatherers of Cancale).

Cash, Sarah, ed. Corcoran Gallery of Art: American Paintings to 1945. Washington D.C.: Corcoran Gallery of Art, 2011. Text p. 143, p. 268 n. 9 (general reference to studies for Oyster Gatherers of Cancale).

Bourguignon, Katherine M. American Impressionism: A New Vision 1880–1900. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 64 (color, as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale").

Bourguignon, Katherine M. L’Impressionnisme et les Américains. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 65 (color).

Bourguignon, Katherine M. Impresionismo Americano. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 65 (color, as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale").

Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 125, 127; ill. p. 125, detail p. 126 (color).

Standring, Timothy J., ed. Whistler to Cassatt: American Painters in France. (exh. cat., Denver Art Museum). New Haven, CT: Yale University Press, 2021. Text p. 36; ill. p. 40 (color).