American Impressionism 2014-15

Collection Info

Terra loans to Une nouvelle lumière : les américains face à l’impressionnisme, Musée des impressionnismes Giverny: March 28–June 29, 2014; American Impressionism: a New Vision, 1880-1900, Scottish National Gallery, Edinburgh, July 19–October 19, 2014; Impresionismo Americano, Museo Thyssen-Bornemisza, Madrid, November 4, 2014–February 1, 2015

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From the Hill, Giverny

Theodore Robinson

Date: c. 1889–92

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1987.6

Text Entries: John Leslie Breck, Theodore Robinson, and Guy Rose were inspired by the undulating landscape surrounding Giverny. Using the hillside as motif, these American artists investigated the changing light and color of the four seasons. Simultaneously with Monet, Robinson experimented with atmospheric conditions, seasonal changes, and different times of day through sequential painting, choosing panoramic views of the Seine River Valley. Soft, fragmented color and hazy atmospheric effects are contrasted against strong diagonals and high horizon lines in his summer landscape From the Hill as well as in Winter Landscape done the same year. Breck dissolves landscape forms in an autumnal light in Giverny Hillside where the built-up paint on the surface adds a physical dimension that contributes to the painting's luminous effect. Painter Guy Rose praised the inspiring Giverny views, "High walls surround picturesque gardens; and long hillsides, checkered with patches of different vegetable growth, slope down to low flat meadows..." In Rose's Giverny Hillside, the qualities of springtime's gentle light, broken brushwork and a simplified color palette reveal the artist's increased involvement with impressionism. Indeed, the sloping hillside garden behind his house may well have been the inspiration for this colorful canvas.

Etude pour "Vallée de la Seine vue des hauteurs de Giverny"

Theodore Robinson

Date: 1892

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.9

Text Entries: Robinson, who had studied in Paris in the 1870s and then had worked predominantly in the Barbizon area, established a lasting friendship with Claude Monet in Giverny. For most of the time between 1888 and 1892, Robinson lived in Giverny and produced a prolific body of impressionist landscapes. He painted the village and its surroundings from different vantage points, including views from the hillside, as in this painting, a study for "Valley of the Seine from Giverny Heights" (in The Corcoran Gallery, Washington, D.C.).

Blossoms at Giverny

Theodore Robinson

Date: 1891–92

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.130

Text Entries: Sokol, David. Two Hundred Years of American Painting from Private Chicago Collections. (exh. cat., Terra Museum of American Art). Evanston, Illinois: Terra Museum of American Art, 1983. Text p. 34; ill. frontispiece, p. 1 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-77, p. 186 (color). Shelby, Carole. American Painters in France, 1830–1930. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1989. Text cat. no. 32 (checklist). Southgate, Therese. "The Cover." The Journal of the American Medical Association 265, no. 17 (May 1991): cover, 2159. Text p. 2159; ill. cover (color). Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 53, 133, 134, 183; ill. p. 136, pl. 4 (color). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 52–53, 133–134, 182–183; ill. p. 136, pl. 4 (color). Gomes, Rosalie. Impressions of Giverny: A Painter's Paradise 1883–1914. San Francisco, California: Pomegranate Artbooks, 1995. Text pp. 55, 114; ill. p. 59, pl. 38 (color). Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 53 (checklist). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 26 (checklist); ill. p. 48 (color). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 26 (checklist); ill. p. 48 (color). Joyes, Claire. The Taste of Giverny: At Home with Monet and the American Impressionists. Paris, France: Flammarion, 2000 Ill. p. 117 (color). Mayer, Stephanie. First Exposure: The Sketchbooks and Photographs of Theodore Robinson. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Ill. p. 49 (color). Mayer, Stephanie. Theodore Robinson. Esquisses et photographies. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Ill. p. 49 (color). Mayer, Stephanie. Blossoms at Giverny, Theodore Robinson. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, January 2001. Ill. (color). Johnston, Sona. In Monet's Light: Theodore Robinson at Giverny. (exh. cat., The Baltimore Museum of Art). Baltimore, Maryland: The Baltimore Museum of Art, 2004. Text p. 164; ill. p. 164, cat. no. 49 (color). Bourguignon, Katherine M. et al. Impressionist Giverny: A Colony of Artists, 1885–1915. (exh. cat. Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for American Art, 2007. Text pp. 103, 210 (checklist); ill. p. 124 (color). Bourguignon, Katherine M. et al. Giverny impressionniste: une Colonie d’artistes, 1885–1915. (exh. cat. Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for American Art, 2007. Text pp. 103, 211 (checklist); ill. cat. p. 124 (color). Mauvoisin, Jacques and Gwenaëlle Ledot. Écrivins de Normandie. Saint-Lô, France: Normandie Magazine, 2007. Ill. p. 102 (color). Bourguignon, Katherine M. "Impressionist Giverny: American Painters in France." American Art Review 20, no. 3 (June 2008): 100–113. Ill. p. 111 (color). Bourguignon, Katherine M., Shunsuke Kijima and Sanjiro Minamikawa. Monet and the Artists of Giverny: The Beginning of American Impressionism. (exh. cat. Kitakyushu Municipal Museum of Art, The Bunkamura Museum of Art, Tokyo, and The Okayama Prefectural Museum of Art). Fukuoka, Japan: The Nishinippon Shimbun, 2010. Text cat. no. 58, pp. 111 (in Japanese), 186 (in English); ill. p. 110 (color). Southgate, M. Therese. The Art of JAMA III: Covers and Essays from the Journal of the American Medical Association. Chicago, Illinois: American Medical Association, 2011. Text pp. 34, 202; ill. opposite p. 34 (color). Bourguignon, Katherine M. American Impressionism: A New Vision 1880–1900. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text pp. 32, 40; ill. p. 51 (color), p. 80 (color). Bourguignon, Katherine M. L’impressionisme et les américains, 1880–1900. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text pp. 32, 40; ill. p. 80 (color). Bourguignon, Katherine M. Impresionismo Americano. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Madrid: Museo Thyssen Bornemisza, 2014. Text pp. 32, 40; ill. p. 80 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 150, 151; ill. p. 151, detail pp. 152–153 (color). Bourguignon, Katherine and Valerie Reis. The Studio of Nature, 1860-1910: The Terra Collection in Context. (exh. cat, Terra Foundation for American Art with the Musée des Impressionnismes Giverny). Paris, France: Réunion des musées nationaux, 2020. Pl. 63, p. 137 (color).

Canal Scene

Theodore Robinson

Date: 1893

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.131

Text Entries: Taft, Dorado. "American Pictures in Paris." Chicago Record 12 (July 1900): 113. Text p. 113. Baur, John I. H. Theodore Robinson 1853–1896. (exh. cat., The Brooklyn Museum). Brooklyn, New York: The Brooklyn Museum, Brooklyn Institute of Arts and Sciences, 1946. Cat. no. 35, p. 59 (as Canal Scene, Autumn). Johnston, Sona. Theodore Robinson 1852–1896. (exh. cat., Baltimore Museum of Art). Baltimore, Maryland: Baltimore Museum of Art, 1973. Text no. 52, pp. 52–53; ill. no. 52, p. 52 (black & white). The Magazine Antiques 107 (January 1975): 29. Ill. p. 29 (color). Gerdts, William H. American Impressionism. (exh. cat., Henry Art Gallery). Seattle, Washington: Henry Art Gallery, University of Washington, 1980. Text p. 138 (checklist); ill. p. 52 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-80, p. 189 (color). Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 54–55; fig. 48, p. 55 (black & white). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 54–55; fig. 48, p. 55 (black & white). Bourguignon, Katherine M. American Impressionism: A New Vision 1880-1900. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. (English, French and Spanish versions). Ill. p. 101 (color).

The Wedding March

Theodore Robinson

Date: 1892

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.127

Text Entries: Robinson, Theodore. Theodore Robinson’s Diary vol. 1 (1852–1896). Entry: August 5th 1892, Giverny. Baur, John I. H. Theodore Robinson 1853–1896. (exh. cat., The Brooklyn Museum). Brooklyn, New York: The Brooklyn Museum, Brooklyn Institute of Arts and Sciences, 1946. Text no. 255, pp. 10, 33, 80. Parke-Bernet Galleries, Inc., New York, New York (Sale 1613, October 14–15, 1955): lot 119. Text p. 22, lot 119 (as Going to Church). Naylor, Maria. Theodore Robinson, American Impressionist (1852–1896). (exh. cat., Kennedy Galleries). New York: Kennedy Galleries, 1966. Text p. 14. Baur John H. Three Nineteenth Century American Painters: John Quidor, Eastman Johnson, Theodore Robinson. Brooklyn, New York: The Brooklyn Museum of Art, 1969. Text pp. 33, 80 (checklist), cat. no. 255. Three Nineteenth Century American Painters: John Quidor, Eastman Johnson, Theodore Robinson. Brooklyn, New York: The Brooklyn Museum of Art, 1969. Text p. 80, no. 255. 19th-Century American Paintings and Sculpture: An Exhibition in Celebration of the Hundredth Anniversary of The Metropolitan Museum of Art. (exh. cat., The Metropolitan Museum of Art). New York: The Metropolitan Museum of Art, 1970. Ill. no. 187 (black & white). Baur John H, Hills Patricia. 18th- and 19th- Century American Art from Private Collections. (exh. cat., Whitney Museum of American Art). New York: Whitney Museum of American Art, 1972. Text, cat. no. 61 (checklist). Johnston, Sona. Theodore Robinson 1852–1896. (exh. cat., Baltimore Museum of Art). Baltimore, Maryland: Baltimore Museum of Art, 1973. Text pp. 42 (checklist, cat. no. 41), 91; ill. p. 42, no. 41 (black & white). Clark, Eliot. Theodore Robinson: His Life and Art. Chicago, Illinois: R. H. Love Galleries, 1979. Ill. pl. 2 (color). Gerdts, William H. American Impressionism. (exh. cat., Henry Art Gallery). Seattle, Washington: Henry Art Gallery, University of Washington, 1980. Text pp. 54, 137 (checklist); ill. p. 8 (color). Sellin, David. Americans in Brittany and Normandy. (exh. cat., Phoenix Art Museum). Phoenix, Arizona: Phoenix Art Museum, 1982. Text p. 201; ill. front cover (color), p. 204, no. 88 (color). Adams, Henry. "Private Collector to Public Champion." Portfolio 5 (January/February 1983): 52. Text p. 52. The Journal of the American Medical Association (June 17, 1983): cover. Ill. cover (color). Hemphill, Christopher. "Daniel Terra and His Museum." Town & Country (February 1984): 195. Text p. 195. Sokol, David M. "The Terra Museum of American Art, Evanston, Illinois." The Magazine Antiques 126, no. 5 (November 1984): 1156–69. Ill. p. 1163, pl. XVIII (color). Gerdts, William H. American Impressionism. New York: Abbeville Press, 1984. Text p. 73; ill. p. 56, pl. 41 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Ill. p. 188, pl. T-79 (color). Gaehtgnes, Thomas W., ed. Bilder aus der Neuen Welt. Amerikanische Malerei des 18. Und 19. Jahrhunderts. (exh. cat., Staatliche Museen Preussischer Kulturbesitz, Nationalgalerie, Orangerie des Schlosses Charlottenburg, Berlin). Muenchen, Germany: Prestel Verlag, 1988. Text p. 84; ill. p. 84 (color). Shelby, Carole. American Painters in France, 1830–1930. (exh. cat. Terra Museum of American Art). Chicago: Terra Museum of American Art, 1989. Cat. no. 21. The Wedding March, Theodore Robinson. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, July 1991. Ill. (black & white). Johnson, Meredith. Lovers in Art. New York: Moore & Moore Publishing, 1991. Text p. 109; ill. pp. 5, 94, 109 (color). Montgomery, Elizabeth Miles. American Impressionists. New York: Crescent Books, 1991. Ill. p. 23 (color). De Vries-Evans, Susanna. The Impressionist Revealed: Masterpieces from Private Collections. Auckland, New Zealand: David Bateman Ltd., 1992. Ill. p 56 (color). Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 12, 54, 135, 139, 172; ill. p. 138, pl. 6 (color), jacket (color). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 12, 54, 135, 139, 172; ill. p. 138, pl. 6 (color), jacket (color). Martin, Jennifer et. al. L'art des États-Unis. Paris, France: Citadelles & Mazenod, 1992. Ill. p. 549 (black & white). Gerdts, William H. Monet's Giverny: An Impressionist Colony. New York: Abbeville Press, 1993. Text pp. 54, 125–26; ill. p. 114, pl. 101 (color detail), p. 127, pl. 110 (color). Gomes, Rosalie. Impressions of Giverny: A Painter's Paradise 1883–1914. San Francisco, California: Pomegranate Artbooks, 1995. Text pp. 66, 68, 114; ill. p. 67, pl. 44 (color). Shipp, Steve. American Art Colonies 1850–1930. Westport, Connecticut: Greenwood Press, 1996. Text p. 22. Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 43; ill. p. 40 (color). Gerdts, William H. American Impressionism. Second edition. New York: Abbeville Press, 2001. Text p. 73; ill. p. 56, pl. 41 (color). Kilmer, Nicholas, et al. Frederick Carl Frieseke: The Evolution of an American Impressionist. (exh. cat., Telfair Museum of Art). Savannah, Georgia: Telfair Museum of Art in association with Princeton University Press, 2001. Ill. p. 82 (black & white). Mancoff, Debra N. Monet's Garden in Art. London, England: Frances Lincoln Limited, 2001. Ill. pp. 77 (color), 89 (color). Benesch, Evelyn and Ingried Brugger. Impressionismus: Amerika-Frankreich-Russland. (exh. cat., Kunstforum Wien). Vienna, Austria: Kunstforum Wien, 2002. Text pp. 19–20; ill. p. 19, pl. 11 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 21, 27, 120, 203–204; ill. pp. 12 (color), 121 (color), 203 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 21, 27, 120, 203–204; ill. pp. 12 (color), 121 (color), 203 (black & white). Kennedy, Elizabeth. "The Terra Museum of American Art." American Art Review (December 2002): 126–41. Text p. 129; ill. p. 136 (color). Mancoff, Debra. The Wedding March, Theodore Robinson. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, June 2003. Ill. (color). Johnston, Sona. In Monet's Light: Theodore Robinson at Giverny. (exh. cat., The Baltimore Museum of Art). Baltimore, Maryland: The Baltimore Museum of Art, 2004. Text pp. 91, 140, no. 34; ill. p. 141, no. 34 (color). Johnston, Sona. "Theodore Robinson at Giverny." American Art Review 16, no. 5 (September–October 2004): 124–33, 175. Ill. p. 127 (color). McNatt, Glenn. “Seeing the Light.” The Sun (October 16, 2004). Ill. front page (color). May, Stephen. “In Monet’s Light: Theodore Robinson at Giverny.” Antiques and the Arts Weekly (October 29, 2004): front page, pp. 40–41. Text p. 41; ill. p.41 (black & white). Johnston, Sona. “The Diary of Theodore Robinson, an American Impressionist.” The Magazine Antiques (November 2004): 128–138. Text p. 132; ill. p. 129 (black & white). May, Stephen. "Lessons Learned: Monet's Influence on Theodore Robinson." American Artist (April 2006): 48–53. Ill. p. 53. Adler, Kathleen et al. Americans in Paris, 1860–1900. (exh. cat. National Gallery of Art) London: National Gallery Company Limited, 2006. Text pp. 145, 254; ill. p. 147, cat. 76 (color), p. 254 (color). Bourguignon, Katherine M. et al. Impressionist Giverny: A Colony of Artists, 1885–1915. (exh. cat. Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for American Art, 2007. Text pp. 64, 132, 210 (checklist); ill. p. 123 (color). Bourguignon, Katherine M. et al. Giverny Impressionniste: une colonie d’artistes, 1885–1915. (exh. cat. Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for American Art, 2007. Text pp. 64, 132, 210 (checklist); cat. p. 123 (color). Goldin, Marco ed. America! Storie di pittura dal Nuovo Mondo. (exh. cat., Brescia, Museo di Santa Giulia). Treviso, Italy: Linea d'ombra Libri, 2007. Text p. 335; ill. p. 335 (black & white). Goldin, Marco ed. America! Storie di pittura dal Nuovo Mondo (English Texts). (exh. cat., Brescia, Museo di Santa Giulia). Treviso, Italy: Linea d'ombra Libri, 2007. Text p. 137. Bourguignon, Katherine M. "Impressionist Giverny: American Painters in France" American Art Review 20, no. 3 (June 2008): 100–113. Ill. p.101 (color). Genocchio, Benjamin. <a href="http://www.nytimes.com/2008/06/29/nyregion/nyregionspecial2/29artsct.html" target="_blank">“In the Spirit of Giverny, Americans in France.”</a>. New York Times (June 29, 2008). Accessed November 15, 2016. Text. Weinberg, H. Barbara and Carrie Rebora Barratt, eds. American Stories: Paintings of Everyday Life, 1765–1915. (exh. cat., The Metropolitan Museum of Art and the Los Angeles County Museum of Art). New York: The Metropolitan Museum of Art; New Haven and London: Yale University Press, 2009. Text pp. 126–27, 212 (checklist); ill. p. 126, fig. 117 (color). Bourguignon, Katherine M., Shunsuke Kijima and Sanjiro Minamikawa. Monet and the Artists of Giverny: The Beginning of American Impressionism. (exh. cat. Kitakyushu Municipal Museum of Art, The Bunkamura Museum of Art, Tokyo, and The Okayama Prefectural Museum of Art). Fukuoka, Japan: The Nishinippon Shimbun, 2010. Text cat. no. 60, pp. 109 (in Japanese), 187 (in English); ill. p. 109 (color). Art Across America. (exh. cat., National Museum of Korea, Los Angeles County Museum of Art, Museum of Fine Arts, Houston, Philadelphia Museum of Art and the Terra Foundation for American Art). Seoul, South Korea: National Museum of Korea, 2013. Text pp. 39, 225; ill. p. 39, fig. 39 (color), p. 225 (color). Bourguignon, Katherine M. American Impressionism: A New Vision 1880–1900. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text pp. 30, 40; ill. p. 81 (color). Bourguignon, Katherine M. L’impressionisme et les américains, 1880–1900. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text pp. 30, 40; ill. p. 81 (color). Bourguignon, Katherine M. Impresionismo Americano. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Madrid: Museo Thyssen Bornemisza, 2014. Text p. 30, 40; ill. p. 81 (color). Collet, Valérie. "L’impressionnisme, une passion américaine." Valeurs Actuelles (April 28, 2014). Accessed November 9, 2016.< a href="http://www.valeursactuelles.com/culture/limpressionnisme-une-passion-americaine-45086" target="_blank">http://www.valeursactuelles.com/culture/limpressionnisme-une-passion-americaine-45086</a>. Text. Cumming Laura, “American Impressionism: Review–Monet’s fans from across the (lily) pond.” The Guardian (August 17, 2014) Accessed November 15, 2016.<a href="https://www.theguardian.com/stage/2014/aug/17/american-impressionism-scottish-gallery-modern-art-observer-review" target="_blank">https://www.theguardian.com/stage/2014/aug/17/american-impressionism-scottish-gallery-modern-art-observer-review</a>. Text. Pathways to Modernism: American Art, 1865-1945. (exh. cat. Shanghai Museum with Art Institute of Chicago and Terra Foundation for American Art). Shanghai: Shanghai Museum, 2018. Text p. 68; ill. p. 69 (color). Burdan, Amanda C. America’s Impressionism: Echoes of a Revolution. (exh. cat., Brandywine River Museum of Art). Chadds Ford, PA: Brandywine River Museum of Art; Memphis, TN: Dixon Gallery and Gardens; San Antonio, TX: San Antonio Museum of Art; distributed by Yale University Press, 2020. Text p. 107; ill. p. 108 (color). Standring, Timothy J., ed. Whistler to Cassatt: American Painters in France. (exh. cat., Denver Art Museum). New Haven, CT: Yale University Press, 2021. Ill. p. 129 (color).

Winter Landscape

Theodore Robinson

Date: 1889

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.128