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American Impressionism 2014-15

Terra loans to Une nouvelle lumière : les américains face à l’impressionnisme, Musée des impressionnismes Giverny: March 28–June 29, 2014; American Impressionism: a New Vision, 1880-1900, Scottish National Gallery, Edinburgh, July 19–October 19, 2014; Impresionismo Americano, Museo Thyssen-Bornemisza, Madrid, November 4, 2014–February 1, 2015

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Metadata Embedded, 2019
John Singer Sargent
Date: c. 1880
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1994.14
Text Entries: Downes, William Howe. <i>John S. Sargent: His Life and Work</i>. Boston, Massachusetts: Little, Brown and Company, 1925. Ill. p. 17 (black & white as <i>A Spanish Beggar Girl</i>).<br><br> Charteris, Evan Edward, Hon. <i>John Sargent</i>. New York: C. Scribner's Sons, 1927. Text p. 281 (as <i>Parisian Beggar Girl</i>), pp. 51, 282 (as <i>Spanish Beggar Girl</i>).<br><br> Mount, Charles Merrill. <i>John Singer Sargent: A Biography</i>. New York: W. W. Norton & Company, Inc., 1969. Text p. 462, no. K8010 (as <i>Beggar Girl</i>).<br><br> Sotheby's New York, New York (Sale 6568, May 25, 1994): lot 66. Text lot 66; ill. cover (color detail), lot 66 (color).<br><br> Reymond, Nathalie. <i>Un regard américain sur Paris</i> (<i>An American Glance at Paris</i>). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 94; ill. p. 92 (color).<br><br> Ormond, Richard and Elaine Kilmurray. <i>John Singer Sargent: The Early Portraits; Complete Paintings</i>. Vol. 1. New Haven, Connecticut and London, England: Yale University Press, 1998. Text p. 34.<br><br> Cartwright, Derrick R. <i>The City and the Country: American Perspectives, 1870–1920</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 16, 26 (checklist); fig. 11, p. 16 (black & white).<br><br> Cartwright, Derrick R. <i>Ville et campagne: les artistes américains, 1870–1920</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 16, 26 (checklist); fig. 11, p. 16 (black & white).<br><br> Cartwright, Derrick R. <i>The Extraordinary and the Everyday: American Perspectives, 1820–1920</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 24 (checklist); ill. p. 36 (color).<br><br> Cartwright, Derrick R. <i>L'Héroïque et le quotidian: les artistes américains, 1820–1920</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 24 (checklist); ill. p. 36 (color).<br><br> Bourguignon, Katherine M. and Elizabeth Kennedy. <i>An American Point of View: The Daniel J. Terra Collection</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 96, 204; ill. pp. 14 (color), 97 (color), 204 (black & white).<br><br> Bourguignon, Katherine M. and Elizabeth Kennedy. <i>Un regard transatlantique. La collection d'art américain de Daniel J. Terra</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 96, 204; ill. pp. 14 (color), 97 (color), 204 (black & white).<br><br> Davidson, Susan, ed. <i>Art in America: 300 Years of Innovation</i>. (exh. cat., National Museum of China, Beijing; Shanghai Museum). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. (Chinese and English version; citing English version). Ill. p. 167 (color).<br><br> <i>Art In America: 300 years of Innovation.</i> Hong Kong: Wen Wei Publishing Co. Ltd, 2007. Text pp. 77–78 (in Chinese).<br><br> Davidson, Susan, ed. <i>Art in America: 300 Years of Innovation</i>. (exh. cat., The Pushkin Museum of Fine Arts, Moscow, Russia). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. (Russian version). Ill. p. 88 (color).<br><br> Davidson, Susan, ed. <i>Art in the USA: 300 años de innovación</i>. (exh. cat., Guggenheim Museum Bilbao). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. (Spanish version). Ill. p. 120 (color).<br><br> Ormand, Richard, et al. <i>John Singer Sargent: Figures and Landscapes, 1874-1882; Complete Paintings: Volume IV</i>. New Haven; London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2006. Text pp. 194–95, 403; Ill. p. 195 (color as "A Young Girl Seeking Alms").<br><br> Hills, Patricia and Helen Lefkowitz Horowitz. <i>John Singer Sargent: Portraits in Praise of Women</i>. (exh. cat. Fenimore Museum of Art, Cooperstown, New York). Cooperstown, New York: Fenimore Art Museum, 2010. Text, p. 38; ill. p. 8 (color) (detail), p. 38 (color)(detail), fig. 25, p. 39(color).<br><br> <i>Art Across America</i>. (exh. cat., National Museum of Korea, Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, Philadelphia Museum of Art and the Terra Foundation for American Art). Seoul, South Korea: National Museum of Korea, 2013. (English and Korean versions). Text pp. 38, 211; ill. fig. 33, p. 38 (color), p. 210 (color).<br><br> Bourguignon, Katherine M. <i>American Impressionism: A New Vision 1880–1900</i>. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. (English, French and Spanish versions). Ill. p. 67 (color).<br><br> Madsen, Annelise K. <i>John Singer Sargent and Chicago’s Gilded Age</i>. (exh. cat, Art Institute of Chicago). Chicago: The Art Institute of Chicago, 2018, distributed by Yale University Press. Text pp. 125–126; ill. p. 125 (color). <br><br> <i>John Singer Sargent.</i> (exh. cat., Nationalmuseum). Stockholm, Sweden: Nationalmuseum, 2018. Text pp. 135, 136; ill. p. 134 (color).<br><br>
2019 Metadata embedded
John Singer Sargent
Date: 1877
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1999.129
Text Entries: Parke-Bernet Galleries, Inc., New York, New York (April 7–8, 1971): lot 30. Ill. lot 30 (as <i>Breton Girl with a Basket: Sketch for "The Oyster Gatherers of Cancale"</i>). <br><br> Mount, Charles Merrill. “The Works of John Singer Sargent in Washington.” <i>Records of the Columbia Historical Society, Washington D.C.</i> 49 (1973/74): Text p. 450 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br> Driscoll, John Paul. <i>American Paintings from the Collection of Daniel J. Terra</i>. (exh. cat., Museum of Art, The Pennsylvania State University). University Park, Pennsylvania: Museum of Art, The Pennsylvania State University, 1977. Ill. (black & white as <i>Oyster Gatherer of Cancale (female)</i>).<br><br> <i>John Singer Sargent, his own work</i>. (exh. cat., Coe Kerr Gallery). New York: Coe Kerr Gallery and Wittenborn Art Books, 1980. Text p. 4 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br> Schulze, Franz. "Terra Incognita: A New Museum of American Art." <i>Art News</i> 79, no. 10 (December 1980): 84–87. Ill. p. 86 (black & white, as <i>Figure Study for ‘The Oyster Gatherers of Cancale’</i>).<br><br> Ratcliff, Carter. <i>John Singer Sargent</i>. New York: Abbeville Press, Publishers, 1982. Text p. 49; ill. p. 52, no. 68 (black & white, as <i>Female Study for "The Oyster Gatherers of Cancale"</i>).<br><br>Sellin, David. <i>Americans in Brittany and Normandy: 1860–1910</i> (exh. cat., Phoenix Art Museum). Phoenix, Arizona: Phoenix Art Museum, 1982. Ill. no. 15 (black & white, as <i>Breton Girl with a Basket, Sketch for "The Oyster Gatherers of Cancale"</i>).<br><br>Atkinson, D. Scott et al. <i>A Proud Heritage: Two Centuries of American Art</i>. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Ill. p. 195, pl. T-86 (color, as <i>Breton Girl with a Basket, Sketch for "The Oyster Gatherers of Cancale"</i>).<br><br> Shelby, Carole. <i>American Painters in France, 1830–1930</i>. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of Art, 1987. Text no. 33 (checklist, as <i>Breton Girl with a Basket (Sketch for "The Oyster Gatherers of Cancale")</i>).<br><br>Fairbrother, Trevor. "Sargent's Genre Paintings and the Issues of Suppression and Privacy." In <i>Studies in the History of Art: Vol. 37 Symposium Papers XXI: American Art around 1900: Lectures in Memory of Daniel Fraad</i>. Washington D.C.: National Gallery of Art, 1990. Text p. 30 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br>Gerdts, William H. et al. <i>Lasting Impressions: American Painters in France, 1865–1915</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Ill. p. 217, pl. 52 (color, as <i>Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale"</i>).<br><br>Gerdts, William H. et al. <i>Impressions de toujours: les peintres américains en France, 1865–1915</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Ill. p. 217, pl. 52 (color, as <i>Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale"</i>).<br><br> <i>Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance)</i>. Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 54 (checklist, as <i>Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale"</i>).<br><br>Cartwright, Derrick R. <i>Waves and Waterways: American Perspectives, 1850–1900</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 36 (color, as <i>Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale"</i>).<br><br>Cartwright, Derrick R. <i>Rivières et rivages: les artistes américains, 1850–1900</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 36 (color, as <i>Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale"</i>).<br><br>Bourguignon, Katherine M. and Elizabeth Kennedy. <i>An American Point of View: The Daniel J. Terra Collection</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 94, 204; ill. pp. 95 (color), 204 (black & white, as <i>Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale"</i>).<br><br>Bourguignon, Katherine M. and Elizabeth Kennedy. <i>Un regard transatlantique. La collection d'art américain de Daniel J. Terra</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 94, 204; ill. pp. 95 (color), 204 (black & white, as <i>Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale"</i>).<br><br>Kennedy, Elizabeth. "The Terra Museum of American Art." <i>American Art Review</i> (December 2002): 126–41. Text p. 128; ill. p. 132 (color, as <i>Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale"</i>).<br><br> McHugh, Rich. <i>The Rough Guide to Chicago</i>. London: Rough Guides Limited, 2003. Text p. 61 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br> Ormond, Richard, et al. <i>John Singer Sargent: Figures and Landscapes, 1874–1882; Complete Paintings: Volume IV</i>. New Haven; London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2006. Text pp. 86, 108,116, 117, 396; ill. p. 116 (color, as <i>Study for "Oyster Gatherers of Cancale"</i>), p. 117, fig. 63 (black & white).<br><br>Cash, Sarah. <i>Sargent and the Sea</i>. (exh. cat., Corcoran Gallery of Art). Washington, DC: Corcoran Gallery of Art, 2009. Text pp. 97-98, 103, 105; ill. p. 96, fig. 133 (color).<br><br> Scherer, Barrymore Laurence. “Sargent’s Sea Fever.” <i>The Wall Street Journal</i> (October 27, 2009). Accessed October 27, 2016. <a href="http://www.wsj.com/articles/SB10001424052748703746604574463420530345580" target="_blank">http://www.wsj.com/articles/SB10001424052748703746604574463420530345580</a>. Text (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br> Donnelly, Jennifer A. “Sargent and the Wyeths in London: Sargent and the Sea, Royal Academy of Arts (10 July–26 September 2010) The Wyeth Family: Three Generations of American Art, Dulwich Picture Gallery (9 June–22 August 2010).” <i>Transatlantica: Revue d’études américaines. American Studies Journal</i> 1 (2010): Text p. 2 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br>Payne, Christiana. “Modernity at the Seaside.” <i>Oxford Art Journal</i> 33 no. 2 (2010): Text p. 239 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br>Curry, David Park. “Sargent: Washington, Houston and London.” <i>The Burlington Magazine</i> 152 no. 1289 (2010): Text p. 560 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br>Cumming, Laura. “Sargent and the Sea: Royal Academy, London.” <i>The Guardian</i> (July 17, 2010). Accessed October 27, 2016. <a href="https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy" target="_blank">https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy</a>. Text (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br>Cash, Sarah, ed. <i>Corcoran Gallery of Art: American Paintings to 1945</i>. Washington D.C.: Corcoran Gallery of Art, 2011. Text p. 143, p. 268 n. 9 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br>Bourguignon, Katherine M. <i>American Impressionism: A New Vision 1880–1900</i>. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 64 (color, as <i>Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale"</i>).<br><br>Bourguignon, Katherine M. <i>L’Impressionnisme et les Américains</i>. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 65 (color).<br><br> Bourguignon, Katherine M. <i>Impresionismo Americano</i>. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 65 (color, as <i>Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale"</i>).<br><br> Bourguignon, Katherine M., and Peter John Brownlee, eds. <i>Conversations with the Collection: A Terra Foundation Collection Handbook.</i> Chicago: Terra Foundation for American Art, 2018. Text pp. 125, 127; ill. p. 125, detail p. 126 (color).<br><br> Standring, Timothy J., ed. <i>Whistler to Cassatt: American Painters in France</i>. (exh. cat., Denver Art Museum). New Haven, CT: Yale University Press, 2021. Text p. 36; ill. p. 40 (color).<br ><br>
2017 Metadata embedded
John Singer Sargent
Date: 1888
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1999.130
Text Entries: On the verdant shore of a flowing stream, an artist contemplates his work, while his companion, sitting on the bank, seems absorbed in her reading. An American artist living in Europe, John Singer Sargent was already a well-known portrait painter when he produced this small canvas in 1888. It shows his sister Violet in the company of the American painter Dennis Miller Bunker, who, after completing his artistic training in Europe, had settled in Boston in 1885. Sargent was spending the summer with his family in Calcot, England, and invited Bunker, to join him. This painting represents how the two artists worked in the English countryside. In spite of his absence from the picture, we can imagine Sargent painting the scene beside his sister and his friend. The light fluid strokes reveal Sargent's skill, as well as his mastery of the constraints of painting outdoors: they give the picture a sketchy look, but at the same time make it more dynamic. The bright luminosity is rendered by colorful contrasts, revealing nuances of light and shadow. Thus it is the different hues, light and dark, of Bunker's white suit which define his figure, and not a drawn outline. And the touch of red that Sargent adds to Bunker's belt, is a complementary color, that intensifies the vivid greens surrounding him.
Young Boy on the Beach, Study for “En route pour la pêche” and “Fishing for Oysters at Cancale”
John Singer Sargent
Date: 1877
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1999.132
Text Entries: Parke-Bernet Galleries, Inc., New York, New York (April 7–8, 1971): lot 31. Ill. lot 31 (as <i>Young Boy on the Beach: Sketch for "The Oyster Gatherers of Cancale"</i>). <br><br> Mount, Charles Merrill. "The Works of John Singer Sargent in Washington." <i>Records of the Columbia Historical Society, Washington D.C.</i> 49 (1973/74): Text p. 450 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br> Driscoll, John Paul. <i>American Paintings from the Collection of Daniel J. Terra</i>. (exh. cat., Museum of Art, The Pennsylvania State University). University Park, Pennsylvania: Museum of Art, The Pennsylvania State University, 1977. Ill. (black & white as <i>Oyster Gatherer of Cancale (male)</i>).<br><br> <i>John Singer Sargent, his own work</i>. (exh. cat., Coe Kerr Gallery). New York: Coe Kerr Gallery and Wittenborn Art Books, 1980. Text p. 4 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br> Sellin, David. <i>Americans in Brittany and Normandy: 1860–1910</i>. (exh. cat., Phoenix Art Museum). Phoenix, Arizona: Phoenix Art Museum, 1982. Text p. 135; ill. p. 136, no. 14 (black & white, as <i>Young Boy on the Beach: Sketch for "The Oyster Gatherers of Cancale"</i>).<br><br> Ratcliff, Carter. <i>John Singer Sargent</i>. New York: Abbeville Press, Publishers, 1982. Ill. p. 52, no. 69 (black & white, as <i>Male Study for "The Oyster Gatherers of Cancale"</i>).<br><br> Adams, Henry. "Daniel Terra and American Art: Private Collector to Public Champion." <i>Portfolio</i> 5, no. 1 (January/February 1983): 48–53. Ill. p. 53 (color, as <i>The Young Boy on the Beach</i>).<br><br>Atkinson, D. Scott et al. <i>A Proud Heritage: Two Centuries of American Art</i>. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Ill. p. 197, pl. T-88 (color, as <i>Young Boy on the Beach, Sketch for "The Oyster Gatherers of Cancale"</i>). <br><br> Shelby, Carole. <i>American Painters in France, 1830–1930</i>. (exh. cat., Terra Museum of Art, Chicago). Chicago, Illinois: Terra Museum of Art, 1989. Text no. 39 (checklist, as <i>Young Boy on the Beach (Sketch for "The Oyster Gatherers of Cancale")</i>).<br><br> Fairbrother, Trevor. "Sargent's Genre Paintings and the Issues of Suppression and Privacy." In <i>Studies in the History of Art: Vol. 37 Symposium Papers XXI: American Art around 1900: Lectures in Memory of Daniel Fraad</i>. Washington D.C.: National Gallery of Art, 1990. Text p. 30 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br> Gerdts, William H. et al. <i>Lasting Impressions: American Painters in France, 1865–1915</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 216; 220; ill. p. 219, pl. 54 (color, as <i>Young Boy on the Beach, Sketch for "Oyster Gatherers of Cancale"</i>).<br><br>Gerdts, William H. et al. <i>Impressions de toujours: les peintres américains en France, 1865–1915</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 216; 220; ill. 219, pl. 54 (color, as <i>Jeune garçon sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"</i>).<br><br>Sullivan, Charles, ed. <i>Imaginary Animals: Poetry and Art for Young People</i>. New York: Harry N. Abrams, Inc., Publishers, 1996. Ill. p. 78 (color, as <i>Young Boy on the Beach, Sketch for "Oyster Gatherers of Cancale"</i>).<br><br> <i>Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance)</i>. Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 55 (checklist, as <i>Jeune garçon sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"</i>).<br><br>Cartwright, Derrick R. <i>Waves and Waterways: American Perspectives, 1850–1900</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 37 (color, as <i>Young Boy on the Beach (Sketch for "The Oyster Gatherers of Cancale")</i>).<br><br>Cartwright, Derrick R. <i>Rivières et rivages: les artistes américains, 1850–1900</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 37 (color, as <i>Jeune garçon sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"</i>).<br><br>Bourguignon, Katherine M. and Elizabeth Kennedy. <i>An American Point of View: The Daniel J. Terra Collection</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 94; ill. p. 94, fig. c (black & white, as <i>Young Boy on the Beach, Sketch for "Oyster Gatherers of Cancale"</i>).<br><br>Bourguignon, Katherine M. and Elizabeth Kennedy. <i>Un regard transatlantique. La collection d'art américain de Daniel J. Terra</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 94; ill. p. 94, fig. c (black & white, as <i>Jeune garçon sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"</i>).<br><br> Kennedy, Elizabeth. “The Terra Museum of American Art.” <i>American Art Review</i> 14, no. 6 (2002): Text p. 128 (general reference to studies for "Oyster Gatherers of Cancale").<br><br> <i>The People Work: American Perspectives, 1840–1940</i>. (exh. cat., Terra Museum of American Art, Musée d’Art Américain). Giverny, France: Musée d’Art Américain, 2003. Text p. 30 (checklist, as <i>Young Boy on the Beach, Sketch for "Oyster Gatherers of Cancale"</i>).<br><br> <i>Le Travaila L’oeuvre: Les Artistes Américains, 1840–1940</i>. (exh. cat., Terra Museum of American Art, Musée d’Art Américain). Giverny, France: Musée d’Art Américain, 2003. Text p. 30 (checklist, as <i>Jeune garçon sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"</i>). <br><br> McHugh, Rich. <i>The Rough Guide to Chicago</i>. London: Rough Guides Limited, 2003. Text p. 61 (general reference to studies for "Oyster Gatherers of Cancale").<br><br> Ormond, Richard, et al. <i>John Singer Sargent: Figures and Landscapes, 1874–1882; Complete Paintings: Volume IV</i>. New Haven; London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2006. Text pp. 86, 108, 117, 118, 396; ill. p. 118 (color, as <i>Study for "Oyster Gatherers of Cancale"</i>), p. 117, fig. 63 (black & white).<br><br> Gerdts, William H. and David F. Setford. <i>Impressions: Americans in France, 1860–1930</i> and <i>Claude Monet: Giverny and the North of France.</i> (exh. cat. Naples Museum of Art). Naples, Florida: Naples Museum of Art, 2007. Text pp. 12–13, 97 no. 39 (checklist); ill. p. 30 (color, as <i>Young Boy on the Beach, Sketch for "Oyster Gatherers of Cancale"</i>).<br><br>Cash, Sarah. <i>Sargent and the Sea</i>. (exh. cat., Corcoran Gallery of Art). Washington, DC: Corcoran Gallery of Art, 2009. Text pp. 97–98, 100, 105; ill. p. 99, fig. 137 (black & white).<br><br> Scherer, Barrymore Laurence. <a href="http://www.wsj.com/articles/SB10001424052748703746604574463420530345580" target=" blank">"Sargent’s Sea Fever."</a> <i>The Wall Street Journal</i> (October 27, 2009). Accessed October 27, 2016. Text (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br> Donnelly, Jennifer A. "Sargent and the Wyeths in London: Sargent and the Sea, Royal Academy of Arts (10 July–26 September 2010) The Wyeth Family: Three Generations of American Art, Dulwich Picture Gallery (9 June–22 August 2010)." <i>Transatlantica: Revue d’études américaines. American Studies Journal</i> 1 (2010): Text p. 2 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br> Payne, Christiana. “Modernity at the Seaside.” <i>Oxford Art Journal</i> 33 no. 2 (2010): Text p. 239 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br> Curry, David Park. “Sargent: Washington, Houston and London.” <i>The Burlington Magazine</i> 152 no. 1289 (2010): Text p. 560 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br> Cumming, Laura. “Sargent and the Sea: Royal Academy, London.” <i>The Guardian</i> (July 17, 2010). Accessed October 27, 2016. <a href="https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy" target="_blank">https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy</a>. Text (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br> Cash, Sarah, ed. <i>Corcoran Gallery of Art: American Paintings to 1945</i>. Washington D.C.: Corcoran Gallery of Art, 2011. Text p. 143, p. 268 n. 9 (general reference to studies for <i>Oyster Gatherers of Cancale</i>).<br><br> Bourguignon, Katherine M. <i>American Impressionism: A New Vision 1880–1900</i>. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 65 (color, as <i>Young Boy on the Beach, Sketch for "Oyster Gatherers of Cancale"</i>).<br><br> Bourguignon, Katherine M. <i>L’Impressionnisme et les Américains</i>. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 65 (color, as <i>Jeune garçon sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"</i>).<br><br> Bourguinon, Katherine M. <i>Impresionismo Americano</i>. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 65 (color).<br><br> Bourguignon, Katherine M., and Peter John Brownlee, eds. <i>Conversations with the Collection: A Terra Foundation Collection Handbook.</i> Chicago: Terra Foundation for American Art, 2018. Text pp. 125, 127; ill. p. 125 (color). Standring, Timothy J., ed. <i>Whistler to Cassatt: American Painters in France</i>. (exh. cat., Denver Art Museum). New Haven, CT: Yale University Press, 2021. Text p. 36; ill. p. 41 (color).<br ><br>