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Newburyport Marshes: Approaching Storm

Martin Johnson Heade

Date: c. 1871

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.68

Text Entries: Sokol, David M. "The Terra Museum of American Art, Evanston, Illinois." The Magazine Antiques 126:5 (November 1984): 1156–69. Pl. IX, p. 1160 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-24, p. 133 (color). Newburyport Marshes: Approaching Storm, Martin Johnson Heade. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, 1988. Ill. (black & white). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 14, 24 (checklist); ill. p. 44 (color). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 14, 24 (checklist); ill. p. 44 (color). Cartwright, Derrick. "The City and Country: American Perspectives, 1870–1920." American Art Review 7:1 (January–February 2000): 100-11. Ill. p. 102 (color). Stebbins, Jr., Theodore E. The Life and Works of Martin Johnson Heade: A Critical Analysis and Catalogue Raisonné. New Haven, Connecticut: Yale University Press, 2000. Text p. 237; ill. p. 122 (color), cat. 144, p. 237 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 64, 197; ill. pp. 65 (color), 197 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 64, 197; ill. pp. 65 (color), 197 (black & white). Side by Side: Works from the Terra Foundation for the Arts and the Detroit Institute of Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 9; ill. cover (color detail), p. 8 (color). Deux collections en regard: oeuvres de la Terra Foundation for the Arts et du Detroit Institute of Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 9; ill. cover (color detail), p. 8 (color). Czestochowski, Joseph S. Georgia O’Keeffe: Visions of the Sublime. Memphis, TN: Torch Press and International Arts, 2004. Ill. p. 184, pl. 90 (color). Andreae, Christopher. “Heade Felt at Home Where Tide and Land Meet.” The Christian Science Monitor (July 7, 2005): 19. Ill. p. 19 (color). Davidson, Susan, ed. Art in America: 300 Years of Innovation. (exh. cat., National Museum of China, Beijing; Shanghai Museum). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. (Chinese and English version; citing English version). Text p. 246; ill. p. 117 (color). Art In America: 300 years of Innovation. Hong Kong: Wen Wei Publishing Co. Ltd, 2007. (in Chinese) Ill. p. 46 (color). Davidson, Susan, ed. Art in the USA: 300 años de innovación. (exh. cat., Guggenheim Museum Bilbao). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. (Spanish version). Ill. p. 94 (color). Brownlee, Peter John. Manifest Destiny / Manifest Responsibility: Environmentalism and the Art of the American Landscape. (exh. cat., Loyola University Museum of Art, Chicago, Illinois). Chicago, Illinois: Terra Foundation for American Art and Loyola University Museum of Art, 2008. Text pp. 28, 36 (checklist); Ill. Pl. 6, p. 45 (color). “Manifest Responsibility: Environmentalism and the Art of the American Landscape at Loyola.” Artdaily.org. Last modified May 19, 2008. Accessed January 26, 2016. Ill. (color). Artner, Alan G. “’Manifest Destiny’ exhibit reflects an optimistic America.” Chicago Tribune (June 19, 2008). Ill. (color). Brownlee, Peter John, Valéria Piccoli, and Georgiana Uhlyarik, eds. Picturing the Americas: Landscape Painting from Tierra del Fuego to the Arctic. (exh. cat., Art Gallery of Ontario, Pinacoteca do Estado de São Paulo and the Terra Foundation for American Art). Toronto, Ontario: Art Gallery of Ontario in association with Yale University Press, New Haven, Connecticut, 2015. Ill. fig. 3, p. 134 (color), cover (color detail). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text p. 74; ill. p. 74 (color). Kusserow, Karl, and Alan C. Braddock. Nature’s Nation: American Art and Environment. (exh. cat. Princeton University Art Museum). Princeton, New Jersey: Princeton University Art Museum, distributed by Yale University Press, 2018. Text pp. 304-311; ill. p. 305 (color). Pfohl, Katie. Inventing Acadia: Painting and Place in Louisiana. (exh. cat., New Orleans Museum of Art). New Orleans: New Orleans Museum of Art, distributed by Yale University Press, 2019. Text pp. 22; ill. p. 23 (color). Bourguignon, Katherine and Valerie Reis. The Studio of Nature, 1860-1910: The Terra Collection in Context. (exh. cat, Terra Foundation for American Art with the Musée des Impressionnismes Giverny). Paris, France: Réunion des musées nationaux, 2020. Ill. p. 60 (detail), Pl. 4, p. 61 (color).