Dated Web objects 1840-1879

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Dream Painting

Fitz Henry Lane

Date: 1862

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.84

Text Entries: Wilmerding, John. Fitz Hugh Lane, 1804–1865: American Marine Painter. Salem, Massachusetts: Essex Institute, 1964. No. 317, pp. 31-32. Wilmerding, John. Fitz Hugh Lane. New York: Praeger Publishers, 1971. Text p. 79; ill. no. 86 (black & white). Hemphill, Christopher. "Daniel Terra and His Collection." Town & Country (February 1984): 196. American Paintings III 1985. New York: Berry-Hill Galleries, Inc., 1985. Text p. 28; ill. p. 29 (color). Christie's, New York, New York (Sale 6838, May 25, 1989): lot 41. Text p. 52; ill. lot 41, p. 53. Miller, David C. "The Iconology of Wrecked or Stranded Boats in Mid to Late Nineteenth-Century American Culture." American Iconology: New Approaches to Nineteenth-Century Art and Literature. New Haven: Yale University Press, 1993. Text p. 196; ill. fig. 9.7 (black & white). Sikkema, Scott. Dream Painting, Fitz Hugh Lane. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, September 2000. Ill. (color). Kennedy, Elizabeth. "The Terra Museum of American Art." American Art Review (December 2002): 126–41. Text pp. 131–32. Craig, James A. Fitz H. Lane: An Artist's Voyage through Nineteenth-Century America. Charleston, South Carolina: The History Press, 2006. Text p. 158.

The Hudson River at West Point

Alfred Thompson Bricher

Date: 1864

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1993.17

Text Entries: Southgate, M. Therese. "The Cover." The Journal of the American Medical Association 272:11 (September 21, 1994): 835. Text p. 835; ill. cover (color). Brownlee, Peter John. Manifest Destiny / Manifest Responsibility: Environmentalism and the Art of the American Landscape. (exh. cat., Loyola University Museum of Art, Chicago, Illinois). Chicago, Illinois: Terra Foundation for American Art and Loyola University Museum of Art, 2008. Text p. 34 (checklist). Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens.Home Front: Daily Life in the Civil War North with a foreword by Adam Goodheart.(exh. Cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 148, 150, 151, 160 (checklist); Fig. 87, p. 149 (color). Bourguignon, Katherine and Valerie Reis. The Studio of Nature, 1860-1910: The Terra Collection in Context. (exh. cat, Terra Foundation for American Art with the Musée des Impressionnismes Giverny). Paris, France: Réunion des musées nationaux, 2020. Pl. 1, p. 57 (color).

On Guard

Winslow Homer

Date: 1864

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1994.11

Text Entries: Goodrich, Lloyd. Winslow Homer. New York: Published for the Whitney Museum of American Art by Macmillan, 1944. Ill. frontispiece. Goodrich, Lloyd. Winslow Homer. New York: George Braziller, 1959. Ill. no. 3. Christie's New York, New York (Sale ANNABELLE-7894, May 26, 1994): lot 31. Text p. 44; ill. lot 31, p. 45 (color). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. p. 9. On Guard, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, January 1996. Ill. (black & white). Regard sur cinq années d'expositions (Five Years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 93; ill. p. 88 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 88, 198; ill. pp. 9 (color), 89 (color), 198 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 88, 198; ill. pp. 9 (color), 89 (color), 198 (black & white). Side by Side: Works from the Terra Foundation for the Arts and the Detroit Institute of Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 11; ill. p. 10 (color). Deux collections en regard: oeuvres de la Terra Foundation for the Arts et du Detroit Institute of Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 11; ill. p. 10 (color). Tedeschi, Martha with Kristi Dahm. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text p. 37; ill. p. 39 fig. 3 (color). Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens.Home Front: Daily Life in the Civil War North with a foreword by Adam Goodheart.(exh. Cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 70, 121, 162 (checklist), 178n31; Fig. 72, p. 120 (color). Byrd, Dana E. and Frank H. Goodyear. Winslow Homer and the Camera: Photography and the Art of Painting. (exh. cat., Bowdoin College Museum of Art). New Haven: Yale University Press, 2018. Pl. 12, p. 80 (color). Pathways to Modernism: American Art, 1865–1945. (exh. cat. Shanghai Museum with Art Institute of Chicago and Terra Foundation for American Art). Shanghai: Shanghai Museum, 2018. Text p. 18; ill. p. 19 (color).

Rocks at Nahant

William Stanley Haseltine

Date: 1864

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.65

Text Entries: Nineteenth-century landscape painter William Stanley Haseltine closely studied nature with a scientific curiosity. The rocky Nahant coast, north of Boston, attracted Haseltine because of its beautiful, open expanses of sky and water and its unique masses of smooth-topped, reddish indigenous rock. Remarkably commanding, the polished detail of the rock in this painting dominates the coastal scene as it diagonally divides the picture.

Brace's Rock, Brace's Cove

Fitz Henry Lane

Date: 1864

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.83

Text Entries: Baur, John I. H. A Mirror of Creation: 150 Years of American Nature Painting. (exh. cat., Vatican Museum). New York: Friends of American Art in Religion, Inc., 1980. Ill. no. 14 (color). Text (checklist, no. 14); ill. no. 14 (color, as Brace’s Rock). Novak, Barbara. Nature and Culture: American Landscape Painting, 1825–1875. New York: Oxford University Press, 1980. Ill. no. 10 (color). Weinberg, Adam. “Photography Eclipsed.” Afterimage 8, no. 3 (October 1980): 17–18. Text p. 17; ill. p. 18 (black & white). Wilmerding, John. American Light: The Luminist Movement, 1850–1875 (exh. cat., National Gallery of Art, Washington, D.C.). Princeton, NJ: Princeton University Press, 1980. Text pp. 46, 81, 84, 102, 112; ill. p. 22, pl. 11 (black & white), p. 62, pl. 11 (color). Millard, Charles W. “American Landscape Painting, 1850–1875.” The Hudson Review 34:2 (Summer 1981): 269–276. Text p. 272. Novak, Barbara. "Une Amérique tranquille." Connaissance Arts 365–66 (July/August 1982): 72–75. Text p. 74; ill. p. 75 (color). Gustafson, Eleanor H. "Museum Accessions." The Magazine Antiques 124, no. 5 (November 1983): 974, 976, 978. Text p. 974; ill. p. 974 (black & white). Hemphill, Christopher. "Daniel Terra and His Collection." Town & Country (February 1984): 196. Ill. p. 196, pl. VIII. Sokol, David M. "The Terra Museum of American Art, Evanston, Illinois." The Magazine Antiques 126:5 (November 1984): 1156–69. Ill. p. 1159, pl. VIII (color). Smith, Gayle L. “Emerson and the Luminist Painters: A Study of Their Styles.” American Quarterly 37:2 (Summer 1985): 193–215. Text p. 206. Ill. p. 206, fig. 3 (black & white, image credit listed as The Tara Museum of American Art). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Ill. p. 122, pl. T-13 (color). Wilmerding, John et al. Paintings by Fitz Hugh Lane. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1988. Text pp. 36, 39, 161 (checklist, cat. 22); ill. p. 37, cat. 22 (color). Winslow Homer in Gloucester. (exh. cat. Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1990. Text pp. 11–12, 58; ill. p. 58, fig. 40 (black & white). Brace's Rock, Brace's Cove, Fitz Hugh Lane. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, May 1990. Ill. (black & white). Goddard, Donald. American Painting. New York: Hugh Lauter Levin Associates, Inc., 1990. Ill. p. 70 (color). Vallino, Fabienne-Charlotte Oraezie. "Alle radici dell'etica ambientale: pensiero sulla natura, vilderness e creativita artistica negli Stati Uniti del XIX secolo." Storia dell'Arte. Rome, Italy: Universita degli Studi della Tuscia, 1993. Ill. p. 241, fig. 21. Miller, David C. “The Iconology of Wrecked or Stranded Boats in Mid to Late Nineteenth-Century American Culture.” In American Iconology: New Approaches to Nineteenth-Century Art and Literature. Edited by David C. Miller. New Haven: Yale University Press, 1993. Text pp. 192, 195. Ill. p. 193, fig. 9.5 (color, image incorrectly credited as Museum of Fine Arts, Boston, Karolik Collection). Novak, Barbara. Nature and Culture: American Landscape Painting, 1825–1875, rev. ed. New York: Oxford University Press, 1995. Ill. no. 10 (color). Yaeger, Bert D. The Hudson River School: American Landscape Artists. New York: Smithmark Publishers, 1996. Text p. 50; ill. p. 51 (color detail), p. 53 (color), back cover (color). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 27 (checklist); ill. p. 32 (color). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 27 (checklist); ill. p. 32 (color). MacDonald, Scott. “Peter Hutton: The Filmmaker as Luminist.” Chicago Review 47:3 (Fall 2001): 67–87. Text p. 74; ill. p. 75 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 62, 200; ill. pp. 8 (color), 63 (color), 200 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 62, 200; ill. pp. 8 (color), 63 (color), 200 (black & white). Wilton, Andrew and Tim Barringer. American Sublime: Landscape Painting in the United States 1820–1880. (exh. cat., Tate Britain). London, England: Tate Publishing, 2002. Text pp. 202, 254; ill. p. 202 (color). Kennedy, Elizabeth. "The Terra Museum of American Art." American Art Review (December 2002): 126–41. Text pp. 131–32. Czestochowski, Joseph S. Georgia O’Keeffe: Visions of the Sublime. Memphis, TN: Torch Press and International Arts, 2004. Ill. p. 184, pl. 91 (color). Vaughan, William. Friedrich. New York: Phaidon Press, 2004. Ill. p. 315 (color). Wilmerding, John. Fitz Henry Lane & Mary Blood Mellen Old Mysteries and New Discoveries. (exh. cat., Spanierman Gallery). New York, New York: Spanierman Gallery, 2007. Text pp. 24, 37, 42; ill. p. 39, fig. 36 (color), p. 103, cat. no. 50 (color). Tedeschi, Martha with Dahm, Kristi. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text p. 37; ill. p. 37, fig. 2 (color). Neset, Arne. Arcadian Waters and Wanton Seas: The Iconology of Waterscapes in Nineteenth-Century Transatlantic Culture. New York, New York: Peter Lang Publishing, Inc., 2009. Text p. 183; ill. p. 182, fig. 8.13 (black & white). <a href="http://fitzhenrylaneonline.org/catalog/entry.php?id=73" target="_blank">“Brace's Rock, 1864 (inv. 73)”</a>. Fitz Henry Lane Online. Cape Ann Museum. Accessed January 27, 2016. Cat no. 73 (color, as Brace’s Rock). Holdsworth, Sam. <a href="http://fitzhenrylaneonline.org/essays/index.php?name=Braces_Rock_Series" target="_blank">“Brace's Rock Series.”</a> Fitz Henry Lane Online. Cape Ann Museum. Accessed January 27, 2016. Ill. (color, as Brace’s Rock). Baca, Miguel de. Memory Work: Anne Truitt and Sculpture. Oakland, CA: University of California Press, 2016. Text pp. 70–71; ill. p. 71, fig. 28 (black & white). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 46–47, 64, 65; fig. 3, p. 47; ill. p. 64, detail pp. 66-67 (color).

Autumn Afternoon, the Wissahickon

Thomas Moran

Date: 1864

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.99

Text Entries: Sotheby's New York, New York (Sale 6568, May 25, 1994): lot 29. Ill. lot 29 (color). Autumn on the Wissahickon, Thomas Moran. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, October 1996. Ill. (black & white). Anderson, Nancy K. Thomas Moran. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1997. Ill. p. 352 (black & white). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 17, 25 (checklist); fig. 15, p. 17 (black & white). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 17, 25 (checklist); fig. 15, p. 17 (black & white). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 27 (checklist); ill. p. 31 (color). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 27 (checklist); ill. p. 31 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 60, 202; ill. pp. 5 (color), 61 (color), 202 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 60, 202; ill. pp. 5 (color), 61 (color), 202 (black & white). Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens. Home Front: Daily Life in the Civil War North with a foreword by Adam Goodheart.(exh. cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 148, 150, 151, 163 (checklist); Fig. 88, p. 149 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 45-46, 63; fig. 2, p. 46; ill. p. 63 (color).

Fruit Piece: Apples on Tin Cups

William Sidney Mount

Date: 1864

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.100

Text Entries: The Spirit of the Fair. New York, New York: John F. Trow, 1864. Text p. 166 (checklist, as Apples and Tin Cups). Catalogue of the Art Exhibition at the Metropolitan Fair in Aid of the U.S. Sanitary Commission. New York, New York: John F. Trow, 1864. Text p. 18, cat. no. 347 (checklist, as Apples and Tin Cups). Catalogue of Paintings and Other Works Presented to the Metropolitan Fair in Aid of the U.S. Sanitary Commission. New York, New York: Geroge F. Nesbitt & Co., 1864. Text p. 10, cat. no. 136 (as Apples and Tin Cups). Frankenstein, Alfred. William Sidney Mount. New York: Harry N. Abrams, Inc., 1975. Text pp. 367, 379, 477. “Painting.” The Bulletin of the Cleveland Museum of Art 64, no. 5 (June 1977). Text p. 163. American Paintings III. New York: Berry-Hill Galleries, Inc., 1985. Text p. 14; ill. p. 14 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Ill. p. 126, pl. T-17 (color). Weber, Bruce. The Apple of America: The Apple in 19th Century American Art. (exh. cat., Berry-Hill Galleries, Inc.). New York: Berry-Hill Galleries, Inc., 1993. Text p. 48 (checklist); ill. cover (color); p. 31, no. 17 (black & white). Fruit Piece: Apples on Tin Cups, William Sidney Mount. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, December 1996. Ill. (black & white). Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens. Home Front: Daily Life in the Civil War North with a foreword by Adam Goodheart. (exh. cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 129, 135-36, 146, 155, 163 (checklist); ill. p. 128, fig. 75 (color). American Encounters: The Simple Pleasures of Still Life. (exh. cat., Crystal Bridges Museum of American Art, High Museum of Art, Musée du Louvre and the Terra Foundation for American Art). Atlanta, Georgia: The High Museum of Art, 2014. Text pp. 23, 48, 50; ill. p. 49, cat. no. 5 (color). New Frontiers IV: Fastes et fragments. Aux origines de la nature morte américaine. (exh. cat., Crystal Bridges Museum of American Art, High Museum of Art, Musée du Louvre and the Terra Foundation for American Art). Atlanta, Georgia: The High Museum of Art, 2014. Text, pp. 24, 48, 50; ill. p. 49, cat. no. 5 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 86-87, 92; fig. 5, p. 87; ill. p. 92 (color).

Portrait of Peter J. De Smet

George P. A. Healy

Date: 1865

Credit Line: Terra Foundation for American Art, Gift of Mr. and Mrs. John Estabrook

Object number: C1983.5

Text Entries: Lévy, Sophie, et al. Twarze Ameryki: Portrety z kolekcji Terra Foundation for American Art, 1770–1940/Faces of America: Portraits from the collection of the Terra Foundation for American Art, 1770–1940. (exh. cat. International Cultural Center). Cracow, Poland: International Cultural Center, 2006. Text p. 70; ill. p. 70 (color). Re: Chicago. (exh. cat. DePaul Art Museum). Chicago, Illinois: DePaul University, 2011. Text, p. 60, ill. fig. 21 (color).

Children under a Red Umbrella

Henry Mosler

Date: 1865

Credit Line: Terra Foundation for American Art, Gift of Mrs. W.C. Baker

Object number: C1994.6

Text Entries: Gilbert, Barbara C. Henry Mosler Rediscovered: A Nineteenth-Century American-Jewish Artist. Los Angeles, California: Skirball Museum/Skirball Cultural Center, 1995. Text pp. 32, 34, 132; fig. 13, p. 35 (black & white). Baumgärtel, Bettina, ed. Die Düsseldorfer Malerschule und ihre internationale Ausstrahlung 1819–1918, Vol. I–II. (exh. cat., Museum Kunstpalast, Düsseldorf, Germany). Düsseldorf: Museum Kunstpalast, 2011. (German version). Text Vol. II, p. 437; ill. cat. no. 371, p. 437 (color). Baumgärtel, Bettina, ed. The Düsseldorf School of Painting and its International Influence 1819–1918. (exh. cat. Museum Kunstpalast, Düsseldorf, Germany). Düsseldorf: Museum Kunstpalast, 2011. (English version). Ill. cat. no. 184, p. 319, (color).

Fiddling His Way

Date: c. 1866

Credit Line: Terra Foundation for American Art, Daniel J. Terra Art Acquisition Endowment Fund

Object number: 1999.8

Text Entries: "Eastman Johnson's Paintings Shown." The New York Times (February 11, 1907). Text. Hills, Patricia. "The Genre Painting of Eastman Johnson: The Sources and Development of His Style and Themes." PhD dissertation, New York University, 1973. Text pp. 63–64. Carbone, Teresa A. and Patricia Hills. Eastman Johnson: Painting America. (exh. cat., Brooklyn Museum of Art). New York: Brooklyn Museum of Art, 1999. Text p. 150; ill. p. 151, fig. 60 (black & white). Cartwright, Derrick R. The Extraordinary and the Everyday: American Perspectives, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 23 (checklist); ill. p. 14 (color). Cartwright, Derrick R. L'Héroïque et le quotidian: les artistes américains, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 23 (checklist); ill. p. 14 (color). Pinder, Kym. Fiddling His Way, Eastman Johnson. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, February 2001. Ill. (color). Side by Side: Works from the Terra Foundation for the Arts and the Detroit Institute of Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text (checklist). Deux collections en regard: oeuvres de la Terra Foundation for the Arts et du Detroit Institute of Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text (checklist). Art Across America. (exh. cat., National Museum of Korea, Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, Philadelphia Museum of Art and the Terra Foundation for American Art). Seoul, South Korea: National Museum of Korea, 2013. Text p. 161; ill. p. 160 (color). Slater, Amanda Melanie. “Conscience and Context in Eastman Johnson's The Lord Is My Shepherd.” Master’s Thesis, Bringham Young University, 2014. Text pp. vii, 17n43, 28; ill. p. 39, fig. 16. Pathways to Modernism: American Art, 1865–1945. (exh. cat. Shanghai Museum with Art Institute of Chicago and Terra Foundation for American Art). Shanghai: Shanghai Museum, 2018. Text p. 26; ill. p. 27 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 82–84, 94; fig. 2, p. 83; ill. p. 94 (color).

Morning in the Hudson, Haverstraw Bay

Sanford Robinson Gifford

Date: 1866

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1993.11

Text Entries: "Art Matters: Artists' Fund Society Exhibition." American Art Journal 6 (1866): 103. A Memorial Catalogue of the Paintings of Sanford Robinson Gifford, N.A. (exh. cat., The Metropolitan Museum of Art). New York: The Metropolitan Museum of Art, 1881. No. 685, p. 44. "Sale of the Whitney Collection." The New York Times (December 15, 1885): 3. Catalogue of the Collection of Modern Paintings, Etc., Formed by the Late Mr. George Whitney of Philadelphia. New York: American Art Association, 1885. Text pp. 10, 36, no. 71. Weiss, Ila Joyce. Sanford Robinson Gifford (1823–1880) . PhD dissertation, Columbia University, 1968. Text p. 272. Weiss, Ila Joyce. Poetic Landscape: The Art and Experience of Sanford R. Gifford. Newark, Delaware: University of Delaware Press, 1986. No. 426, p. 32. Morning in the Hudson, Haverstraw Bay, Sanford Robinson Gifford. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, March 1995. Ill. (black & white). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 26 (checklist); ill. cover (color). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 26 (checklist); ill. cover (color). Avery, Kevin J. and Franklin Kelly, eds. Hudson River School Visions: The Landscapes of Sanford R. Gifford. (exh. cat., The Metropolitan Museum of Art). New York: The Metropolitan Museum of Art, 2003. Text pp. 29, 46, 179, 183, 190, 191, 200; ill. no. 42, p. 180 (color). Pollack, Lindsay. "American Splendor." Art and Auction (December 2003): 108, 110. Text p. 110; ill. p. 108 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text p. 72; ill. p. 72 (color). Schaefer, Barbara and Anita Hachmann, eds. Es War Einmal in Amerika: 300 Jahre US-Amerikanische Kunst. (exh. cat. Wallraf-Richartz Museum). Köln: Wallraf-Richartz-Museum & Fondation Corboud. Text pp. 358; ill. p. 359 (color).

Harvest of Cherries

Robert Spear Dunning

Date: 1866

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.48

Text Entries: New York Herald (March 6, 1866): 10, col. 6. New York Times (March 12, 1866): 6, col.3. The Magazine Antiques 126:4 (October 1984): 797. Ill. p. 797 (color). William Doyle Galleries, New York (Sale: Important 19th and 20th Century American Painting and Sculpture, October 24, 1984): 36. Ill. no. 36. American Paintings III 1985. New York: Berry-Hill Galleries, Inc., 1985. Ill. p. 40 (color). Ferber, Linda S. and William H. Gerdts. The New Path: Ruskin and the American Pre-Raphaelites. (exh. cat., The Brooklyn Museum). Brooklyn, New York: The Brooklyn Museum, 1985. Text p. 252; ill. no. 97, p. 253 (black & white). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-29, p. 138 (color). Southgate, M. Therese. "The Cover." The Journal of the American Medical Association 264:6 (August 8, 1990): 685. Text p. 685; ill. cover (color). Brownlee, Peter John. Manifest Destiny / Manifest Responsibility: Environmentalism and the Art of the American Landscape. (exh. cat., Loyola University Museum of Art, Chicago, Illinois). Chicago, Illinois: Terra Foundation for American Art and Loyola University Museum of Art, 2008. Text p. 35 (checklist). Barter, Judith A., ed. Art and Appetite: American Painting, Culture, and Cuisine. (exh. cat. Art Institute of Chicago, Chicago, Illinois). Chicago: Art Institute of Chicago, 2013. Text, pp. 98–99, 123, 170, 223; ill. pp. 70 (color) (detail), 98 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text p. 93; ill. p. 93 (color).