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last item added: 2017.2 Henri, Sylvester

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Metadata embedded, 2021
Winslow Homer
Date: 1884
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1996.8
Text Entries: Goodrich, Lloyd. <i>The Graphic Art of Winslow Homer</i>. (exh. cat., Museum of Graphic Art, New York). Washington, D.C.: Smithsonian Institute Press, 1968. No. 91, pp. 32–33.<br><br> Howe, Katherine S., ed. <i>Winslow Homer Graphics: From the Mavis P. and Mary Wilson Kelsey Collection of Winslow Homer Graphics</i>. Houston, Texas: The Museum of Fine Arts, 1977. E2, p. 45.<br><br> Engel, Charlene. "'For Those in Peril on the Sea:' The Intaglio Prints of Winslow Homer." <i>Print Review</i> 20 (1985): 23–40 (particularly see pp. 28–31 about <i>The Life Line</i>).<br><br> Cikovsky, Jr., Nicolai and Franklin Kelly. <i>Winslow Homer</i>. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1995. No. 132, pp. 184–85, 223–25.<br><br> <i>The Life Line</i>, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, October 1998. Ill. (black & white) [specific reference to Terra print].<br><br> Cartwright, Derrick R. <i>Waves and Waterways: American Perspectives, 1850–1900</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text pp. 20, 27 (checklist); fig. 14, p. 20 (black & white) [specific reference to Terra print].<br><br> Cartwright, Derrick R. <i>Rivières et rivages: les artistes américains, 1850–1900</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text pp. 20, 27 (checklist); fig. 14, p. 20 (black & white) [specific reference to Terra print].<br><br> Lévy, Sophie, ed. <i>Winslow Homer: Poet of the Sea</i>. (exh. cat., Musée d'Art Américain Giverny and the Dulwich Picture Gallery). Chicago, Illinois: Terra Foundation for American Art, 2006. Text p. 142 (checklist); ill., p. 98 (color).<br><br> Deneberg, Thomas A., ed. <i>Weatherbeaten: Winslow Homer and Maine</i>. (exh. cat. Portland Museum of Art, Portalnd, Maine. New Haven and London: Yale University Press; Portland, Maine" Portland Museum of Art, 2012. Text, pp. 16, 156 (checklist); ill. fig. 17, p. 16 (color).
Metadata embedded, 2021
Winslow Homer
Date: 1885
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1994.10
Text Entries: Christie's, New York, New York (Sale BARBRA-6610, May 26, 1988): lot 95. Ill. lot 95, p. 95 (color).<br><br><i>American Paintings V. </i> 1988. New York: Berry-Hill Galleries, Inc., 1988. Text p. 74; ill. p. 75 (color).<br><br>Cikovsky, Jr., Nicolai and Franklin Kelly. <i>Winslow Homer</i>. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1995. Cat. no. 145, p. 239 (color).<br><br>Wilson, Claire. "Winslow Homer at Giverny." <i>France Magazine</i> 35 (Summer 1995). Ill. p. 9.<br><br><i>Regard sur cinq années d'expositions</i> (<i>Five years of Exhibitions at a Glance</i>). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 97; ill. p. 94 (color).<br><br><i>A Garden in Nassau</i>, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, August 1997. Ill. (black & white).<br><br>Cartwright, Derrick R. <i>The Extraordinary and the Everyday: American Perspectives, 1820–1920</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text pp. 18, 23 (checklist); fig. 5, p. 18 (black & white).<br><br>Cartwright, Derrick R. <i>L'Héroïque et le quotidian: les artistes américains, 1820–1920</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text pp. 18, 23 (checklist); fig. 5, p. 18 (black & white).<br><br>Unger, Miles and Arnold Skolnick. <i>The Watercolors of Winslow Homer</i>. Chesterfield, Massachusetts: Chameleon Books, 2001. Text p. 127; ill. pp. 124–25 (color).<br><br>Johns, Elizabeth. <i>Winslow Homer: The Nature of Observation</i>. Berkeley and Los Angeles, California: University of California Press, 2002. Text pp. XI (checklist), 124–25; pl. 24 (color).<br><br>Bourguignon, Katherine M. and Elizabeth Kennedy. <i>An American Point of View: The Daniel J. Terra Collection</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 92, 199; ill. pp. 93 (color), 199 (black & white).<br><br>Bourguignon, Katherine M. and Elizabeth Kennedy. <i>Un regard transatlantique. La collection d'art américain de Daniel J. Terra</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 92, 199; ill. pp. 93 (color), 199 (black & white).<br><br>Novak, Barbara. <i>Voyages of the Self: Pairs, Parallels, and Patterns in American Art and Literature</i>. New York: Oxford University Press, 2007.  Ill. no. 5.9, p. 95 (black and white).<br><br>Kane, Kelly. "The Greatest Watercolors of All Time." <i>Watercolor Magic</i> 15:5 (October 2007). Text pp. 62-68; ill. p. 65 (color).<br><br>Tedeschi, Martha with Kristi Dahm. <i>Watercolors by Winslow Homer: The Color of Light.</i> (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008.  Text pp. 171, 172, 208, 210, 211; ill. p. 172 fig. a (black & white detail), p. 173 fig. b (color), p. 210 fig. 9 (color detail).<br><br> Smith, Jeanette M., MD.  <i>A Garden in Nassau, Winslow Homer</i>. The Journal of the American Medical Association 310:8 (August 28, 2013).  Text pp. 778–779; ill. p. 778 (color).<br><br> Foster, Kathleen A. <i>American Watercolor in the Age of Homer and Sargent</i> (exh. cat., Philadelphia Museum of Art, Philadelphia, Pennsylvania). Philadelphia, Pennsylvania: Philadelphia Museum of Art, 2017. Text pp. 13, 477 (checklist); ill. p. 13 fig. 256 (color).<br><br> Fensom, Sarah E. "Water's Edge: and Exhibition of Watercolors Captures a Moment in American Painting." <i>Art & Antiques</i> (March 2017): 46–50. Text p. 48; ill. p. 50 (color). <br><br> Foster, Kathleen A. "American Watercolor in the Age of Homer & Sargent." <i>American Art Review</i> Vol. XXIX, No. 2 (April 2017): 64–71. Ill. p. 71 (color).<br><br> Stephanie L. Herdrich, Sylvia Yount. <i>Winslow Homer Crosscurrents</i> (exh. cat. The Metropolitan Museum of Art, New York). New York, New York: The Metropolitan Museum of Art, 2022. Text pp. 136, 139, 188n26; Ill. p. 96, 97 (color).  <br><br>
Perils of the Sea
Winslow Homer
Date: 1888
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1995.38
Text Entries: Winslow Homer's two fisherwomen from the fishing village of Cullercoats stand steadfast and vigilant as they wait for news of their husbands' boats. The rescue house and the group of men looking out to sea serve as a foil for the female figures who, heroic in posture, suggest an air of quiet calm in the presence of possible calamity. The inhabitants of the English village would remain an important subject for Homer and his many depictions of fisherwomen, in everyday tasks such as knitting, often underscore the symbiotic relationships between the fisherwomen and their male counterparts, which relied on an observance of strictly gendered roles.