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Three Boys on the Shore

Winslow Homer

Date: 1873

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.75

Text Entries: Goodrich, Lloyd. Winslow Homer. New York: George Braziller, 1959. Pl. 16. Kirshner, Judith Russi. "The Terra Collection." United: The Magazine of the Friendly Skies (December 1982): 52–59. Ill. p. 57 (color). Sotheby's New York, New York (Sale 4841M, April 23, 1982): lot 30. Ill. cover (color), lot 30 (color). "Sensible and Steady: American Art." Art & Antiques (July–August 1982): 31–32. Text p. 32; ill. p. 31. De Weck, Ziba. Winslow Homer and the New England Coast. (exh. cat., Whitney Museum of American Art, Fairfield County). New York: Whitney Museum of American Art, 1984. Text p. 10 (checklist). Hemphill, Christopher. "Daniel Terra and His Collection." Town & Country (February 1984): 196. Sokol, David M. "The Terra Museum of American Art, Evanston, Illinois." The Magazine Antiques 126:5 (November 1984): 1156–69. Pl. XXI, p. 1164 (color). Cooper, Helen A. Winslow Homer Watercolors. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1986. Text pp. 20, 244 (checklist); fig. 9, p. 23 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-49, p. 158 (color). Atkinson, D. Scott and Jochen Wierich. Winslow Homer in Gloucester. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1990. Text pp. 7, 16, 21, 32, 53, 104 (checklist); ill. cover (color), pl. 1, p. 62 (color). Cikovsky, Jr., Nicolai. Winslow Homer: Watercolors. Southport, Connecticut: Hugh Lauter Levin Associates, Inc., 1991. Pl. 10, p. 26 (color). Jennings, Kate F. Winslow Homer. New York: Crescent Books, 1990. Ill. p. 38 (color). Seiden, Sloan. "Seascapes, Landscapes, Escapes." Arts & Entertainment (July 1993): 16–21. Ill. p. 16 (color). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. pp. 8–9. Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 95; ill. p. 94 (color). American Paintings from a Private Collection. Sotheby's Catalogue, New York, New York (May 24, 2000). Text p. 11; fig. 2, p. 11 (color). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 27 (checklist); ill. p. 14 (color). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 27 (checklist); ill. p. 14 (color). Unger, Miles and Arnold Skolnick. The Watercolors of Winslow Homer. New York: W. W. Norton & Company, 2001. Text, p. 38; ill. pp. 34–35 (color). Johns, Elizabeth,Winslow Homer: The Nature of Observation. Berkeley and Los Angeles, California: University of California Press, 2002. Text pp. X (checklist), 74; ill. plate 7 (color). Lévy, Sophie, ed. Winslow Homer: Poet of the Sea. (exh. cat., Musée d'Art Américain Giverny and the Dulwich Picture Gallery). Chicago, Illinois: Terra Foundation for American Art, 2006. Text pp. 57–58, 141 (checklist); ill., p. 57 (color detail), p. 67 (color). Art in America (June/July 2006): 74. Ill. (color). Art News 105:6 (June 2006): 61. Ill. (color). American Art Review (August 2006): 130–131. Text, p. 131; ill. p. 131 (color). Curtis, Judith A. Rocky Neck Art Colony,1850–1950, Gloucester, Massachusetts. Gloucester, Massachusetts: Rocky Neck Art Colony, Inc., 2008. Text, p. 14; ill. p. 14 (color). American Art. Christie's catalogue, New York, New York (May 22, 2014). ill. p. 38 (color). Cross, William R. Homer at the Beach: A Marine Painter’s Journey, 1869-1880. (exh. cat., Cape Ann Museum). Gloucester: Cape Ann Museum, 2019. Text pp. 82-83; ill. p. 81 (color).

Weary

Winslow Homer

Date: c. 1878

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.41

Text Entries: Bulletin, Brooklyn Institute of Arts and Sciences (October 30, 1915). Ill. p. 161. Brooklyn Museum Quarterly 2 (October 1915). Ill. p. 368. Art and Progress 7 (December 1915): 71. Ill. p. 71. McLanathan, Richard B. K. The American Tradition in the Arts. New York: Harcourt, Brace & World, 1968. Text pp. 333–38. Gardner, Albert Ten Eyck. Winslow Homer: A Retrospective Exhibition. (exh. cat. Museum of Fine Arts, Boston). Boston, Massachusetts: Museum of Fine Arts, 1959. Ill. p. 50. Goodrich, Lloyd. Winslow Homer in New York State. (exh. cat., Storm King Art Center). Mountainville, New York: Storm King Art Center, 1963. Cat. no. 41; ill. p. 15. Schulze, Franz. "Terra Incognita: A New Museum of American Art." Art News 79:10 (December 1980): 84–87. Ill. p. 87 (color). Five American Masters of Watercolors. (exh. cat., Terra Museum of American Art). Evanston, Illinois: Terra Museum of American Art, 1981. Ill. p. 5 (color). Elliot, David. "Watercolor: 'Gentle Sex' of Paint in Knowing Hands." Chicago Sun-Times (May 24, 1981): 22–23. Ill. p. 22 (black & white). Sokol, David M. Solitude. (exh. cat., Terra Museum of American Art). Evanston, Illinois: Terra Museum of American Art, 1982. Text p. 5; ill. no. 9, p. 7 (black & white). Nochlin, Linda. Woman. (exh. cat., Terra Museum of American Art). Evanston, Illinois: Terra Museum of American Art, 1984. Text p. 9; ill. no. 12, p. 18 (color). Cooper, Helen A. Winslow Homer Watercolors. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1986. Text pp. 61, 246 (checklist); fig. 46, p. 63 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-50, p. 159 (color). Winslow Homer in Gloucester. (exh. cat. Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1990. Text p. 32; fig. 19, p. 33 (black & white). Wilmerding, John and Linda Ayres. Winslow Homer in the 1870s: Selections from the Valentine-Pulsifer Collection. (exh. cat., The Art Museum, Princeton University). Princeton, New Jersey: The Art Museum, 1990. Text p. 73 (appendix). Cikovsky, Jr., Nicolai. Winslow Homer: Watercolors. Southport, Connecticut: Hugh Lauter Levin Associates, Inc., 1991. Pl. 22, p. 35 (color). Cikovsky, Jr., Nicolai and Franklin Kelly. Winslow Homer. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1995. Cat. 92, p. 162 (color). Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Ill. p. 90 (color). Conrads, Margaret C. Winslow Homer and the Critics: Forging a National Art in the 1870s. (exh. cat., The Nelson-Atkins Museum of Art). Princeton, New Jersey: Princeton University Press in conjunction with The Nelson-Atkins Museum of Art, 2001. Text pp. 148, 210; fig. 109, p. 151 (color). Larkin, Susan G. The Cos Cob Art Colony: Impressionists on the Connecticut Shore. (exh. cat. National Academy of Design). New Haven, Connecticut: Yale University Press, 2001. Text p. 138; fig. 83, p. 139 (black & white). Unger, Miles and Arnold Skolnick. The Watercolors of Winslow Homer. Chesterfield, Massachusetts: Chameleon Books, 2001. Text pp. 45, 61; ill. p. 57 (color). Johns, Elizabeth. Winslow Homer: The Nature of Observation. Berkeley and Los Angeles, California: University of California Press, 2002. Text pp. XVIII (checklist), 90–91; fig. 54, p. 90 (black & white). Kennedy, Elizabeth. "The Terra Museum of American Art." American Art Review (December 2002): 126–41. Text p. 138; ill. p. 130 (color). Tedeschi, Martha with Kristi Dahm. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text pp. 54, 62, 66, 76, 180, 207,208; ill pp. 54 fig. a & b(color detail), 55 fig. c (color).

Apple Picking

Winslow Homer

Date: 1878

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.7

Text Entries: “The Water Color Society.” The New York Times (February 1st, 1879). Text p. 5 (as In the Orchard). “American Art in Water-Colors.” New York Evening Post (February 11, 1879). Text front page. Cooper, Helen A. Winslow Homer Watercolors. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1986. Text pp. 60, 246 (checklist); ill. p. 53, fig. 38 (color). Cikovsky, Jr., Nicolai. Winslow Homer: Watercolors. Southport, Connecticut: Hugh Lauter Levin Associates, Inc., 1991. Ill. p. 36, pl. 23 (color). The Magazine Antiques 141, no. 5 (May 1992): 699 (as In the Orchard). Apple Picking (Two Girls in Sunbonnets), Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, July 1993. Ill. (black & white). Brock, Charles. "Winslow Homer." American Art Review 7, no. 1 (February–March 1995): 98–101. Ill. p. 99 (color). Cikovsky, Jr., Nicolai and Franklin Kelly. Winslow Homer. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1995. Text pp. 164, 166; ill. p. 165, cat. 95 (color). Art and Antiques 19 (1996). Text p. 100. Regard sur cinq années d'expositions (Five Years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 97; ill. p. 90 (color, as Apple Picking (Two Girls in Sunbonnets)). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 24 (checklist); ill. frontispiece (color). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 24 (checklist); ill. frontispiece (color). Conrads, Margaret C. Winslow Homer and the Critics: Forging a National Art in the 1870s. (exh. cat., The Nelson-Atkins Museum of Art). Princeton, New Jersey: Princeton University Press in association with The Nelson-Atkins Museum of Art, 2001. Text pp. 153–54; ill. p. 144 (color detail), ill. p. 150, fig. 108 (color). Unger, Miles and Arnold Skolnick. The Watercolors of Winslow Homer. New York: W. W. Norton & Company, 2001. Text p. 61; ill. p. 56 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 90, 198; ill. p. 91 (color), p. 198 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 90, 198; ill. p. 91 (color), p. 198 (black & white). Weinberg Helene Barbara, Barker Elizabeth E. Childe Hassam, American Impressionist. (exh. cat. Metropolitan Museum of Art). New York, New York: Metropolitan Museum of Art, 2004. Text p. 264n7. Trombetta, Lynn Lyman. Falling World. San Francisco, California: Sixteen River Press, 2004. Ill. cover. Tedeschi, Martha with Kristi Dahm. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text pp. 50, 62, 66, 76, 204, 206, 208; ill. pp. 50 fig. a (color detail), 51 fig. b (color). Tatham, David. Winslow Homer’s Empire State: Houghton Farm and Beyond. (exh. cat. Syracuse University Art Gallery) Syracuse, New York: Syracuse University Art Gallery, 2009. Text pp. 37–38, 78. American Watercolor in the Age of Homer and Sargent. (exh. cat. Philadelphia Museum of Art, Philadelphia, Pennsylvania). Philadelphia, Pennsylvania: Philadelphia Museum of Art, 2017. Text pp. 201–202, 203, 454, 477 (checklist); ill. p. 202 fig.168 (color). Athens, Elizabeth, Brandon Ruud with Martha Tedeschi. Coming Away: Winslow Homer & England. (exh. cat. Worcester Art Museum and Milwaukee Art Museum). Worcester, Massachussetts: Worcester Art Museum; Milwaukee, Wisconsin: Milwaukee Art Museum; New Haven, Connecticut: Yale University Press, 2017. Text, p. 71; ill., p. 72 fig. 1 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 89-90, 102; fig. 7, p. 89; ill. p. 102 (color).

A Garden in Nassau

Winslow Homer

Date: 1885

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1994.10

Text Entries: Christie's, New York, New York (Sale BARBRA-6610, May 26, 1988): lot 95. Ill. lot 95, p. 95 (color). American Paintings V. 1988. New York: Berry-Hill Galleries, Inc., 1988. Text p. 74; ill. p. 75 (color). Cikovsky, Jr., Nicolai and Franklin Kelly. Winslow Homer. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1995. Cat. no. 145, p. 239 (color). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. p. 9. Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 97; ill. p. 94 (color). A Garden in Nassau, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, August 1997. Ill. (black & white). Cartwright, Derrick R. The Extraordinary and the Everyday: American Perspectives, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text pp. 18, 23 (checklist); fig. 5, p. 18 (black & white). Cartwright, Derrick R. L'Héroïque et le quotidian: les artistes américains, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text pp. 18, 23 (checklist); fig. 5, p. 18 (black & white). Unger, Miles and Arnold Skolnick. The Watercolors of Winslow Homer. Chesterfield, Massachusetts: Chameleon Books, 2001. Text p. 127; ill. pp. 124–25 (color). Johns, Elizabeth. Winslow Homer: The Nature of Observation. Berkeley and Los Angeles, California: University of California Press, 2002. Text pp. XI (checklist), 124–25; pl. 24 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 92, 199; ill. pp. 93 (color), 199 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 92, 199; ill. pp. 93 (color), 199 (black & white). Novak, Barbara. Voyages of the Self: Pairs, Parallels, and Patterns in American Art and Literature. New York: Oxford University Press, 2007. Ill. no. 5.9, p. 95 (black and white). Kane, Kelly. "The Greatest Watercolors of All Time." Watercolor Magic 15:5 (October 2007). Text pp. 62-68; ill. p. 65 (color). Tedeschi, Martha with Kristi Dahm. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text pp. 171, 172, 208, 210, 211; ill. p. 172 fig. a (black & white detail), p. 173 fig. b (color), p. 210 fig. 9 (color detail). Smith, Jeanette M., MD. A Garden in Nassau, Winslow Homer. The Journal of the American Medical Association 310:8 (August 28, 2013). Text pp. 778–779; ill. p. 778 (color). Foster, Kathleen A. American Watercolor in the Age of Homer and Sargent (exh. cat., Philadelphia Museum of Art, Philadelphia, Pennsylvania). Philadelphia, Pennsylvania: Philadelphia Museum of Art, 2017. Text pp. 13, 477 (checklist); ill. p. 13 fig. 256 (color). Fensom, Sarah E. "Water's Edge: and Exhibition of Watercolors Captures a Moment in American Painting." Art & Antiques (March 2017): 46–50. Text p. 48; ill. p. 50 (color). Foster, Kathleen A. "American Watercolor in the Age of Homer & Sargent." American Art Review Vol. XXIX, No. 2 (April 2017): 64–71. Ill. p. 71 (color). Stephanie L. Herdrich, Sylvia Yount. Winslow Homer Crosscurrents (exh. cat. The Metropolitan Museum of Art, New York). New York, New York: The Metropolitan Museum of Art, 2022. Text pp. 136, 139, 188n26; Ill. p. 96, 97 (color).

Late Afternoon Sun

August Franzen

Date: 1890

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1987.19

Text Entries: American Paintings II. New York: Berry-Hill Galleries Inc., 1983. Ill. p. 53 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 19, 27 (checklist); ill. p. 41 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. Le Travail à l'oeuvre: les artistes américains, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 19, 27 (checklist); ill. p. 41 (color).

Shinnecock Studio Interior

William Merritt Chase

Date: 1892

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.5

Text Entries: Sotheby's New York, New York (Sale 6247, December 5, 1991): lot 64. Text lot 64; ill. cover (color detail), lot 64 (color). The Journal of the American Medical Association 268:6 (August 12, 1992): 765. Ill. p. 765 (color). Southgate, M. Therese. "The Cover." The Journal of the American Medical Association 268:6 (August 16, 1992): 692. Text p. 692; ill. cover (color). The Journal of the American Medical Association Czechoslovakia (June 1993): cover. Ill. cover (color). The Journal of the American Medical Association Pakistan 5:10 (December 1993): cover. Ill. cover (color). Pisano, Ronald G.; completed by D. Frederick Baker. William Merritt Chase; The Paintings in Pastel, Monotypes, Painted Tiles and Ceramic Plates, Watercolors and Prints (The Complete Catalogue of Known and Documented Work of William Merritt Chase, Vol 1). New Haven, Connecticut: Yale University Press, 2006. Text p. 36; ill. pp. 36, 84 (color). Hirshler, Erica E. William Merritt Chase. Boston, MA: Museum of Fine Arts, Boston, 2016. Ill. p. 50 (color). Smithgall, Elsa, Erica E. Hirshler, Katherine M. Bourguignon, Giovanna Ginex, and John Davis, William Merritt Chase: A Modern Master. (exh. cat., The Phillips Collection, the Museum of Fine Arts, Boston, the Fondazione Musei Civici di Venezia, and the Terra Foundation for American Art). With a foreword by D. Frederick Baker. Washington, DC: Phillips Collection; New Haven: Yale University Press, 2016. Text pp. 220 (checklist). Ill. p. 155, plate 55 (color). Dobrzynski, Judith H. “William Merritt Chase: A Modern Master Review: Between Old and New.” The Wall Street Journal (August 10, 2016). Accessed August 10, 2016. <a href=”http://www.wsj.com/article_email/william-merritt-chase-a-modern-master-review-between-old-and-new-1470864662-lMyQjAxMTA2ODEzMTcxOTEzWj” target=”_blank”>http://www.wsj.com/article_email/william-merritt-chase-a-modern-master-review-between-old-and-new-1470864662-lMyQjAxMTA2ODEzMTcxOTEzWj</a>. Text.

Viewing the Ships

Maurice Brazil Prendergast

Date: c. 1895–1897

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.125

Text Entries: Beckelmann, Jurgen. "Der Sommer der Mary Cassatt." Welt (July 4, 1982): 4. Ill. p. 4. McClelland, Donald R., Barbara Novak and Harold Spencer. Impressionnistes Américains (American Impressionism). (exh. cat., Smithsonian Traveling Exhibition Service). Washington, D.C.: Smithsonian Traveling Exhibition Service, 1982. Ill. no. 41. Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-111, p. 220 (color). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 599, p. 352; ill. no. 599, p. 352 (black & white). Homann, Joachim, Trevor J. Fairbrother, Nancy Mowill Mathews, Joseph J. Rishel and Richard J. Wattenmaker. Maurice Prendergast: By the Sea. (exh. cat., Bowdoin College Museum of Art). Brunswick, Maine: Bowdoin College Museum of Art and DelMonico Books, an imprint of Prestel Publishing, Munich, London and New York, 2013. Text p. 166; pl. 5, p. 39 (color).