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Croquet Match

Winslow Homer

Date: 1868–69

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.72

Text Entries: Pousette-Dart, Nathaniel. Winslow Homer. New York: Frederick A. Stokes Company, 1923. Pl. 59. Goodrich, Lloyd. "Winslow Homer." The Arts 6 (October 1924). Ill. p. 195. Creative Art I (November 1927). Ill. p. xxvi (as Croquet). Bolton, Theodore. "The Art of Winslow Homer: An Estimate in 1932." The Fine Arts 18 (February 1932). Pl. 24 (as The Croquet Match (1872) [sic] as seen from the porch of a Summer Hotel). Devrel, Howard. "Homage to Homer." The New York Times (February 1, 1959). Goodrich, Lloyd. Winslow Homer. New York, G. Braziller, 1959. Pl. 12. Latham, David. "Winslow Homer in the Mountains." Appalachia 32 (June 15, 1966). Ill. p. 79. Novak, Barbara. American Painting of the Nineteenth Century: Realism, Idealism, and the American Experience. New York: Praeger, 1969. Text pp. 173–74; ill. 10-9, p. 172 (black & white). A Gallery Collects. New York: Hirschl & Adler Galleries, Inc., 1977. Text no. 38; ill. no. 38 (color). Novak, Barbara. American Painting of the Nineteenth Century: Realism, Idealism, and the American Experience, 2nd ed. New York: Praeger, 1979. Text pp. 173–74; ill. 10-9, p. 172 (black & white). Novak, Barbara. Nature and Culture: American Landscape Painting 1825–1875. New York: Oxford University Press, 1980. Ill. no. 121, p. 242 (black and white credited as "Hirschl and Adler Galleries, New York"). Curry, David Park. "Winslow Homer and Croquet." The Magazine Antiques 126:1 (July 1984): 154-62. Text p. 160; pl. IV, p. 159 (color). Curry, David Park. Winslow Homer: The Croquet Game. (exh. cat. Yale University Art Gallery). New Haven, Connecticut: Yale University Art Gallery, 1984. Fig. 40 (color). "Ein Hort fur amerikanische Malerei." Kunst, Kultur & TV. (August 23, 1987): Sektion 4. Ill. cover (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Text p. 157; pl. T-48, p. 157 (color). Croquet Match, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, March 1989. Ill. (black & white). Jennings, Kate F. Winslow Homer. Greenwich, Connecticut: Brompton Books Corporation, 1990. Ill. pp. 26–27 (color). Rhodes, Reilly, ed. Sport in America from American Museums. (exh. cat., The National Art Museum of Sport). Indianapolis, Indiana: The National Art Museum of Sport, 1990. Text p. 47; ill. p. 46 (color). Berkow, Ira. "When Athletes are the Stuff of Art." The New York Times (February 7, 1992): B1, B6. Ill. p. B1. Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 26; fig. 11, p. 27 (black and white). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 26; fig. 11, p. 27 (black and white). Novak, Barbara. Nature and Culture: American Landscape Painting 1825-1875, rev. ed. New York: Oxford University Press, 1995. Ill. no. 121, p. 242 (black and white credited as "Hirschl and Adler Galleries, New York"). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. p. 8. Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text pp. 89–90; ill. p. 88 (color). Kushner, Marilyn, Barbara Gallati and Linda S. Ferber. Winslow Homer: Illustrating America. (exh. cat., The Brooklyn Museum of Art). New York: The Brooklyn Museum of Art in association with George Braziller, Inc., 2000. Text p. 12; fig. 2, p. 13 (black & white). Winslow Homer: An American Genius at the Parthenon; The Move Toward Abstraction. (exh. cat., The Parthenon). Nashville, Tennessee: The Parthenon, 2000. Text p. 21. Hofelt, Miranda. Croquet Match, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, May 2002. Ill. (color). Novak, Barbara. American Painting of the Nineteenth Century: Realism, Idealism, and the American Experience, 3rd ed. New York: Praeger, 2007. Text p. 144; ill. 10.4, p. 145 (black & white). Novak, Barbara. Nature and Culture: American Landscape Painting 1825-1875, 3rd ed. New York: Oxford University Press, 1980. Text p. 209; ill. no. 10.7, p. 209 (black and white).

Picnic Party in the Woods

John George Brown

Date: 1872

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1994.1

Text Entries: Hoopes, Donelson F. and Nancy Wall Moure. American Narrative Painting. (exh. cat., Los Angeles County Museum of Art). Los Angeles, California: Los Angeles County Museum of Art in association with Praeger Publishers, Inc., 1974. Text pp. 139–40; ill. no. 66, p. 141 (color as Waiting for a Partner). Wilmerding, John et al. An American Perspective: Nineteenth-Century Art from the Collection of Jo Ann & Julian Ganz, Jr. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1981. Text pp. 54, 56, 118–19; fig. 47 (color), ill. p. 118 (black and white). Ayres, Linda. "An American Perspective: Nineteenth-Century Art from the Collection of Jo Ann and Julian Ganz Jr." The Magazine Antiques (January 1982): 258–69. Text p. 267; fig. 4, p. 268 (black & white). Hoppin, Martha J. Country Paths and City Sidewalks: The Art of J. G. Brown. (exh. cat., George Walter Smith Art Museum). Springfield, Massachusetts: George Walter Vincent Smith Art Museum, 1989. Text pp. 13, 51 (checklist); fig. 33, p. 42 (color). Southgate, M. Therese. "The Cover." Journal of the American Medical Association 272:3 (July 20, 1994): 175. Text p. 175; ill. cover (color). Cartwright, Derrick R. The Extraordinary and the Everyday: American Perspectives, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 13; fig. 6, p. 12 (black & white). Cartwright, Derrick R. L'Héroïque et le quotidian: les artistes américains, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 13; fig. 6, p. 12 (black & white). Hoppin, Martha. The World of J. G. Brown. Chesterfield, Massachusetts: Chameleon Books, 2010. Text pp. 81, 83, 95, 231 note 35; ill. p. 82 (color). Art Across America. (exh. cat., National Museum of Korea, Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, Philadelphia Museum of Art and the Terra Foundation for American Art). Seoul, South Korea: National Museum of Korea, 2013. (English and Korean versions). Text pp. 35, 163; ill. fig. 19, p. 36 (color), p. 162 (color). America: Painting a Nation. (exh. cat., Art Gallery of New South Wales, the Los Angeles County Museum of Art, the Museum of Fine Arts, Houston, the National Museum of Korea, the Philadelphia Museum of Art and the Terra Foundation for American Art). Sydney, Australia: Art Gallery of New South Wales, 2013. Text p. 108; ill. cat. no. 28, p. 109 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text p. 97; ill. p. 97 (color).

The Yankee Pedlar

Thomas Waterman Wood

Date: 1872

Credit Line: Terra Foundation for American Art, Daniel J. Terra Art Acquisition Endowment Fund

Object number: 1998.3

Text Entries: "A Home Artist." The Vermont Watchman 66, no. 26 (April 19, 1871): 1. Text p. 1 (as The Yankee Peddler). "Exhibition of the Art Association." Brooklyn Eagle (March 11, 1872). “Fine Arts: The Academy of Design.” The New York Times (April 20, 1873). Text (as The Yankee Peddler). "Art Gossip." New York Evening Mail (April 30, 1872). "National Academy of Design." The Evening Post (April 14, 1873). Text (as The Peddler). "Art Annual Exhibition of National Academy of Design." The Aldine 4, no. 6 (June 1873): 127. Text p. 127. The Green-Mountain Freeman. Montpelier, VT (June 25, 1873). Text (as The Yankee Peddler). "American Painters-Thomas W. Wood, N.A." The Art Journal 5, no. 2 (1876): 114–15. Text p. 115; ill. p. 115 (reproduced as a wood engraving). Art Journal (1878): 155. Ill. p. 155 (reproduced as a wood engraving). Cooper, W. A., “Artists in Their Studios V: Thomas Waterman Wood, N.A.” Godey’s Magazine 131, no. 781 (July 1895): 3–7. Text p. 6 (as Yankee Pedlar). Willis, S. Turner. “A Gift to Montpelier.” Godeys Magazine 131, no. 782 (August 1895): 184–191. Text p. 188. Catalogue of the Pictures in the Art Gallery in Montpelier: The Thomas W. Wood Collection. Montpelier, Vermont: The Capital City Press, 1913. Text pp. 14–15. Crockett, Walter Hill. Vermont: The Green Mountain State. New York, NY: The Century History Company, Inc., 1923. Text p. 567 (as The Yankee Peddler). Art for Gardens Together with Furniture, Paintings, Marbles, Staircases and Objets D’Art Chosen from Important Estates and Collections Here and Abroad. New York, NY: American Art Association, Anderson Galleries Inc., 1933. Text (foreword); p. 44, cat. no. 153; ill. p. 44 (black & white, as The Yankee Peddler). Gerdts, William H. The American Painting Collection of Mrs. Norman B. Woolworth. (exh. cat., Coe Kerr Gallery, Inc.). New York: Coe Kerr Gallery, Inc., 1970. Text p. 45, 47; ill. p. 69, pl. 124 (black & white as The Yankee Peddler). Williams, Jr., Hermann W. Mirror to the American Past. Greenwich, Connecticut: New York Graphic Society, 1973. Text p. 160; ill. p. 160, fig. 151 (black & white as The Yankee Peddler). Hills, Patricia. The Painters' America, Rural and Urban Life, 1810–1910. (exh. cat., Whitney Museum of American Art). New York: Praeger Publishers in association with the Whitney Museum of American Art, 1974. Text p. 80; ill. p. 80, no. 98 (as The Yankee Peddler). Hasker, Leslie A. and J. Kevin Graffagnino. "Thomas Waterman Wood and the Image of Nineteenth-Century America." The Magazine Antiques 118 (November 1980): 1032–42. Text p. 1034; fig. 10, p. 1039 (as The Yankee Peddler). Gerdts, William H. Art Across America: Two Centuries of Regional Painting. Vol. 1. New York: Abbeville Press, 1990. Text pp. 45; ill. p. 45, pl. 1.37 (black & white as The Yankee Peddler). Witkowski, Terrence H. “Farmers Bargaining: Buying and Selling as a Subject in American Genre Painting, 1835-1868.” Journal of Macromarketing 16, no. 2 (December 1, 1996): 84–101. Text p. 94 (as The Yankee Peddler). The Yankee Pedlar, Thomas Waterman Wood. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, May 2000. Ill. (black & white). Cartwright, Derrick R. The Extraordinary and the Everyday: American Perspectives, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 24 (checklist); ill. p. 35 (color as The Yankee Peddlar). Cartwright, Derrick R. L'Héroïque et le quotidian: les artistes américains, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 24 (checklist); ill. p. 35 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 16, 30 (checklist); ill. p. 16, fig. 1 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Le Travail à l'oeuvre: les artistes américains, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 16, 30 (checklist); ill. p. 16, fig. 1 (black & white). Cassidy, Victor M. “The Feast Part I.” Artnet (June 16, 2005). Accessed February 16, 2017. Text; ill. (color). Davidson, Susan, ed. Art in America: 300 Years of Innovation. (exh. cat., National Museum of China, Beijing; Shanghai Museum). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. Text p. 143; ill. p. 143, fig. 61 (color). Davidson, Susan, ed. Art in America: 300 Years of Innovation. (exh. cat., National Museum of China, Beijing; Shanghai Museum). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. Chinese edition. Text p. 143; ill. p. 143, fig. 61 (color). Art In America: 300 years of Innovation. Hong Kong: Wen Wei Publishing Co. Ltd, 2007. (in Chinese) Ill. p. 47 (color). Davidson, Susan, ed. Art in the USA: 300 años de innovación. (exh. cat., Guggenheim Museum Bilbao). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. Ill. p. 96 (color). Tallack, Douglas. “Review: Art as Diplomacy.” Journal of American Studies 42, no. 1 (April 2008): 141-145. Text p. 142. Mazow, Leo G. and Kevin Murphy. Taxing Visions: Financial Episodes in Late Nineteenth-Century American Art. (exh. cat. Palmer Museum of Art and The Huntington Library, Art Collections, and Botanical Gardens). University Park, Pennsylvania: Palmer Museum of Art, Pennsylvania State Univeristy, 2010. Text pp. 59, 72 (checklist); ill. p. 60, fig. 54 (color). Art Across America. (exh. cat., National Museum of Korea, Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, Philadelphia Museum of Art and the Terra Foundation for American Art). Seoul, South Korea: National Museum of Korea, 2013. Text pp. 35, 165; ill. p. 36, fig. 21 (color), p. 164 (color). America: Painting a Nation. (exh. cat., Art Gallery of New South Wales, the Los Angeles County Museum of Art, the Museum of Fine Arts, Houston, the National Museum of Korea, the Philadelphia Museum of Art and the Terra Foundation for American Art). Sydney, Australia: Art Gallery of New South Wales, 2013. Text p. 106; ill. p. 107, cat. no. 27 (color). Frost, Andrew. “America: Painting a Nation, Art Gallery of NSW – review.” The Guardian (November 10, 2013). Accessed February 16, 2017. <a href="https://www.theguardian.com/artanddesign/2013/nov/11/america-painting-a-nation-art-gallery-of-nsw-review" target="_blank">https://www.theguardian.com/artanddesign/2013/nov/11/america-painting-a-nation-art-gallery-of-nsw-review</a>. Text. Allen, Christopher. “America: Painting a Nation at the Art Gallery of NSW.” The Australian (November 30, 2013). Accessed February 16, 2017. <a href="http://www.theaustralian.com.au/arts/review/america-painting-a-nation-at-the-art-gallery-of-nsw/news-story/901564ecf3f8809f66e11d830677d6d7" target="_blank">http://www.theaustralian.com.au/arts/review/america-painting-a-nation-at-the-art-gallery-of-nsw/news-story/901564ecf3f8809f66e11d830677d6d7</a>. Text; ill. (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text p. 103; ill. p. 103 (color).

Girls in a Landscape

Winslow Homer

Date: c. 1873

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.73

Text Entries: The American Painting Collection of Mrs. Norman B. Woolworth. (exh. cat., Coe Kerr Gallery, Inc.). New York: Coe Kerr Gallery, Inc., 1970. Ill. 51, p. 32. Hendricks, Gordon. The Life and Works of Winslow Homer. New York: Harry N. Abrams, Inc., 1979. Text p. 100; fig. 142, p. 90 (black & white). Girls in a Landscape, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, January 1995. Ill. (black & white). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. p. 9.

The Whittling Boy

Winslow Homer

Date: 1873

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1994.12

Text Entries: Goodrich, Lloyd. Winslow Homer. (exh. cat., Whitney Museum of American Art). New York: Whitney Museum of American Art, 1973. Text p. 137 (checklist); ill. p. 68 (black & white). “News and Notes: Discoveries and Thefts.” ARLIS/NA Newsletter 3, no. 6 (October 1975): 121. Text p. 121. “News and Notes: Lost and Found.” ARLIS/NA Newsletter 4, no. 2 (February 1976): 64. Text p. 64. Hendricks, Gordon. The Life and Works of Winslow Homer. New York: Harry N. Abrams, Inc., 1979. Text p. 113; ill. p. 298, CL-279 (black & white). Christie's, New York, New York (Sale ANNABELLE-7894, May 26, 1994): lot 19. Text p. 30, lot 19; ill. p. 31. Berman, Ann E. "American Paintings." Art & Auction 17:2 (September 1994): 80–81. Text p. 81; ill. p. 81 (black & white). Blaugrund, Annette. The Tenth Street Studio Building. (exh. cat., Parrish Art Museum). Southampton, New York: Parrish Art Museum, 1997. Text pp. 91, 138 (checklist); ill. p. 96, fig. 54 (color). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 24 (checklist); ill. p. 45 (color). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 24 (checklist); ill. p. 45 (color). Cartwright, Derrick. "The City and Country: American Perspectives, 1870–1920." American Art Review 7:1 (January-February 2000): 100–11. Ill. p. 104 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 88; ill. p. 88 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 88; ill. p. 88 (black & white). Side by Side: Works from the Terra Foundation for the Arts and the Detroit Institute of the Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 22 (checklist). Deux collections en regard: oeuvres de la Terra Foundation for the Arts et du Detroit Institute of Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 22 (checklist). Goodrich, Lloyd and Abigail Booth Gerdts. Record of Works by Winslow Homer. Vol. 2, 1867 through 1876. New York: Spanierman Gallery, LLC, 2005. Text p. 213, no. 432; ill. p. 213, no. 432 (black & white). Tedeschi, Martha with Kristi Dahm. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text pp. 37–38; ill. p. 39, fig. 4 (color). Twain, Mark. The Adventures of Tom Sawyer. Hartford, Connecticut: American Publishing Company, 1876. Reprinted with an introduction and notes by Peter Stoneley, Oxford’s World Classics. Oxford: Oxford University Press, 2008. Ill. on 2008 edition cover (color, detail). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 106, 107; ill. p. 107, detail pp. 108-109 (color).

The Chemist

Charles Moeller

Date: c. 1875

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.98

Text Entries: Annual Report. Lawter Chemicals, Inc., 1978. Ill. cover. Gerdts, William H. The Art of Healing: Medicine and Science in American Art. (Brochure, Birmingham Museum of Art). Birmingham, Alabama: Birmingham Museum of Art, 1981. Ill. (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 29 (checklist); ill. p. 38 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. Le Travail à l'oeuvre: les artistes américains, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 29 (checklist); ill. p. 38 (color).

Les modèles de Pont-Aven

Robert Wylie

Date: c. 1875

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.166

Text Entries: Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 222; pl. 57, p. 223 (color). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 222; pl. 57, p. 223 (color). Myers, Julia R. "'Sympathy for Humanity': Robert Wylie and His Paintings of Breton Life." The American Art Journal 28:1–2 (1997): 82–121. Fig. 1, p. 82 (black & white), ill. back cover (color). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 18, 27 (checklist); fig. 19, p. 18 (black & white). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 18, 27 (checklist); fig. 19, p. 18 (black & white). Cartwright, Derrick R. The Extraordinary and the Everyday: American Perspectives, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text pp. 18, 24 (checklist); fig. 6, p. 18 (black & white). Cartwright, Derrick R. L'Héroïque et le quotidien: les artistes américains, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text pp. 18, 24 (checklist); fig. 6, p. 18 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 30 (checklist). Myers, Julia Rowland. "J. Alden Weir's essay on 'Modern Life': In the Park of 1879." The American Art Journal 34–35 (2003–2004): 145–185. Text p.158; fig. 12, p. 159 (black & white). Lévy, Sophie, et al. Twarze Ameryki: Portrety z kolekcji Terra Foundation for American Art, 1770–1940/Faces of America: Portraits from the collection of the Terra Foundation for American Art, 1770–1940. (exh. cat. International Cultural Center). Cracow, Poland: International Cultural Center, 2006. Ill. p. 88 (color). Wardle, Marian, ed. The Weir Family 1820–1920: Expanding the Traditions of American Art. (exh. cat. Brigham Young University Museum of Art). Lebanon, New Hampshire: University Press of New England, 2011. Text, p. 65, ill. fig. 3.7, p. 64 (black & white).

Breton Woman with a Basket, Study for “En route pour la pêche” and “Fishing for Oysters at Cancale”

John Singer Sargent

Date: 1877

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1996.53

Text Entries: Parke-Bernet Galleries, Inc., New York, New York (April 7–8, 1971): lot 33. Text lot 33 (as Breton Woman with Basket: Sketch for "The Oyster Gatherers of Cancale"). Mount, Charles Merrill. “The Works of John Singer Sargent in Washington.” Records of the Columbia Historical Society, Washington D.C. 49 (1973/74): Text p. 450 (general reference to studies for Oyster Gatherers of Cancale). John Singer Sargent, his own work. (exh. cat., Coe Kerr Gallery). New York: Coe Kerr Gallery and Wittenborn Art Books, 1980. Text p. 4 (general reference to studies for Oyster Gatherers of Cancale). Fairbrother, Trevor. "Sargent's Genre Paintings and the Issues of Suppression and Privacy." In Studies in the History of Art: Vol. 37 Symposium Papers XXI: American Art around 1900: Lectures in Memory of Daniel Fraad. Washington D.C.: National Gallery of Art, 1990. Text p. 30 (general reference to studies for Oyster Gatherers of Cancale). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 36 (color, as Breton Woman with a Basket (Sketch for "The Oyster Gatherers of Cancale")). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 36 (color, as Bretonne au panier, esquisse pour "Les Ramasseuses d'huitres de Cancale"). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Ill. p. 94 (black & white, as Breton Woman with a Basket (Sketch for "The Oyster Gatherers of Cancale")). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Ill. p. 94 (black & white, as Bretonne au panier, esquisse pour "Les Ramasseuses d'huitres de Cancale"). Kennedy, Elizabeth. “The Terra Museum of American Art.” American Art Review 14, no. 6 (2002): Text pp. 128–129 (as Breton Woman with a Basket). The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art, Musée d’Art Américain). Giverny, France: Musée d’Art Américain, 2003. Text p. 30 (checklist, as Breton Woman with Basket, Sketch for "The Oyster Gatherers of Cancale"). Le travail a l’oeuvre: les artistes américains, 1840–1940. (exh. cat., Terra Museum of American Art, Musée d’Art Américain). Giverny, France: Musée d’Art Américain, 2003. Text p. 30 (checklist, as Bretonne au panier, esquisse pour "Les Ramasseuses d'huitres de Cancale"). McHugh, Rich. The Rough Guide to Chicago. London: Rough Guides Limited, 2003. Text p. 61 (general reference to studies for Oyster Gatherers of Cancale). Ormond, Richard, et al. John Singer Sargent: Figures and Landscapes, 1874–1882; Complete Paintings: Volume IV. New Haven; London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2006. Text pp. 86, 108, 117, 120, 396-97; Ill. p. 117, fig. 63 (black & white), p. 120 (color, as Study for "Oyster Gatherers of Cancale"). Cash, Sarah. Sargent and the Sea. (exh. cat., Corcoran Gallery of Art). Washington, DC: Corcoran Gallery of Art, 2009. Text pp. 97, 101, 103, 105; ill. p. 101, fig. 142 (color). Scherer, Barrymore Laurence. “Sargent’s Sea Fever.” The Wall Street Journal (October 27, 2009). Accessed October 27, 2016. <a href="http://www.wsj.com/articles/SB10001424052748703746604574463420530345580" target="_blank">http://www.wsj.com/articles/SB10001424052748703746604574463420530345580</a>. Text (general reference to studies for Oyster Gatherers of Cancale). Donnelly, Jennifer A. “Sargent and the Wyeths in London: Sargent and the Sea, Royal Academy of Arts (10 July–26 September 2010) The Wyeth Family: Three Generations of American Art, Dulwich Picture Gallery (9 June–22 August 2010).” Transatlantica: Revue d’études américaines. American Studies Journal 1 (2010): Text p. 2 (general reference to studies for Oyster Gatherers of Cancale). Payne, Christiana. “Modernity at the Seaside.” Oxford Art Journal 33, no. 2 (2010): 239–241. Text p. 239 (general reference to studies for Oyster Gatherers of Cancale). Curry, David Park. “Sargent: Washington, Houston and London.” The Burlington Magazine 152, no. 1289 (2010): Text p. 560 (general reference to studies for Oyster Gatherers of Cancale). Cumming, Laura. “Sargent and the Sea: Royal Academy, London.” The Guardian (July 17, 2010). Accessed October 27, 2016. <a href="https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy" target="_blank">https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy</a>. Text (general reference to studies for Oyster Gatherers of Cancale). Cash, Sarah, ed. Corcoran Gallery of Art: American Paintings to 1945. Washington D.C.: Corcoran Gallery of Art, 2011. Text p. 143, p. 268n9 (general reference to studies for Oyster Gatherers of Cancale). "Sargent and the Sea is Down at the Shallow End.” Evening Standard (July 22, 2010). Accessed October 27, 2016. <a href="http://www.standard.co.uk/arts/sargent-and-the-sea-is-down-at-the-shallow-end-7420849.html" target="_blank">http://www.standard.co.uk/arts/sargent-and-the-sea-is-down-at-the-shallow-end-7420849.html</a>. Text (general reference to studies for Oyster Gatherers of Cancale). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 125, 127; ill. p. 124 (color). Standring, Timothy J., ed. Whistler to Cassatt: American Painters in France. (exh. cat., Denver Art Museum). New Haven, CT: Yale University Press, 2021. Text p. 36; ill. p. 43 (color).

Breton Girl with a Basket, Study for “En route pour la pêche” and “Fishing for Oysters at Cancale”

John Singer Sargent

Date: 1877

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.129

Text Entries: Parke-Bernet Galleries, Inc., New York, New York (April 7–8, 1971): lot 30. Ill. lot 30 (as Breton Girl with a Basket: Sketch for "The Oyster Gatherers of Cancale"). Mount, Charles Merrill. “The Works of John Singer Sargent in Washington.” Records of the Columbia Historical Society, Washington D.C. 49 (1973/74): Text p. 450 (general reference to studies for Oyster Gatherers of Cancale). Driscoll, John Paul. American Paintings from the Collection of Daniel J. Terra. (exh. cat., Museum of Art, The Pennsylvania State University). University Park, Pennsylvania: Museum of Art, The Pennsylvania State University, 1977. Ill. (black & white as Oyster Gatherer of Cancale (female)). John Singer Sargent, his own work. (exh. cat., Coe Kerr Gallery). New York: Coe Kerr Gallery and Wittenborn Art Books, 1980. Text p. 4 (general reference to studies for Oyster Gatherers of Cancale). Schulze, Franz. "Terra Incognita: A New Museum of American Art." Art News 79, no. 10 (December 1980): 84–87. Ill. p. 86 (black & white, as Figure Study for ‘The Oyster Gatherers of Cancale’). Ratcliff, Carter. John Singer Sargent. New York: Abbeville Press, Publishers, 1982. Text p. 49; ill. p. 52, no. 68 (black & white, as Female Study for "The Oyster Gatherers of Cancale"). Sellin, David. Americans in Brittany and Normandy: 1860–1910 (exh. cat., Phoenix Art Museum). Phoenix, Arizona: Phoenix Art Museum, 1982. Ill. no. 15 (black & white, as Breton Girl with a Basket, Sketch for "The Oyster Gatherers of Cancale"). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Ill. p. 195, pl. T-86 (color, as Breton Girl with a Basket, Sketch for "The Oyster Gatherers of Cancale"). Shelby, Carole. American Painters in France, 1830–1930. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of Art, 1987. Text no. 33 (checklist, as Breton Girl with a Basket (Sketch for "The Oyster Gatherers of Cancale")). Fairbrother, Trevor. "Sargent's Genre Paintings and the Issues of Suppression and Privacy." In Studies in the History of Art: Vol. 37 Symposium Papers XXI: American Art around 1900: Lectures in Memory of Daniel Fraad. Washington D.C.: National Gallery of Art, 1990. Text p. 30 (general reference to studies for Oyster Gatherers of Cancale). Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Ill. p. 217, pl. 52 (color, as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale"). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Ill. p. 217, pl. 52 (color, as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale"). Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 54 (checklist, as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale"). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 36 (color, as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale"). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 36 (color, as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale"). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 94, 204; ill. pp. 95 (color), 204 (black & white, as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale"). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 94, 204; ill. pp. 95 (color), 204 (black & white, as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale"). Kennedy, Elizabeth. "The Terra Museum of American Art." American Art Review (December 2002): 126–41. Text p. 128; ill. p. 132 (color, as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale"). McHugh, Rich. The Rough Guide to Chicago. London: Rough Guides Limited, 2003. Text p. 61 (general reference to studies for Oyster Gatherers of Cancale). Ormond, Richard, et al. John Singer Sargent: Figures and Landscapes, 1874–1882; Complete Paintings: Volume IV. New Haven; London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2006. Text pp. 86, 108,116, 117, 396; ill. p. 116 (color, as Study for "Oyster Gatherers of Cancale"), p. 117, fig. 63 (black & white). Cash, Sarah. Sargent and the Sea. (exh. cat., Corcoran Gallery of Art). Washington, DC: Corcoran Gallery of Art, 2009. Text pp. 97-98, 103, 105; ill. p. 96, fig. 133 (color). Scherer, Barrymore Laurence. “Sargent’s Sea Fever.” The Wall Street Journal (October 27, 2009). Accessed October 27, 2016. <a href="http://www.wsj.com/articles/SB10001424052748703746604574463420530345580" target="_blank">http://www.wsj.com/articles/SB10001424052748703746604574463420530345580</a>. Text (general reference to studies for Oyster Gatherers of Cancale). Donnelly, Jennifer A. “Sargent and the Wyeths in London: Sargent and the Sea, Royal Academy of Arts (10 July–26 September 2010) The Wyeth Family: Three Generations of American Art, Dulwich Picture Gallery (9 June–22 August 2010).” Transatlantica: Revue d’études américaines. American Studies Journal 1 (2010): Text p. 2 (general reference to studies for Oyster Gatherers of Cancale). Payne, Christiana. “Modernity at the Seaside.” Oxford Art Journal 33 no. 2 (2010): Text p. 239 (general reference to studies for Oyster Gatherers of Cancale). Curry, David Park. “Sargent: Washington, Houston and London.” The Burlington Magazine 152 no. 1289 (2010): Text p. 560 (general reference to studies for Oyster Gatherers of Cancale). Cumming, Laura. “Sargent and the Sea: Royal Academy, London.” The Guardian (July 17, 2010). Accessed October 27, 2016. <a href="https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy" target="_blank">https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy</a>. Text (general reference to studies for Oyster Gatherers of Cancale). Cash, Sarah, ed. Corcoran Gallery of Art: American Paintings to 1945. Washington D.C.: Corcoran Gallery of Art, 2011. Text p. 143, p. 268 n. 9 (general reference to studies for Oyster Gatherers of Cancale). Bourguignon, Katherine M. American Impressionism: A New Vision 1880–1900. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 64 (color, as Breton Girl with a Basket, Sketch for "Oyster Gatherers of Cancale"). Bourguignon, Katherine M. L’Impressionnisme et les Américains. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 65 (color). Bourguignon, Katherine M. Impresionismo Americano. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 65 (color, as Jeune Bretonne au panier, esquisse pour "Les ramasseuses d'huitres de Cancale"). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 125, 127; ill. p. 125, detail p. 126 (color). Standring, Timothy J., ed. Whistler to Cassatt: American Painters in France. (exh. cat., Denver Art Museum). New Haven, CT: Yale University Press, 2021. Text p. 36; ill. p. 40 (color).

Girl on the Beach, Study for “En route pour la pêche” and “Fishing for Oysters at Cancale”

John Singer Sargent

Date: 1877

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.131

Text Entries: Parke-Bernet Galleries, Inc., New York, New York (April 7–8, 1971): lot 32. Ill. lot 32 (as Breton Woman on the Beach: Sketch for "The Oyster Gatherers of Cancale"). Mount, Charles Merrill. “The Works of John Singer Sargent in Washington.” Records of the Columbia Historical Society, Washington D.C. 49 (1973/74): Text p. 450 (general reference to studies for Oyster Gatherers of Cancale). John Singer Sargent, his own work. (exh. cat., Coe Kerr Gallery). New York: Coe Kerr Gallery and Wittenborn Art Books, 1980. Text p. 4 (general reference to studies for Oyster Gatherers of Cancale). Ratcliff, Carter. John Singer Sargent. New York: Abbeville Press, Publishers, 1982. Text p. 49; ill. p. 52, no. 70 (black & white, as Second Female Study for "The Oyster Gatherers of Cancale"). Sellin, David. Americans in Brittany and Normandy: 1860–1910. (exh. cat., Phoenix Art Museum). Phoenix, Arizona: Phoenix Art Museum, 1982. Ill. p. 137, no. 16 (black & white as Sketch for the Oyster Gatherers of Cancale). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Ill. p. 196, pl. T-87 (color, as Girl on the Beach, Sketch for "The Oyster Gatherers of Cancale"). Shelby, Carole. American Painters in France, 1830–1930. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of Art, 1989. Text no. 34 (checklist); ill. no. 34 (color, as Girl on the Beach, Sketch for "The Oyster Gatherers of Cancale"). Fairbrother, Trevor. "Sargent's Genre Paintings and the Issues of Suppression and Privacy." In Studies in the History of Art: Vol. 37 Symposium Papers XXI: American Art around 1900: Lectures in Memory of Daniel Fraad. Washington D.C.: National Gallery of Art, 1990. Text p. 30 (general reference to studies for Oyster Gatherers of Cancale). Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 216, 220; ill. p. 218, pl. 53 (color, as Girl on the Beach, Sketch for "The Oyster Gatherers of Cancale"). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 216, 220; ill. p. 218, pl. 53 (color, as Jeune fille sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 37 (color, as Girl on the Beach (Sketch for "The Oyster Gatherers of Cancale")). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 37 (color, as Jeune fille sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Ill. p. 94 (black & white, as Girl on the Beach, Sketch for "The Oyster Gatherers of Cancale"). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Ill. p. 94 (black & white, as Jeune fille sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"). Kennedy, Elizabeth. "The Terra Museum of American Art." American Art Review (December 2002): 126–41. Text p. 128 (general reference to studies for Oyster Gatherers of Cancale). McHugh, Rich. The Rough Guide to Chicago. London: Rough Guides Limited, 2003. Text p. 61 (general reference to studies for Oyster Gatherers of Cancale). Ormond, Richard, et al. John Singer Sargent: Figures and Landscapes, 1874-1882; Complete Paintings: Volume IV. New Haven; London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2006. Text pp. 86, 108, 117,119, 396; ill. p. 119 (color, as Study for 'Oyster Gatherers of Cancale'); p. 117, fig. 63 (black & white). Gerdts, William H. and David F. Setford. Impressions: Americans in France, 1860–1930 and Claude Monet: Giverny and the North of France. (exh. cat. Naples Museum of Art). Naples, Florida: Naples Museum of Art, 2007. Text pp. 12–13, 97 no. 38 (checklist); ill. p. 29 (color, as Girl on the Beach, Sketch for "Oyster Gatherers of Cancale"). Cash, Sarah. Sargent and the Sea. (exh. cat., Corcoran Gallery of Art). Washington, DC: Corcoran Gallery of Art, 2009. Text pp. 97, 100-101, 103, 105; ill. p. 100, fig. 140 (color). Scherer, Barrymore Laurence. “Sargent’s Sea Fever.” The Wall Street Journal (October 27, 2009). Accessed October 27, 2016. <a href="http://www.wsj.com/articles/SB10001424052748703746604574463420530345580" target="_blank">http://www.wsj.com/articles/SB10001424052748703746604574463420530345580</a>. Text (general reference to studies for Oyster Gatherers of Cancale). Donnelly, Jennifer A. “Sargent and the Wyeths in London: Sargent and the Sea, Royal Academy of Arts (10 July–26 September 2010) The Wyeth Family: Three Generations of American Art, Dulwich Picture Gallery (9 June–22 August 2010).” Transatlantica: Revue d’études américaines. American Studies Journal 1 (2010): Text p. 2 (general reference to studies for Oyster Gatherers of Cancale). Payne, Christiana. “Modernity at the Seaside.” Oxford Art Journal 33 no. 2 (2010): Text p. 239 (general reference to studies for Oyster Gatherers of Cancale). Curry, David Park. “Sargent: Washington, Houston and London.” The Burlington Magazine 152 no. 1289 (2010): Text p. 560 (general reference to studies for Oyster Gatherers of Cancale). Cumming, Laura. “Sargent and the Sea: Royal Academy, London.” The Guardian (July 17, 2010). Accessed October 27, 2016. <a href="https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy" target="_blank">https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy</a>. Text (general reference to studies for Oyster Gatherers of Cancale). Cash, Sarah, ed. Corcoran Gallery of Art: American Paintings to 1945. Washington D.C.: Corcoran Gallery of Art, 2011. Text p. 143, p. 268 n. 9 (general reference to studies for Oyster Gatherers of Cancale). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 125, 127; ill. p. 124 (color). Standring, Timothy J., ed. Whistler to Cassatt: American Painters in France. (exh. cat., Denver Art Museum). New Haven, CT: Yale University Press, 2021. Text p. 36; ill. p. 42 (color).

Young Boy on the Beach, Study for “En route pour la pêche” and “Fishing for Oysters at Cancale”

John Singer Sargent

Date: 1877

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.132

Text Entries: Parke-Bernet Galleries, Inc., New York, New York (April 7–8, 1971): lot 31. Ill. lot 31 (as Young Boy on the Beach: Sketch for "The Oyster Gatherers of Cancale"). Mount, Charles Merrill. "The Works of John Singer Sargent in Washington." Records of the Columbia Historical Society, Washington D.C. 49 (1973/74): Text p. 450 (general reference to studies for Oyster Gatherers of Cancale). Driscoll, John Paul. American Paintings from the Collection of Daniel J. Terra. (exh. cat., Museum of Art, The Pennsylvania State University). University Park, Pennsylvania: Museum of Art, The Pennsylvania State University, 1977. Ill. (black & white as Oyster Gatherer of Cancale (male)). John Singer Sargent, his own work. (exh. cat., Coe Kerr Gallery). New York: Coe Kerr Gallery and Wittenborn Art Books, 1980. Text p. 4 (general reference to studies for Oyster Gatherers of Cancale). Sellin, David. Americans in Brittany and Normandy: 1860–1910. (exh. cat., Phoenix Art Museum). Phoenix, Arizona: Phoenix Art Museum, 1982. Text p. 135; ill. p. 136, no. 14 (black & white, as Young Boy on the Beach: Sketch for "The Oyster Gatherers of Cancale"). Ratcliff, Carter. John Singer Sargent. New York: Abbeville Press, Publishers, 1982. Ill. p. 52, no. 69 (black & white, as Male Study for "The Oyster Gatherers of Cancale"). Adams, Henry. "Daniel Terra and American Art: Private Collector to Public Champion." Portfolio 5, no. 1 (January/February 1983): 48–53. Ill. p. 53 (color, as The Young Boy on the Beach). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Ill. p. 197, pl. T-88 (color, as Young Boy on the Beach, Sketch for "The Oyster Gatherers of Cancale"). Shelby, Carole. American Painters in France, 1830–1930. (exh. cat., Terra Museum of Art, Chicago). Chicago, Illinois: Terra Museum of Art, 1989. Text no. 39 (checklist, as Young Boy on the Beach (Sketch for "The Oyster Gatherers of Cancale")). Fairbrother, Trevor. "Sargent's Genre Paintings and the Issues of Suppression and Privacy." In Studies in the History of Art: Vol. 37 Symposium Papers XXI: American Art around 1900: Lectures in Memory of Daniel Fraad. Washington D.C.: National Gallery of Art, 1990. Text p. 30 (general reference to studies for Oyster Gatherers of Cancale). Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 216; 220; ill. p. 219, pl. 54 (color, as Young Boy on the Beach, Sketch for "Oyster Gatherers of Cancale"). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 216; 220; ill. 219, pl. 54 (color, as Jeune garçon sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"). Sullivan, Charles, ed. Imaginary Animals: Poetry and Art for Young People. New York: Harry N. Abrams, Inc., Publishers, 1996. Ill. p. 78 (color, as Young Boy on the Beach, Sketch for "Oyster Gatherers of Cancale"). Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 55 (checklist, as Jeune garçon sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 37 (color, as Young Boy on the Beach (Sketch for "The Oyster Gatherers of Cancale")). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 37 (color, as Jeune garçon sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 94; ill. p. 94, fig. c (black & white, as Young Boy on the Beach, Sketch for "Oyster Gatherers of Cancale"). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 94; ill. p. 94, fig. c (black & white, as Jeune garçon sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"). Kennedy, Elizabeth. “The Terra Museum of American Art.” American Art Review 14, no. 6 (2002): Text p. 128 (general reference to studies for "Oyster Gatherers of Cancale"). The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art, Musée d’Art Américain). Giverny, France: Musée d’Art Américain, 2003. Text p. 30 (checklist, as Young Boy on the Beach, Sketch for "Oyster Gatherers of Cancale"). Le Travaila L’oeuvre: Les Artistes Américains, 1840–1940. (exh. cat., Terra Museum of American Art, Musée d’Art Américain). Giverny, France: Musée d’Art Américain, 2003. Text p. 30 (checklist, as Jeune garçon sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"). McHugh, Rich. The Rough Guide to Chicago. London: Rough Guides Limited, 2003. Text p. 61 (general reference to studies for "Oyster Gatherers of Cancale"). Ormond, Richard, et al. John Singer Sargent: Figures and Landscapes, 1874–1882; Complete Paintings: Volume IV. New Haven; London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2006. Text pp. 86, 108, 117, 118, 396; ill. p. 118 (color, as Study for "Oyster Gatherers of Cancale"), p. 117, fig. 63 (black & white). Gerdts, William H. and David F. Setford. Impressions: Americans in France, 1860–1930 and Claude Monet: Giverny and the North of France. (exh. cat. Naples Museum of Art). Naples, Florida: Naples Museum of Art, 2007. Text pp. 12–13, 97 no. 39 (checklist); ill. p. 30 (color, as Young Boy on the Beach, Sketch for "Oyster Gatherers of Cancale"). Cash, Sarah. Sargent and the Sea. (exh. cat., Corcoran Gallery of Art). Washington, DC: Corcoran Gallery of Art, 2009. Text pp. 97–98, 100, 105; ill. p. 99, fig. 137 (black & white). Scherer, Barrymore Laurence. <a href="http://www.wsj.com/articles/SB10001424052748703746604574463420530345580" target=" blank">"Sargent’s Sea Fever."</a> The Wall Street Journal (October 27, 2009). Accessed October 27, 2016. Text (general reference to studies for Oyster Gatherers of Cancale). Donnelly, Jennifer A. "Sargent and the Wyeths in London: Sargent and the Sea, Royal Academy of Arts (10 July–26 September 2010) The Wyeth Family: Three Generations of American Art, Dulwich Picture Gallery (9 June–22 August 2010)." Transatlantica: Revue d’études américaines. American Studies Journal 1 (2010): Text p. 2 (general reference to studies for Oyster Gatherers of Cancale). Payne, Christiana. “Modernity at the Seaside.” Oxford Art Journal 33 no. 2 (2010): Text p. 239 (general reference to studies for Oyster Gatherers of Cancale). Curry, David Park. “Sargent: Washington, Houston and London.” The Burlington Magazine 152 no. 1289 (2010): Text p. 560 (general reference to studies for Oyster Gatherers of Cancale). Cumming, Laura. “Sargent and the Sea: Royal Academy, London.” The Guardian (July 17, 2010). Accessed October 27, 2016. <a href="https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy" target="_blank">https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy</a>. Text (general reference to studies for Oyster Gatherers of Cancale). Cash, Sarah, ed. Corcoran Gallery of Art: American Paintings to 1945. Washington D.C.: Corcoran Gallery of Art, 2011. Text p. 143, p. 268 n. 9 (general reference to studies for Oyster Gatherers of Cancale). Bourguignon, Katherine M. American Impressionism: A New Vision 1880–1900. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 65 (color, as Young Boy on the Beach, Sketch for "Oyster Gatherers of Cancale"). Bourguignon, Katherine M. L’Impressionnisme et les Américains. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 65 (color, as Jeune garçon sur la plage, esquisse pour "Les ramasseuses d'huitres de Cancale"). Bourguinon, Katherine M. Impresionismo Americano. (exh. cat., Musée des Impressionnismes Giverny, National Galleries of Scotland, Museo Thyssen-Bornemisza). Giverny, France: Musée des Impressionnismes Giverny, 2014. Text p. 25; ill. p. 65 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 125, 127; ill. p. 125 (color). Standring, Timothy J., ed. Whistler to Cassatt: American Painters in France. (exh. cat., Denver Art Museum). New Haven, CT: Yale University Press, 2021. Text p. 36; ill. p. 41 (color).

The Jolly Flatboatmen

George Caleb Bingham

Date: 1877–78

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.15

Text Entries: "For the Ex-Confederates: Works of the Late G.C. Bingham to be Sold March 25." Kansas City Star (March 18, 1893): 5. Text p. 5, col. 1. "The Bingham Paintings Sold." Kansas City Star (March 25, 1893): 1. Text p. 1, col. 6. "The Bingham Paintings." Kansas City Journal (March 25, 1893): 3. Text p. 3, col. 1. "Sold at Auction: The Best of General Bingham's Paintings Went at Low Prices." Kansas City Journal (March 26, 1893): 2, col. 4. Text p. 2. Whitney, Carrie W. Kansas City, Missouri; Its History and Its People 1800–1908. Vol. I. Chicago, Illinois: The S. J. Clarke Publishing Company, 1908. Text p. 609. Rusk, Fern Helen. George Caleb Bingham: The Missouri Artist. Jefferson City, Missouri: The Hugh Stephens Company, 1917. Text pp. 34–37, 69, 107, 121; pl. XVIII. M.P., “George Caleb Bingham.” Bulletin of the City Art Museum of St. Louis 9, no. 4 (October 1924): 57–62. Text p. 60. Childs, Marquis W. "George Caleb Bingham." American Magazine of Art 27 (November 1934): 594–99. Text p. 598. "Bingham, First Missouri Artist Painted American Scene Vividly." American Collector III (February 7, 1935): 6. Text p. 6. Christ-Janer, Albert. George Caleb Bingham of Missouri: The Story of an Artist. Preface by Thomas Hart Benton. New York: Dodd, Mead & Company, 1940. Text pp. 35, 37, 158n8. Larkin, Lew. Bingham: Fighting Artist, The Story of Missouri's Immortal Painter, Patriot, Soldier, and Statesman. Kansas City, Missouri: Burton Publishing Company, 1954. Text pp. 59–60. McDermott, John Francis. George Caleb Bingham: River Portraitist. Norman, Oklahoma: University of Oklahoma Press, 1959. Text pp. 161–62, 420n106; ill. p. 273, pl. 77 (black & white, as The Jolly Flatboatment No. 2). Bloch, E. Maurice. George Caleb Bingham: A Catalog Raisonné. Berkeley, California: University of California Press, 1967. Text p. 62, no. 157 (as The Jolly Flatboatmen No. 2). Bloch, E. Maurice. George Caleb Bingham: The Evolution of An Artist. Berkeley, California: University of California Press, 1967. Text pp. 92–97, 102, 248, 250, 252; ill. no. 56 (black & white). Out of Sight: Works of Art from San Diego Collections. (exh. cat., Fine Arts Gallery of San Diego). San Diego, California: The Gallery, 1972. Text and ill (as Jolly Flatboatmen). Moure, Nancy Wall. American Narrative Painting. (exh. cat., Los Angeles County Museum of Art). Los Angeles, California: Los Angeles County Museum of Art, 1974. Text p. 68; ill. p. 69, no. 27 (color). Bloch, E. Maurice. The Drawings of George Caleb Bingham, With a Catalogue Raisonné. Columbia, Missouri: University of Missouri Press, 1975. Text p. 247; ill. p. 247, pl. XXIII (black & white, as The Jolly Flatboatmen (2)). Reif, Rita. “$980,000 for a Bingham Sets a U.S. Record.” The New York Times (June 7, 1978). Text p. 22; ill. p. 22 (detail, black and white, as The Jolly Flatboatmen, No. 2). "Bingham's Flatboatmen Goes for Record $980,000." The Los Angeles Herald Examiner (June 7, 1978): 32. Text p. 32. Townsend, Dorothy. "U.S. Painting Auctioned for $980,000 in L.A." The Los Angeles Times; Miami Herald (June 7, 1978): 1, col. 4. Text p. 1, col. 4. Reif, Rita. "$980,000 Buys Bingham Work." The Kansas City Times (June 8, 1978): 6. Text p. 6. Ill. p. 6 (detail). Sarrano, Richard A. "$980,000 Buys Bingham Work." The Kansas City Times (June 8, 1978): 6. Text p. 6 (as The Jolly Flatboatmen, No.2). Hoffman, Donald. “Interest in Bingham Works Rising.” Kansas City Star (June 8, 1978). Text. “Record Sale.” Shreveport Journal (June 8, 1978). Text; ill. (appears in installation photograph). “Record Auction Price.” Newsday (June 10, 1978). Text. “Hirschl & Adler paid an astounding $980,000 for George Caleb Bingham’s ‘The Jolly Flatboatmen.’” The Gray Letter 3 no. 23 (June 12, 1978): 3. Text p. 3. Bohlin, Virginia. “980,000 Paid for Frontier Painting.” The Boston Globe (June 18, 1978). Text. Kramer, Hilton. "The Influence of Money on Taste." The New York Times (June 18, 1978): 27–28. Ill. p. 27 (as The Jolly Flatboatmen, No.2). “The 980,000 Bingham.” The ARTnewsletter 3 no. 22 (June 27, 1978): 5-6. Text p. 5-6. "Treasure Hunting." Antiques Monthly (July 1978): 4A. Ill. p. 4A. Jordan, George E. “$pectacular $ales Figures.” The Times-Picayune (July 9, 1978): 8. Text. p. 8; ill. p. 8 (as The Jolly Flatboatmen, No.2). "Looking Like a Million." Continental Airlines Flight Time (August 1978): 36–37. Ill. pp. 36–7 (color, as The Jolly Flatboatmen, No.2). Boneti, Charles. “Painting sold by museum turns to gold.” The Berkshire Eagle (August 12, 1978). Text p. 17. ill. p. 17 (detail as Jolly Flatboatmen No. 2). “Front Matter—Sotheby Parke Bernet.” The Burlington Magazine 120, no. 907 (October 1978): i-civ. Text p. vi; ill. p. vi (black & white, as The Jolly Flatboatmen, No. 2). Schulze, Franz. "Terra Incognita: A New Museum of American Art." Art News 79, no. 10 (December 1980): 84–87. Text p. 87; ill. p. 86 (color). Sokol, David M. Life in 19th Century America: An Exhibition of American Genre Painting. (exh. cat., Terra Museum of American Art). Evanston, Illinois: Terra Museum of American Art, 1981. Text pp. 16–17; ill. cover (color). Kirshner, Judith Russi. "The Terra Collection." United: The Magazine of the Friendly Skies (December 1982): 52–59. Ill. p. 57 (color). Adams, Henry. "Daniel Terra and American Art: Private Collector to Public Champion." Portfolio 5, no. 1 (January/February 1983): 48–53. Ill. p. 52 (color). Hemphill, Christopher. "Daniel Terra and His Collection." Town & Country (February 1984): 195. Text p. 195. Sokol, David M. "The Terra Museum of American Art, Evanston, Illinois." The Magazine Antiques 126, no. 5 (November 1984): 1156–69. Ill. p. 1157; pl. IV (color). Behrendt, Stephen C. "Originality and Influence in George Caleb Bingham's Art." Great Plains Quarterly 5, no. 1 (Winter 1985): 24–38. Text pp. 24, 28, 31, 38n12; ill. p. 28, fig. 3 (black & white). Bloch, E. Maurice. The Paintings of George Caleb Bingham: A Catalogue Raisonné. Columbia, Missouri: University of Missouri Press, 1986. Text pp. 240–241, no. 413; ill. p. 127, pl. 413 (black & white). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Text p. 127; ill. p. 127, pl. T-18 (color). Roucher, Nancy. “Float down a river frontier.” Instructor (September 1987): 74. Text p. 74; ill. p. 74 (black and white), insert (color). Shapiro, Michael Edward, Barbara Groseclose, Elizabeth Johns, Paul C. Nagel and John Wilmerding. George Caleb Bingham. (exh. cat., The Saint Louis Art Museum). St. Louis, Missouri and New York: The Saint Louis Art Museum in association with Harry N. Abrams, Inc., Publishers, 1990. Text pp. 172–173; ill. p. 173, fig. 35 (black & white). Southgate, M. Therese. "The Cover." The Journal of the American Medical Association 263, no. 22 (June 13, 1990): 3008. Text p. 3008; ill. cover (color). The Jolly Flatboatmen, George Caleb Bingham. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, September 1990. Ill. (black & white). Kloss, William et al. America in Art: Fifty Great Paintings Celebrating Fifty Years. (exh. cat., Santa Barbara Museum of Art). Santa Barbara, California: Santa Barbara Museum of Art, 1991. Text p. 16; ill. p. 17 (black & white). Southgate, M. Therese. "The Cover." The Journal of the American Medical Association Middle East (August 1991): 14. Text p. 14; ill. cover (color). Rash, Nancy. The Paintings and Politics of George Caleb Bingham. New Haven, Connecticut: Yale University Press, 1991. Text pp. 219–20; ill. p. 219, fig. 67 (black & white). Marling, Karal Ann. “Art and Ideology in Frontier Missouri: Or, are George Caleb Bingham’s Jolly Flatboatmen Really Happy Whigs?” Reviews in American History 20, no. 1 (March 1992): 30–34. Text p. 34. Gernes, Todd S. “Review: The Paintings and Politics of George Caleb Bingham by Nancy Rash.” Winterthur Portfolio 27, no. 1 (Spring 1992): 88–90. Text p. 88. Behrendt, Stephen C. “Review: The Paintings and Politics of George Caleb Bingham by Nancy Rash.” Great Plains Quarterly 12, no. 3 (Summer 1992): 209–210. Text p. 210. Clarkin, Maura A. and Cynthia Rawson. "Instructional Resources." Art Education 45, no. 5 (September 1992): 25–26. Text p. 26; ill. p. 25. "Art/Work." Personnel Journal (December 1992): 80. Text and ill. p. 80. Shapiro, Michael Edward. George Caleb Bingham. New York: Harry N. Abrams, Inc., Publishers in association with The National Museum of American Art, Smithsonian Institution, 1993. Text p. 138; ill. p. 139 (color). "Art, Science and Architecture—Terra Museum of American Art.” Rockford Magazine (May 1994): 34. Ill. p. 34. Buser, Thomas. Experiencing Art Around Us. St. Paul, Minnesota: West Publishing Company, 1995. Text p. 182; ill. p. 182, fig. 7–16 (color). Purves, Alan C. Scott Foresman Literature and Integrated Studies: American Literature. Glenview, Illinois: Scott Foresman, 1997. Text p. 361; ill. p. 361 (color). Hassrick, Peter H. The American West: Out of Myth, Into Reality. (exh. cat., Terra Museum of American Art, Toledo Museum of Art Ohio). Washington D.C.: Trust for Museum Exhibitions, 2000. Text p. 119; ill. p. 118, no. 82 (color). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 15; ill. p. 15, fig. 5 (black & white). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 15; ill. p. 15, fig. 5 (black & white). The Extraordinary and the Everyday: American Perspectives 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Giverny, France: Musée d'Art Américain Giverny, 2001. Text pp. 11–12, 22 (checklist); ill. frontispiece (color), p. 11, fig. 4 (black & white). L'héroïque et le quotidien: les artistes américains, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Giverny, France: Musée d'Art Américain Giverny, 2001. Text pp. 11–12, 22 (checklist); ill. frontispiece (color), p. 11 fig. 4 (black & white). Harvey, Eleanor Jones. The Voyage of the 'Icebergs': Frederic Church's Arctic Masterpiece. Dallas, Texas: Dallas Museum of Art, 2002. Text p. 78; ill. p. 78, fig. 44 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 18; ill. p. 18 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 18; ill. p. 18 (color). Kennedy, Elizabeth. "The Terra Museum of American Art." American Art Review (December 2002): 126–41. Text pp. 126, 129 ; ill. p. 126 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 17, 27 (checklist); ill. p. 17, fig. 4 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Le Travail à l'oeuvre: les artistes américains, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 17, 27 (checklist); ill. p. 17, fig. 4 (black & white). Genocchio, Benjamin. <a href="http://www.nytimes.com/2003/09/21/nyregion/art-review-he-had-a-love-affair-with-american-art.html" target="_blank"> “Art Review: He Had a Love Affair with American Art.”</a> The New York Times (September 21, 2003). Accessed November 29, 2016. Text. Richter, Annett. "George Caleb Bingham's River Paintings Revisited: Music and Dance in The Jolly Flatboatmen." Musicological Explorations 5 (2004): 8–41. Text pp. 8–41; ill. p. 37, pl. 4. Davidson, Susan, ed. Art in the USA: 300 años de innovación. (exh. cat., Guggenheim Museum Bilbao). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. Ill. p. 101 (color). Neset, Arne. Arcadian Waters and Wanton Seas: The Iconology of Waterscapes in Nineteenth-Century Transatlantic Culture. New York: Peter Lang Publishing, Inc., 2009. Text. p. 247 no. 26. Baumgärtel, Bettina, ed. Die Düsseldorfer Malerschule und ihre internationale Ausstrahlung 1819–1918, Vol. I–II. (exh. cat., Museum Kunstpalast, Düsseldorf, Germany). Düsseldorf: Museum Kunstpalast, 2011. Text Vol. II, p. 328; ill. p. 329, cat. no. 273 (color), cover (detail, color). Baumgärtel, Bettina, ed. The Düsseldorf School of Painting and its International Influence 1819–1918. (exh. cat. Museum Kunstpalast, Düsseldorf, Germany). Düsseldorf: Museum Kunstpalast, 2011. Text p. 257; ill. p. 257, cat. no. 103 (color), cover (detail, color). Gentzler, Lynn Wolf, ed. “But I Forget That I Am a Painter and Not a Politician": The Letters of George Caleb Bingham. Columbia, MO: State Historical Society of Missouri, 2011. Text pp. 12, 456–457n3. Stadel, Stefanie. <a href="https://www.welt.de/print/wams/nrw/article13624359/Duesseldorf-entdeckt-seine-Malerschule.html" target="_blank"> “Düsseldorf entdeckt seine Malerschule.”</a> Welt (September 25, 2011). Accessed November 29, 2016. Text. Rykner, Didier. <a href="http://www.thearttribune.com/The-Dusseldorf-School.html" target="_blank"> “The Dusseldorf School.”</a> The Art Tribune (November 22, 2011). Accessed November 29, 2016. Text. Ruhs-Woltschützke, Irmgard. <a href="http://www.rheinische-art.de/cms/topics/erste-kuenstlerbewegung-rheinland-duesseldorfer-malerschule-museum-kunstpalast.php" target="_blank"> “Lebendiger Ruhm: Die Kunstakademie und die Düsseldorfer Malerschule.” </a> rheinische Art kulturMagazin (December 2011). Accessed November 29, 2016. Ill. (color). Udall, Sharyn Rohlfsen. Dance and American Art: A Long Embrace. Madison, Wisconsin: The University of Wisconsin Press, 2012. Text, p. 38; ill. p. 38, fig. 19 (color). American Encounters: Genre Painting and Everyday Life. (exh. cat. Musée du Louvre, Crystal Bridges Museum of Art, High Museum of Art). Chicago, Illinois: Terra Foundation for American Art, 2012. Text pp. 31–32, 62, 64; ill. p. 62, cat. no. 5 (color), cover (detail, color), frontispiece and title page (color). New Frontier: Les travaux et le jours : aux sources de la peinture de genre américain. (exh. cat. Musée du Louvre, Crystal Bridges Museum of Art, High Museum of Art). Chicago, Illinois: Terra Foundation for American Art, 2012. Text pp. 31–32, 62, 64; ill. p. 62, cat. no. 5 (color), cover (detail, color), frontispiece and title page (color). Kirchberger, Nico. <a href="http://titelmagazin.com/artikel/12/10614/die-d%C3%BCsseldorfer-malerschule.html" target="_blank"> “Hochschule für Weltklasse.”</a> Titel Magazine (February 23, 2012). Accessed November 29, 2016. Ill. (color). Peacock, Leslie Newell. <a href="http://www.arktimes.com/RockCandy/archives/2013/05/08/genre-painting-and-everyday-life-genre-scenes-on-paper-open-saturday" target="_blank">“’Genre Painting and Everyday Life,’ ‘Genre Scenes on Paper’ Open Saturday.”</a>Arkansas Times (May 8, 2013). Accessed November 29, 2016. Text. Luarca-Shoaf, Nenette, Claire Berry, Nancy Huegh, Elizabeth Mankin Kornhauser, Dorothy Mahon. Andrew J. Walker, and Janeen Turk. Navigating the West: George Caleb Bingham and the River. (exh. cat. Amon Carter Museum of American Art and Saint Louis Art Museum). Fort Worth, Texas: Amon Carter Museum of American Art and Saint Louis, Missouri: Saint Louis Art Museum, 2014. Text. pp. 71, 100, 129; ill. p. 163, pl. 48 (color), p. 128, fig. 43 (detail, color, black &white), p. 130, fig. 74 (detail, color, black &white). <a href="http://www.stltoday.com/entertainment/arts-and-theatre/navigating-the-west-offers-some-of-the-best-of-bingham/article_266ed6ff-3333-59d6-b092-621419ab9386.html" target="_blank"> “’Navigating the West’ Offers Some of the Best of Bingham.”</a> Miller, Sarah Bryan. St. Louis Post-Dispatch (February 28, 2015). Accessed November 29, 2016. Text. <a href="http://www.nga.gov/content/ngaweb/press/2015/acquisition-bingham.html" target="_blank"> “George Caleb Bingham’s Great American Masterpiece, The Jolly Flatboatmen, is Acquired by the National Gallery of Art, Washington.”</a> National Gallery of Art (May 29, 2015). Accessed November 4, 2016. Text. Wierich, Jochen.Picturing Mississippi, 1817–2017: Land of Plenty, Pain, and Promise" (exh. cat. Mississippi Museum of Art, Jackson, Mississippi). Jackson, Mississippi: Mississippi Museum of Art, 2017. Text: pp. 38, 69 (checklist); ill. p. 38, fig. 33, p. 109 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text p. 104; ill. p. 104 (color).