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On Guard

Winslow Homer

Date: 1864

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1994.11

Text Entries: Goodrich, Lloyd. Winslow Homer. New York: Published for the Whitney Museum of American Art by Macmillan, 1944. Ill. frontispiece. Goodrich, Lloyd. Winslow Homer. New York: George Braziller, 1959. Ill. no. 3. Christie's New York, New York (Sale ANNABELLE-7894, May 26, 1994): lot 31. Text p. 44; ill. lot 31, p. 45 (color). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. p. 9. On Guard, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, January 1996. Ill. (black & white). Regard sur cinq années d'expositions (Five Years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 93; ill. p. 88 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 88, 198; ill. pp. 9 (color), 89 (color), 198 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 88, 198; ill. pp. 9 (color), 89 (color), 198 (black & white). Side by Side: Works from the Terra Foundation for the Arts and the Detroit Institute of Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 11; ill. p. 10 (color). Deux collections en regard: oeuvres de la Terra Foundation for the Arts et du Detroit Institute of Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 11; ill. p. 10 (color). Tedeschi, Martha with Kristi Dahm. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text p. 37; ill. p. 39 fig. 3 (color). Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens.Home Front: Daily Life in the Civil War North with a foreword by Adam Goodheart.(exh. Cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 70, 121, 162 (checklist), 178n31; Fig. 72, p. 120 (color). Byrd, Dana E. and Frank H. Goodyear. Winslow Homer and the Camera: Photography and the Art of Painting. (exh. cat., Bowdoin College Museum of Art). New Haven: Yale University Press, 2018. Pl. 12, p. 80 (color). Pathways to Modernism: American Art, 1865–1945. (exh. cat. Shanghai Museum with Art Institute of Chicago and Terra Foundation for American Art). Shanghai: Shanghai Museum, 2018. Text p. 18; ill. p. 19 (color).

Haymakers

Winslow Homer

Date: 1867

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1989.9

Text Entries: Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 10, 26, 234; fig. 64, p. 235 (color). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 10, 26, 234; fig. 64, p. 235 (color). Haymakers, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, January 1992. Ill. (black & white). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. p. 7. Tedeschi, Martha with Dahm, Kristi. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text p. 30; ill p. 30 fig. 17 (color). Regard sur cinq années d'expositions (Five Years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 89; ill. p. 92 (color). Haltman, Kenneth. "Antipastoralism in Early Winslow Homer." Art Bulletin 80:1 (March 1998): 93–112. Text p. 99; fig. 11, p. 98 (black and white). Bourguignon, Katherine M. and Elizabeth Kennedy. The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 13, 28 (checklist); ill. p. 2 (color), fig. 6, p. 13 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Le Travail à l'oeuvre: les artistes américains, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 13, 28 (checklist); ill. p. 2 (color), fig. 6, p. 13 (black & white). Griffith, Bronwyn A. E. Passing Through Paris: Americans in France, 1860–1930. (exh. brochure, Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for American Art, 2005. Text n.p.; fig. 5, n.p. (color). Griffith, Bronwyn A. E. Le Passage à Paris: les artistes américains en France, 1860–1930. (exh. brochure, Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for American Art, 2005. Text n.p.; fig. 5, n.p. (color). Tedeschi, Martha with Kristi Dahm. Watercolors by Winslow Homer: The Color of Light.(exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text p. 30; ill. fig 17, p. 30 (color). Barter, Judith A., ed. The Age of Impressionism: Masterpieces from The Art Institute of Chicago. Chicago, Illinois: The Art Institute of Chicago, 2011. Text, p. 20; ill. fig. 5 (color). Tsinghua University Art Museum. Americans Abroad: Landscape and Artistic Exchange, 1800-1920. (exh. cat. Tsinghua University Art Museum) Beijing: Tsinghua University, 2018. Text p. 114; ill. p. 115 (color).

Croquet Match

Winslow Homer

Date: 1868–69

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.72

Text Entries: Pousette-Dart, Nathaniel. Winslow Homer. New York: Frederick A. Stokes Company, 1923. Pl. 59. Goodrich, Lloyd. "Winslow Homer." The Arts 6 (October 1924). Ill. p. 195. Creative Art I (November 1927). Ill. p. xxvi (as Croquet). Bolton, Theodore. "The Art of Winslow Homer: An Estimate in 1932." The Fine Arts 18 (February 1932). Pl. 24 (as The Croquet Match (1872) [sic] as seen from the porch of a Summer Hotel). Devrel, Howard. "Homage to Homer." The New York Times (February 1, 1959). Goodrich, Lloyd. Winslow Homer. New York, G. Braziller, 1959. Pl. 12. Latham, David. "Winslow Homer in the Mountains." Appalachia 32 (June 15, 1966). Ill. p. 79. Novak, Barbara. American Painting of the Nineteenth Century: Realism, Idealism, and the American Experience. New York: Praeger, 1969. Text pp. 173–74; ill. 10-9, p. 172 (black & white). A Gallery Collects. New York: Hirschl & Adler Galleries, Inc., 1977. Text no. 38; ill. no. 38 (color). Novak, Barbara. American Painting of the Nineteenth Century: Realism, Idealism, and the American Experience, 2nd ed. New York: Praeger, 1979. Text pp. 173–74; ill. 10-9, p. 172 (black & white). Novak, Barbara. Nature and Culture: American Landscape Painting 1825–1875. New York: Oxford University Press, 1980. Ill. no. 121, p. 242 (black and white credited as "Hirschl and Adler Galleries, New York"). Curry, David Park. "Winslow Homer and Croquet." The Magazine Antiques 126:1 (July 1984): 154-62. Text p. 160; pl. IV, p. 159 (color). Curry, David Park. Winslow Homer: The Croquet Game. (exh. cat. Yale University Art Gallery). New Haven, Connecticut: Yale University Art Gallery, 1984. Fig. 40 (color). "Ein Hort fur amerikanische Malerei." Kunst, Kultur & TV. (August 23, 1987): Sektion 4. Ill. cover (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Text p. 157; pl. T-48, p. 157 (color). Croquet Match, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, March 1989. Ill. (black & white). Jennings, Kate F. Winslow Homer. Greenwich, Connecticut: Brompton Books Corporation, 1990. Ill. pp. 26–27 (color). Rhodes, Reilly, ed. Sport in America from American Museums. (exh. cat., The National Art Museum of Sport). Indianapolis, Indiana: The National Art Museum of Sport, 1990. Text p. 47; ill. p. 46 (color). Berkow, Ira. "When Athletes are the Stuff of Art." The New York Times (February 7, 1992): B1, B6. Ill. p. B1. Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 26; fig. 11, p. 27 (black and white). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 26; fig. 11, p. 27 (black and white). Novak, Barbara. Nature and Culture: American Landscape Painting 1825-1875, rev. ed. New York: Oxford University Press, 1995. Ill. no. 121, p. 242 (black and white credited as "Hirschl and Adler Galleries, New York"). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. p. 8. Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text pp. 89–90; ill. p. 88 (color). Kushner, Marilyn, Barbara Gallati and Linda S. Ferber. Winslow Homer: Illustrating America. (exh. cat., The Brooklyn Museum of Art). New York: The Brooklyn Museum of Art in association with George Braziller, Inc., 2000. Text p. 12; fig. 2, p. 13 (black & white). Winslow Homer: An American Genius at the Parthenon; The Move Toward Abstraction. (exh. cat., The Parthenon). Nashville, Tennessee: The Parthenon, 2000. Text p. 21. Hofelt, Miranda. Croquet Match, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, May 2002. Ill. (color). Novak, Barbara. American Painting of the Nineteenth Century: Realism, Idealism, and the American Experience, 3rd ed. New York: Praeger, 2007. Text p. 144; ill. 10.4, p. 145 (black & white). Novak, Barbara. Nature and Culture: American Landscape Painting 1825-1875, 3rd ed. New York: Oxford University Press, 1980. Text p. 209; ill. no. 10.7, p. 209 (black and white).

Girls in a Landscape

Winslow Homer

Date: c. 1873

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.73

Text Entries: The American Painting Collection of Mrs. Norman B. Woolworth. (exh. cat., Coe Kerr Gallery, Inc.). New York: Coe Kerr Gallery, Inc., 1970. Ill. 51, p. 32. Hendricks, Gordon. The Life and Works of Winslow Homer. New York: Harry N. Abrams, Inc., 1979. Text p. 100; fig. 142, p. 90 (black & white). Girls in a Landscape, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, January 1995. Ill. (black & white). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. p. 9.

The Whittling Boy

Winslow Homer

Date: 1873

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1994.12

Text Entries: Goodrich, Lloyd. Winslow Homer. (exh. cat., Whitney Museum of American Art). New York: Whitney Museum of American Art, 1973. Text p. 137 (checklist); ill. p. 68 (black & white). “News and Notes: Discoveries and Thefts.” ARLIS/NA Newsletter 3, no. 6 (October 1975): 121. Text p. 121. “News and Notes: Lost and Found.” ARLIS/NA Newsletter 4, no. 2 (February 1976): 64. Text p. 64. Hendricks, Gordon. The Life and Works of Winslow Homer. New York: Harry N. Abrams, Inc., 1979. Text p. 113; ill. p. 298, CL-279 (black & white). Christie's, New York, New York (Sale ANNABELLE-7894, May 26, 1994): lot 19. Text p. 30, lot 19; ill. p. 31. Berman, Ann E. "American Paintings." Art & Auction 17:2 (September 1994): 80–81. Text p. 81; ill. p. 81 (black & white). Blaugrund, Annette. The Tenth Street Studio Building. (exh. cat., Parrish Art Museum). Southampton, New York: Parrish Art Museum, 1997. Text pp. 91, 138 (checklist); ill. p. 96, fig. 54 (color). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 24 (checklist); ill. p. 45 (color). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 24 (checklist); ill. p. 45 (color). Cartwright, Derrick. "The City and Country: American Perspectives, 1870–1920." American Art Review 7:1 (January-February 2000): 100–11. Ill. p. 104 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 88; ill. p. 88 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 88; ill. p. 88 (black & white). Side by Side: Works from the Terra Foundation for the Arts and the Detroit Institute of the Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 22 (checklist). Deux collections en regard: oeuvres de la Terra Foundation for the Arts et du Detroit Institute of Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 22 (checklist). Goodrich, Lloyd and Abigail Booth Gerdts. Record of Works by Winslow Homer. Vol. 2, 1867 through 1876. New York: Spanierman Gallery, LLC, 2005. Text p. 213, no. 432; ill. p. 213, no. 432 (black & white). Tedeschi, Martha with Kristi Dahm. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text pp. 37–38; ill. p. 39, fig. 4 (color). Twain, Mark. The Adventures of Tom Sawyer. Hartford, Connecticut: American Publishing Company, 1876. Reprinted with an introduction and notes by Peter Stoneley, Oxford’s World Classics. Oxford: Oxford University Press, 2008. Ill. on 2008 edition cover (color, detail). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 106, 107; ill. p. 107, detail pp. 108-109 (color).

Three Boys on the Shore

Winslow Homer

Date: 1873

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.75

Text Entries: Goodrich, Lloyd. Winslow Homer. New York: George Braziller, 1959. Pl. 16. Kirshner, Judith Russi. "The Terra Collection." United: The Magazine of the Friendly Skies (December 1982): 52–59. Ill. p. 57 (color). Sotheby's New York, New York (Sale 4841M, April 23, 1982): lot 30. Ill. cover (color), lot 30 (color). "Sensible and Steady: American Art." Art & Antiques (July–August 1982): 31–32. Text p. 32; ill. p. 31. De Weck, Ziba. Winslow Homer and the New England Coast. (exh. cat., Whitney Museum of American Art, Fairfield County). New York: Whitney Museum of American Art, 1984. Text p. 10 (checklist). Hemphill, Christopher. "Daniel Terra and His Collection." Town & Country (February 1984): 196. Sokol, David M. "The Terra Museum of American Art, Evanston, Illinois." The Magazine Antiques 126:5 (November 1984): 1156–69. Pl. XXI, p. 1164 (color). Cooper, Helen A. Winslow Homer Watercolors. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1986. Text pp. 20, 244 (checklist); fig. 9, p. 23 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-49, p. 158 (color). Atkinson, D. Scott and Jochen Wierich. Winslow Homer in Gloucester. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1990. Text pp. 7, 16, 21, 32, 53, 104 (checklist); ill. cover (color), pl. 1, p. 62 (color). Cikovsky, Jr., Nicolai. Winslow Homer: Watercolors. Southport, Connecticut: Hugh Lauter Levin Associates, Inc., 1991. Pl. 10, p. 26 (color). Jennings, Kate F. Winslow Homer. New York: Crescent Books, 1990. Ill. p. 38 (color). Seiden, Sloan. "Seascapes, Landscapes, Escapes." Arts & Entertainment (July 1993): 16–21. Ill. p. 16 (color). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. pp. 8–9. Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 95; ill. p. 94 (color). American Paintings from a Private Collection. Sotheby's Catalogue, New York, New York (May 24, 2000). Text p. 11; fig. 2, p. 11 (color). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 27 (checklist); ill. p. 14 (color). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 27 (checklist); ill. p. 14 (color). Unger, Miles and Arnold Skolnick. The Watercolors of Winslow Homer. New York: W. W. Norton & Company, 2001. Text, p. 38; ill. pp. 34–35 (color). Johns, Elizabeth,Winslow Homer: The Nature of Observation. Berkeley and Los Angeles, California: University of California Press, 2002. Text pp. X (checklist), 74; ill. plate 7 (color). Lévy, Sophie, ed. Winslow Homer: Poet of the Sea. (exh. cat., Musée d'Art Américain Giverny and the Dulwich Picture Gallery). Chicago, Illinois: Terra Foundation for American Art, 2006. Text pp. 57–58, 141 (checklist); ill., p. 57 (color detail), p. 67 (color). Art in America (June/July 2006): 74. Ill. (color). Art News 105:6 (June 2006): 61. Ill. (color). American Art Review (August 2006): 130–131. Text, p. 131; ill. p. 131 (color). Curtis, Judith A. Rocky Neck Art Colony,1850–1950, Gloucester, Massachusetts. Gloucester, Massachusetts: Rocky Neck Art Colony, Inc., 2008. Text, p. 14; ill. p. 14 (color). American Art. Christie's catalogue, New York, New York (May 22, 2014). ill. p. 38 (color). Cross, William R. Homer at the Beach: A Marine Painter’s Journey, 1869-1880. (exh. cat., Cape Ann Museum). Gloucester: Cape Ann Museum, 2019. Text pp. 82-83; ill. p. 81 (color).

Weary

Winslow Homer

Date: c. 1878

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.41

Text Entries: Bulletin, Brooklyn Institute of Arts and Sciences (October 30, 1915). Ill. p. 161. Brooklyn Museum Quarterly 2 (October 1915). Ill. p. 368. Art and Progress 7 (December 1915): 71. Ill. p. 71. McLanathan, Richard B. K. The American Tradition in the Arts. New York: Harcourt, Brace & World, 1968. Text pp. 333–38. Gardner, Albert Ten Eyck. Winslow Homer: A Retrospective Exhibition. (exh. cat. Museum of Fine Arts, Boston). Boston, Massachusetts: Museum of Fine Arts, 1959. Ill. p. 50. Goodrich, Lloyd. Winslow Homer in New York State. (exh. cat., Storm King Art Center). Mountainville, New York: Storm King Art Center, 1963. Cat. no. 41; ill. p. 15. Schulze, Franz. "Terra Incognita: A New Museum of American Art." Art News 79:10 (December 1980): 84–87. Ill. p. 87 (color). Five American Masters of Watercolors. (exh. cat., Terra Museum of American Art). Evanston, Illinois: Terra Museum of American Art, 1981. Ill. p. 5 (color). Elliot, David. "Watercolor: 'Gentle Sex' of Paint in Knowing Hands." Chicago Sun-Times (May 24, 1981): 22–23. Ill. p. 22 (black & white). Sokol, David M. Solitude. (exh. cat., Terra Museum of American Art). Evanston, Illinois: Terra Museum of American Art, 1982. Text p. 5; ill. no. 9, p. 7 (black & white). Nochlin, Linda. Woman. (exh. cat., Terra Museum of American Art). Evanston, Illinois: Terra Museum of American Art, 1984. Text p. 9; ill. no. 12, p. 18 (color). Cooper, Helen A. Winslow Homer Watercolors. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1986. Text pp. 61, 246 (checklist); fig. 46, p. 63 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-50, p. 159 (color). Winslow Homer in Gloucester. (exh. cat. Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1990. Text p. 32; fig. 19, p. 33 (black & white). Wilmerding, John and Linda Ayres. Winslow Homer in the 1870s: Selections from the Valentine-Pulsifer Collection. (exh. cat., The Art Museum, Princeton University). Princeton, New Jersey: The Art Museum, 1990. Text p. 73 (appendix). Cikovsky, Jr., Nicolai. Winslow Homer: Watercolors. Southport, Connecticut: Hugh Lauter Levin Associates, Inc., 1991. Pl. 22, p. 35 (color). Cikovsky, Jr., Nicolai and Franklin Kelly. Winslow Homer. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1995. Cat. 92, p. 162 (color). Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Ill. p. 90 (color). Conrads, Margaret C. Winslow Homer and the Critics: Forging a National Art in the 1870s. (exh. cat., The Nelson-Atkins Museum of Art). Princeton, New Jersey: Princeton University Press in conjunction with The Nelson-Atkins Museum of Art, 2001. Text pp. 148, 210; fig. 109, p. 151 (color). Larkin, Susan G. The Cos Cob Art Colony: Impressionists on the Connecticut Shore. (exh. cat. National Academy of Design). New Haven, Connecticut: Yale University Press, 2001. Text p. 138; fig. 83, p. 139 (black & white). Unger, Miles and Arnold Skolnick. The Watercolors of Winslow Homer. Chesterfield, Massachusetts: Chameleon Books, 2001. Text pp. 45, 61; ill. p. 57 (color). Johns, Elizabeth. Winslow Homer: The Nature of Observation. Berkeley and Los Angeles, California: University of California Press, 2002. Text pp. XVIII (checklist), 90–91; fig. 54, p. 90 (black & white). Kennedy, Elizabeth. "The Terra Museum of American Art." American Art Review (December 2002): 126–41. Text p. 138; ill. p. 130 (color). Tedeschi, Martha with Kristi Dahm. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text pp. 54, 62, 66, 76, 180, 207,208; ill pp. 54 fig. a & b(color detail), 55 fig. c (color).

Apple Picking

Winslow Homer

Date: 1878

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.7

Text Entries: “The Water Color Society.” The New York Times (February 1st, 1879). Text p. 5 (as In the Orchard). “American Art in Water-Colors.” New York Evening Post (February 11, 1879). Text front page. Cooper, Helen A. Winslow Homer Watercolors. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1986. Text pp. 60, 246 (checklist); ill. p. 53, fig. 38 (color). Cikovsky, Jr., Nicolai. Winslow Homer: Watercolors. Southport, Connecticut: Hugh Lauter Levin Associates, Inc., 1991. Ill. p. 36, pl. 23 (color). The Magazine Antiques 141, no. 5 (May 1992): 699 (as In the Orchard). Apple Picking (Two Girls in Sunbonnets), Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, July 1993. Ill. (black & white). Brock, Charles. "Winslow Homer." American Art Review 7, no. 1 (February–March 1995): 98–101. Ill. p. 99 (color). Cikovsky, Jr., Nicolai and Franklin Kelly. Winslow Homer. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1995. Text pp. 164, 166; ill. p. 165, cat. 95 (color). Art and Antiques 19 (1996). Text p. 100. Regard sur cinq années d'expositions (Five Years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 97; ill. p. 90 (color, as Apple Picking (Two Girls in Sunbonnets)). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 24 (checklist); ill. frontispiece (color). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 24 (checklist); ill. frontispiece (color). Conrads, Margaret C. Winslow Homer and the Critics: Forging a National Art in the 1870s. (exh. cat., The Nelson-Atkins Museum of Art). Princeton, New Jersey: Princeton University Press in association with The Nelson-Atkins Museum of Art, 2001. Text pp. 153–54; ill. p. 144 (color detail), ill. p. 150, fig. 108 (color). Unger, Miles and Arnold Skolnick. The Watercolors of Winslow Homer. New York: W. W. Norton & Company, 2001. Text p. 61; ill. p. 56 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 90, 198; ill. p. 91 (color), p. 198 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 90, 198; ill. p. 91 (color), p. 198 (black & white). Weinberg Helene Barbara, Barker Elizabeth E. Childe Hassam, American Impressionist. (exh. cat. Metropolitan Museum of Art). New York, New York: Metropolitan Museum of Art, 2004. Text p. 264n7. Trombetta, Lynn Lyman. Falling World. San Francisco, California: Sixteen River Press, 2004. Ill. cover. Tedeschi, Martha with Kristi Dahm. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text pp. 50, 62, 66, 76, 204, 206, 208; ill. pp. 50 fig. a (color detail), 51 fig. b (color). Tatham, David. Winslow Homer’s Empire State: Houghton Farm and Beyond. (exh. cat. Syracuse University Art Gallery) Syracuse, New York: Syracuse University Art Gallery, 2009. Text pp. 37–38, 78. American Watercolor in the Age of Homer and Sargent. (exh. cat. Philadelphia Museum of Art, Philadelphia, Pennsylvania). Philadelphia, Pennsylvania: Philadelphia Museum of Art, 2017. Text pp. 201–202, 203, 454, 477 (checklist); ill. p. 202 fig.168 (color). Athens, Elizabeth, Brandon Ruud with Martha Tedeschi. Coming Away: Winslow Homer & England. (exh. cat. Worcester Art Museum and Milwaukee Art Museum). Worcester, Massachussetts: Worcester Art Museum; Milwaukee, Wisconsin: Milwaukee Art Museum; New Haven, Connecticut: Yale University Press, 2017. Text, p. 71; ill., p. 72 fig. 1 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 89-90, 102; fig. 7, p. 89; ill. p. 102 (color).

A Garden in Nassau

Winslow Homer

Date: 1885

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1994.10

Text Entries: Christie's, New York, New York (Sale BARBRA-6610, May 26, 1988): lot 95. Ill. lot 95, p. 95 (color). American Paintings V. 1988. New York: Berry-Hill Galleries, Inc., 1988. Text p. 74; ill. p. 75 (color). Cikovsky, Jr., Nicolai and Franklin Kelly. Winslow Homer. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1995. Cat. no. 145, p. 239 (color). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. p. 9. Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 97; ill. p. 94 (color). A Garden in Nassau, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, August 1997. Ill. (black & white). Cartwright, Derrick R. The Extraordinary and the Everyday: American Perspectives, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text pp. 18, 23 (checklist); fig. 5, p. 18 (black & white). Cartwright, Derrick R. L'Héroïque et le quotidian: les artistes américains, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text pp. 18, 23 (checklist); fig. 5, p. 18 (black & white). Unger, Miles and Arnold Skolnick. The Watercolors of Winslow Homer. Chesterfield, Massachusetts: Chameleon Books, 2001. Text p. 127; ill. pp. 124–25 (color). Johns, Elizabeth. Winslow Homer: The Nature of Observation. Berkeley and Los Angeles, California: University of California Press, 2002. Text pp. XI (checklist), 124–25; pl. 24 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 92, 199; ill. pp. 93 (color), 199 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 92, 199; ill. pp. 93 (color), 199 (black & white). Novak, Barbara. Voyages of the Self: Pairs, Parallels, and Patterns in American Art and Literature. New York: Oxford University Press, 2007. Ill. no. 5.9, p. 95 (black and white). Kane, Kelly. "The Greatest Watercolors of All Time." Watercolor Magic 15:5 (October 2007). Text pp. 62-68; ill. p. 65 (color). Tedeschi, Martha with Kristi Dahm. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text pp. 171, 172, 208, 210, 211; ill. p. 172 fig. a (black & white detail), p. 173 fig. b (color), p. 210 fig. 9 (color detail). Smith, Jeanette M., MD. A Garden in Nassau, Winslow Homer. The Journal of the American Medical Association 310:8 (August 28, 2013). Text pp. 778–779; ill. p. 778 (color). Foster, Kathleen A. American Watercolor in the Age of Homer and Sargent (exh. cat., Philadelphia Museum of Art, Philadelphia, Pennsylvania). Philadelphia, Pennsylvania: Philadelphia Museum of Art, 2017. Text pp. 13, 477 (checklist); ill. p. 13 fig. 256 (color). Fensom, Sarah E. "Water's Edge: and Exhibition of Watercolors Captures a Moment in American Painting." Art & Antiques (March 2017): 46–50. Text p. 48; ill. p. 50 (color). Foster, Kathleen A. "American Watercolor in the Age of Homer & Sargent." American Art Review Vol. XXIX, No. 2 (April 2017): 64–71. Ill. p. 71 (color). Stephanie L. Herdrich, Sylvia Yount. Winslow Homer Crosscurrents (exh. cat. The Metropolitan Museum of Art, New York). New York, New York: The Metropolitan Museum of Art, 2022. Text pp. 136, 139, 188n26; Ill. p. 96, 97 (color).

Perils of the Sea

Winslow Homer

Date: 1888

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1995.38

Text Entries: Winslow Homer's two fisherwomen from the fishing village of Cullercoats stand steadfast and vigilant as they wait for news of their husbands' boats. The rescue house and the group of men looking out to sea serve as a foil for the female figures who, heroic in posture, suggest an air of quiet calm in the presence of possible calamity. The inhabitants of the English village would remain an important subject for Homer and his many depictions of fisherwomen, in everyday tasks such as knitting, often underscore the symbiotic relationships between the fisherwomen and their male counterparts, which relied on an observance of strictly gendered roles.