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New England Shoreline with Stone Wall and Dock

William Stanley Haseltine

Date: 1860s

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.62

Text Entries: William Stanley Haseltine, Davis & Langdale Company, Inc., New York, New York and Ben Ali Haggin, Inc., New York, New York, March 5–April 2, 1983. [exh. cat.] Rivières et rivages: les artistes américains, 1850–1900 (Waves and Waterways: American Perspectives, 1850–1900), Musée d'Art Américain Giverny, France (organizer). Venues: Musée d'Art Américain Giverny, France, April 1–October 31, 2000. [exh. cat.]

Indian Rock with Distant Clouds, Narragansett Bay, Rhode Island

William Stanley Haseltine

Date: 1860s

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.64

Text Entries: Wilmerding, John. William Stanley Haseltine (1835–1900): Drawings of a Painter. (exh. cat., Davis & Langdale Company, Inc.). New York: Davis & Langdale Company, Inc. in association with Ben Ali Haggin, Inc., 1983. Ill. no. 10 (black & white as Rocky Shore with Distant Clouds). Workman, Robert G., Lloyd Goodrich and John Wilmerding. The Eden of America: Rhode Island Landscapes, 1820–1920. (exh. cat., Museum of Art, Rhode Island School of Design). Providence, Rhode Island: Museum of Art, Rhode Island School of Design, 1986. Text pp. 46–47; ill. p. 47 (color). Simpson, Marc, Andrea Henderson, and Sally Mills. Expressions of Place: The Art of William Stanley Haseltine. (exh. cat., The Fine Arts Museums of San Francisco). San Francisco, California: The Fine Arts Museums of San Francisco, 1992. Text pp. 20–21; fig. 6, p. 21 (black & white).

Coastline, Narragansett, Rhode Island

William Stanley Haseltine

Date: 1862–63

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.63

Text Entries: Wilmerding, John. William Stanley Haseltine (1835–1900): Drawings of a Painter. (exh. cat., Davis & Langdale Company, Inc.). New York: Davis & Langdale Company, Inc. in association with Ben Ali Haggin, Inc., 1983. Ill. no. 2 (black & white as New England Coast). Simpson, Marc, Andrea Henderson, and Sally Mills. Expressions of Place: The Art of William Stanley Haseltine. (exh. cat., The Fine Arts Museums of San Francisco). San Francisco, California: The Fine Arts Museums of San Francisco, 1992. Text p. 20; pl. 18, p. 91 (color). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text pp. 20, 27 (checklist); fig. 15, p. 21 (black & white). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text pp. 20, 27 (checklist); fig. 15, p. 21 (black & white).

The Zattere: Harmony in Blue and Brown

James Abbott McNeill Whistler

Date: c. 1879

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.162

Text Entries: Godwin, E. W. "Notes on Current Events." British Architect (February 4, 1881): 59-64. Text. Pan (February 5, 1881). Queen (February 12, 1881). Godwin, E. W. "With Whistler's Critics." British Architect (February 25, 1881): 98–99. Way, T. R. Memories of James McNeill Whistler, the Artist. London, England: John Lane, 1912. Ill. following p. 52. Stebbins, Theodore E., Jr. American Master Drawings & Watercolors. (exh. cat., The American Federation of the Arts). New York: Harper & Row, 1976. Text p. 226; fig. 184, p. 225 (color as The Little Riva, in Opal). MacDonald, Margaret F. Notes, Harmonies & Nocturnes: Small Works by James McNeill Whistler. (exh. cat., M. Knoedler & Company, Inc.). New York: M. Knoedler & Company, Inc., 1984. Ill. no. 81, p. 64 (black & white). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-33, p. 142 (color). Getscher, Robert. James Abbott McNeill Whistler: Pastels. New York: G. Braziller, 1991. Text p. 74; ill. p. 75 (color). Dorment, Richard and Margaret F. MacDonald et al. James McNeill Whistler. (exh. cat., Tate Gallery). London, England: Tate Gallery, 1994. Text no. 112, p. 190; ill. no. 112, p. 191 (color). MacDonald, Margaret F. James McNeill Whistler: Drawings, Pastels, and Watercolours; A Catalogue Raisonné. New Haven, Connecticut and London, England: Yale University Press, 1995. Text no. 774, pp. 285–86; ill. no. 774, p. 286 (color). MacDonald, Margaret F. "Whistler on Exhibition." The Magazine Antiques 147:6 (June 1995): 864–73. Text p. 869; pl. XI, p. 870 (color). Grieve, Alastair. Whistler's Venice. New Haven, Connecticut and London, England: Yale University Press, 2000. Text p. 76; fig. 78, p. 76 (color). MacDonald, Margaret F. Places in the Night: Whistler in Venice. Hampshire, England: Lund Humphries, 2001. Text pp. 49, 52; ill. no. 55, p. 50 (color). Stratis, Harriet K. and Britt Salvesen, eds. The Broad Spectrum: Studies in the Materials, Techniques, and Conservation of Color on Paper. London, England: Archetype Publications, 2002. Text p. 38; fig. 1.27, p. 38 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 104, 108, 206; ill. pp. 105 (color), 206 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 104, 108, 206; ill. pp. 105 (color), 206 (black & white). Hofelt, Miranda. The Zattere: Harmony in Blue and Brown, James McNeill Whistler. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, July 2003. Ill. (color). Harris, Neil et al. L'art américain: Identités d'une nation. Edited by Veerle Thielemans et Matthias Waschek. Giverny: Musée d'Art Américain Giverny; Paris: Musée du Louvre, 2005. Text p. 95; ill. p. 97 (color). Cleveland, David A. A History of American Tonalism: 1880–1920. Manchester, Vermont: Hudson Hills Press, 2010. Text, p. 140; ill. fig. 3.68, p. 140 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text p. 128; ill. p. 128 (color).

Woman on the Shore

Howard Pyle

Date: 1880

Credit Line: Terra Foundation for American Art, Gift of Mr. and Mrs. John Estabrook

Object number: C1983.8

Text Entries: Pyle, Howard. "The Sea–Gull's Song." Harper's Weekly 26 (Nov. 25, 1882): cover. Morse, Willard S. and Gerturde Brincklé, eds. Howard Pyle: A Record of his Illustrations and Writings. Wilmington, Delaware: The Wilmington Society of Fine Arts, 1921. Text, p. 63. Davis, Paul Preston, ed. Howard Pyle: His Life–His Work, Vol. 1. New Castle, Delaware: Oak Knoll Press, 2004. Text p. 68, 370. Davis, Paul Preston, ed. Howard Pyle: His Life–His Work, Vol. 2. New Castle, Delaware: Oak Knoll Press, 2004. Ill, p. 476.

Beach Scene with Rocks

James Abbott McNeill Whistler

Date: 1881

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.144

Text Entries: Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-34, p. 143 (color). MacDonald, Margaret F. James McNeill Whistler: Drawings, Pastels, and Watercolours; A Catalogue Raisonné. New Haven, Connecticut and London, England: Yale University Press, 1995. Text no. 855, p. 322.Bourguignon, Katherine and Valerie Reis. The Studio of Nature, 1860-1910: The Terra Collection in Context. (exh. cat, Terra Foundation for American Art with the Musée des Impressionnismes Giverny). Paris, France: Réunion des musées nationaux, 2020. Text p. 44; Pl. 25, p. 90 (color).

Paris Street Scene

Fernand Lungren

Date: 1882

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1989.25

Text Entries: Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 34, 244; pl. 69, p. 245 (color). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 34, 244; pl. 69, p. 245 (color). Reymond, Nathalie. Un regard américain sur Paris (An American Glance at Paris). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text pp. 47–48; ill. p. 46 (color). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 25 (checklist); ill. p. 33 (color). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 25 (checklist); ill. p. 33 (color). Cartwright, Derrick. "The City and Country: American Perspectives 1870–1920." American Art Review 7:1 (January–February 2000): 100–11. Ill. p. 110 (color).

Horse Drawn Cabs at Evening, New York

Childe Hassam

Date: c. 1890

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.66

Text Entries: The pulsating life of urban streets, a subject few American artists had explored, was a life-long fascination for Hassam. Especially attractive to him were rainy days and nights when the streets were shrouded in mist, and lights and shadows were reflected in gleaming surfaces. Apart from their picturesque qualities, Hassam's fondness for portraying horse-drawn cabs is linked to his use of them as a mobile studio, the small seat in front of him serving as an easel. Watercolors were Hassam's chosen medium when he first exhibited in Boston. After relocating to New York City in 1889, he became an active member of the American Watercolor Society and served as first President of the New York Water Color Club.

Pasture with Barns

John H. Twachtman

Date: c. 1890–1900

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.135

Text Entries: Sotheby's New York, New York (Sale 6713, May 25, 1995): lot 22. Ill. lot 22 (color).

Columbian Exposition, Chicago

Childe Hassam

Date: 1892

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.38

Text Entries: As part of the massive public relations effort to overcome Chicago's reputation as a rough-and-tumble, disorderly and even dangerous place, artists were commissioned to execute views of the yet unfinished Exposition buildings in the months before the Fair opened. Hassam painted at least six large, detailed watercolor portraits of major exposition buildings, as well as a number of smaller, monochromatic views with more casual compositions of which Columbian Exposition, Chicago is one. Portraying the north facade of the United States Government Building with the footbridge that crossed the Lagoon to the Fisheries Building, Hassam's watercolor is an imagined scene that is convincingly realistic in its portrayal of reflected light on water and the crush of fair visitors.

Viewing the Ships

Maurice Brazil Prendergast

Date: c. 1895–1897

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.125

Text Entries: Beckelmann, Jurgen. "Der Sommer der Mary Cassatt." Welt (July 4, 1982): 4. Ill. p. 4. McClelland, Donald R., Barbara Novak and Harold Spencer. Impressionnistes Américains (American Impressionism). (exh. cat., Smithsonian Traveling Exhibition Service). Washington, D.C.: Smithsonian Traveling Exhibition Service, 1982. Ill. no. 41. Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-111, p. 220 (color). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 599, p. 352; ill. no. 599, p. 352 (black & white). Homann, Joachim, Trevor J. Fairbrother, Nancy Mowill Mathews, Joseph J. Rishel and Richard J. Wattenmaker. Maurice Prendergast: By the Sea. (exh. cat., Bowdoin College Museum of Art). Brunswick, Maine: Bowdoin College Museum of Art and DelMonico Books, an imprint of Prestel Publishing, Munich, London and New York, 2013. Text p. 166; pl. 5, p. 39 (color).

Grey and Silver: The Golf Links, Dublin

James Abbott McNeill Whistler

Date: 1900

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.147

Text Entries: Cary, Elisabeth L. The Works of James McNeill Whistler: A Study, With a Tentative List of Artist's Works. New York: Moffat, Yard & Company, 1907. Ill. facing p. 144. Works by Whistler Lent by Mr. Richard Canfield. (exh. cat., Buffalo Fine Arts Academy, Albright Art Gallery). Buffalo, New York: Albright Art Gallery, 1911. Ill. no. 9. MacDonald, Margaret F. Notes, Harmonies & Nocturnes: Small Works by James McNeill Whistler. (exh. cat., M. Knoedler & Company, Inc.). New York: M. Knoedler & Company, Inc., 1984. No. 137, p. 93 (black & white). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-44, p. 153 (color). MacDonald, Margaret F. James McNeill Whistler: Drawings, Pastels, and Watercolours; A Catalogue Raisonné. New Haven, Connecticut and London, England: Yale University Press, 1995. Text no. 1620, pp. 582–83; ill. no. 1620, p. 582 (color). Grey and Silver: The Golf Links, Dublin, James Abbott McNeill Whistler. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, July 1999. Ill. (black & white). The Art Of Golf. (exh. cat., High Museum of Art). Atlanta: High Museum of Art, 2012. Text, p. 62; ill. plate 26, p. 62 (color).