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Brooklyn Bridge, on the Bridge

John Marin

Date: 1930

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.95

Text Entries: Reich, Sheldon. John Marin: A Stylistic Analysis and Catalogue Raisonné. 2 vols. Tucson: University of Arizona Press, 1970. Ill. no. 30.51, p. 626 (black & white). Baur, John I. H. John Marin's New York. (exh. cat., Kennedy Galleries). New York: Kennedy Galleries, 1981. Text p. 3 of introduction; fig. 36 (color). Five American Masters of Watercolor. (exh. cat., Terra Museum of American Art). Evanston, Illinois: Terra Museum of American Art, 1981. Ill. p. 22 (color). Baur, John I. H. and Ann Wiegart. American Masters of the Twentieth Century. (exh. cat., Oklahoma Art Center). Oklahoma City, Oklahoma: The Center, 1982. Text p. 74; ill. p. 31 (color). Kirshner, Judith Russi. "The Terra Collection." United: The Magazine of the Friendly Skies (December 1982): 52–9. Ill. p. 52 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-149, p. 258 (color). Brooklyn Bridge, On the Bridge, John Marin. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, November 1990. Ill. (black & white). Fine, Ruth E. John Marin. (exh. cat., National Gallery of Art). New York: Abbeville Press, Publishers, 1990. Text p. 131; pl. 122, p. 134 (color). Kushner, Marilyn. The Modernist Tradition in American Watercolors, 1911–1939. Evanston, Illinois: Mary and Leigh Block Gallery, Northwestern University, 1991. Text p. 36 (checklist); ill. p. 70 (color). Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 103–104; fig. 104, p. 104 (black & white). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 103–104; fig. 104, p. 104 (black & white). Southgate, M. Therese. "The Cover." The Journal of the American Medical Association 267:21 (June 3, 1992): 2850. Text p. 2850; ill. cover (color). The Journal of the American Medical Association Pakistan 5:3 (May 1993): cover. Ill. cover (color). Southgate, M. Therese. "The Cover." The Journal of the American Medical Association Middle East (February 1994): 15. Text p. 15; ill. cover (color). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 25 (checklist); fig. 8, p. 15 (black & white). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 25 (checklist); fig. 8, p. 15 (black & white). Cartwright, Derrick R. and Paul J. Karlstrom. American Moderns, 1900–1950. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Pl. 23, p. 51 (color). Cartwright, Derrick R. and Paul J. Karlstrom. L'Amérique et les modernes, 1900–1950. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Pl. 23, p. 51 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 178, 201; ill. pp. 179 (color), 201 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 178, 201; ill. pp. 179 (color), 201 (black & white). Tedeschi, Martha with Kristi Dahm. John Marin's Watercolors: A Medium for Modernism. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago: The Art Institute of Chicago and New Haven and London: Yale University Press, 2010. Text, pp. 22, 42, 126, 127; ill. pl. 54, p. 128 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text p. 268; ill. p. 268 (color).

Sailboat, Brooklyn Bridge, New York Skyline

John Marin

Date: 1934

Credit Line: Terra Foundation for American Art, Daniel J. Terra Art Acquisition Endowment Fund

Object number: 2006.1

Text Entries: Reich, Sheldon. John Marin: A Stylistic Analysis and Catalogue Raisonné. 2 vols. Tucson: University of Arizona Press, 1970. Ill. no. 34.23, p. 664 (black & white). Fine, Ruth E. John Marin. (exh. cat., National Gallery of Art). New York: Abbeville Press, Publishers, 1990. Text p. 158; pl. 1148, p. 158 (color). Little, Carl. "John Marin's Kepper." Bangor Metro Magazine (April 2007): 26–27, 33. Text p. 33; ill. p. 26–27 (color). Davidson, Susan, ed. Art in the USA: 300 años de innovación. (exh. cat., Guggenheim Museum Bilbao). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. (Spanish version). Ill. p. 162 (color). Brownlee, Peter John. Manifest Destiny / Manifest Responsibility: Environmentalism and the Art of the American Landscape. (exh. cat., Loyola University Museum of Art, Chicago, Illinois). Chicago, Illinois: Terra Foundation for American Art and Loyola University Museum of Art, 2008. Text pp. 32, 37 (checklist); ill. fig. 3, p. 32 (color). Tedeschi, Martha with Kristi Dahm. John Marin's Watercolors: A Medium for Modernism. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago: The Art Institute of Chicago and New Haven and London: Yale University Press, 2010. Text pp. 73–74, 127; ill. fig. 62a, p. 73, pl. 53, p. 125 (color). Wilkin, Karen. Art: John Marin in Chicago(review), The New Criterion 29, 7 (March 2011). Text p. 47. Art Across America. (exh. cat., National Museum of Korea, Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, Philadelphia Museum of Art and the Terra Foundation for American Art). Seoul, South Korea: National Museum of Korea, 2013. (English and Korean versions). Text p. 305; ill. p. 304 (color). America: Painting a Nation. (exh. cat., Art Gallery of New South Wales, the Los Angeles County Museum of Art, the Museum of Fine Arts, Houston, the National Museum of Korea, the Philadelphia Museum of Art and the Terra Foundation for American Art). Sydney, Australia: Art Gallery of New South Wales, 2013. Text p. 194; ill. cat. no. 68, p. 195, (color). Gillespie, Sarah Kate, Kimberly Orcutt, Janice Simon, and Meredith Ward. Icon of Modernism: Representing the Brooklyn Bridge, 1883–1950. (exh. cat., Georgia Museum of Art, University of Georgia). Athens, Georgia: Georgia Museum of Art, University of Georgia, 2016. Text p. 69; p. 117, cat. no. 25; ill. p. 117, cat. no. 25 (color). Pathways to Modernism: American Art, 1865–1945. (exh. cat. Shanghai Museum with Art Institute of Chicago and Terra Foundation for American Art). Shanghai: Shanghai Museum, 2018. Text p. 134; ill. p. 135 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text p. 269; ill. p. 269 (color). Piccoli, Valéria, Fernanda Pitta, and Taylor Poulin. Pelas ruas: vida moderna e experiências urbanas na arte dos Estados Unidos, 1893-1976. (exh. cat., Pinacoteca do Estado de São Paulo and Terra Foundation for American Art). São Paulo, Brazil: Pinacoteca do Estado de São Paulo, 2022. Pl. p. 48 (color).