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Last Items added: 2015.4 Haberle, One Dollar Bill, and 2015.5 Peto, Old Time Letter Rack

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Metadata Embedded, 2017
Blanche Lazzell
Date: 1919 (block cut), 1931 (printed)
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1996.32
Text Entries: Blanche Lazzell was born ninth in a family of ten children in rural West Virginia in 1878. By 1905 she had earned a remarkable three college degrees, and would continue to enjoy being a student throughout her life, both in Europe and the United States; as late as her sixties she studied abstract painting with artist and teacher Hans Hoffman. Lazzell is best known for color prints like Still Life, pulled from a single wood block, a process developed in Provincetown, Massachusetts in 1915. A woodblock print executed in the traditional, Japanese-inspired manner requires a different block for each color; in contrast, the more expedient "white line technique" or "Provincetown print" utilizes a single block whose carved shapes, each colored individually, are separated by a groove that produces a white line on paper. Lazzell produced very few figurative works, concentrating instead on exploring geometric cubism and the bright coastal colors of her adopted home of Provincetown both through still lifes and landscapes.
Metadata embedded, 2021
Stanton Macdonald-Wright
Date: 1953
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1996.40
Text Entries: Acton, David et al. <i>A Spectrum of Innovation, Color in American Printmaking 1890–1960</i>. (exh. cat., Worcester Art Museum). New York and London, England: W. W. Norton & Company and the Worcester Art Museum, 1990. Text pp. 202, 273; ill. no. 78, p. 203.<br><br> <i>Stanton Macdonald-Wright, A Retrospective Exhibition 1911–1970</i>. (exh. cat., University of California Los Angeles Art Galleries). Los Angeles, California: Grunwald Graphic Arts Foundation, 1970. No. 116. [Note: the impression cited, from the artist's collection, is dated "1964," and could possibly be the same impression as what is now in the Terra's collection. Marilyn Symmes Survey, 2003.]<br><br> Cartwright, Derrick R. and Paul J. Karlstrom. <i>American Moderns, 1900–1950</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text pp. 50, 61 (checklist); pl. 22, p. 50 (color). [specific reference to Terra print]<br><br> Cartwright, Derrick R. and Paul J. Karlstrom. <i>L'Amérique et les modernes, 1900–1950</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text pp. 50, 61 (checklist); pl. 22, p. 50 (color). [specific reference to Terra print]