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Welcome to Our City

Charles Demuth

Date: 1921

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1993.3

Text Entries: American Painting 1900–1950. (exh. cat., Lowe Gallery, University of Miami). Miami, FL: Lowe Gallery, 1952. Text p. 1, cat. no. 12 (as Entrance to the City). Farnham, Emily. Charles Demuth: His Life, Psychology and Works. PhD dissertation, Ohio State University, 1959. Vol. II. Text pp. 108, 575, no. 416. Farnham, Emily. Charles Demuth: Behind a Laughing Mask. Norman, Oklahoma: University of Oklahoma Press, 1971. Text p. 120. Eiseman, Alvord L. Charles Demuth. New York: Watson-Guptill Publications, 1982. Text p. 17. Fahlman, Betsy. Pennsylvania Modern: Charles Demuth of Lancaster. (exh. cat., Philadelphia Museum of Art). Philadelphia, Pennsylvania: Philadelphia Museum of Art, 1983. Text p. 20. Haskell, Barbara. Charles Demuth. (exh. cat., Whitney Museum of American Art). New York: Whitney Museum of American Art in association with Harry N. Abrams, Inc., Publishers, 1987. Ill. p. 131 (black & white). Falhman, Betsy.”Charles Demuth’s Paintings of Lancaster Architecture: New Discoveries and Observations.” Arts Magazine 61, no. 7 (March 1987): 24–29. Text p. 24; ill. p. 24, fig.2 (black & white). Falhman, Betsy. “The Charles Demuth Retrospective at the Whitney Museum of American Art” Arts Magazine 62 (March 1988): 52–54. Text p. 53. Sotheby's New York, New York (Sale 6373, December 3, 1992): lot 153. Text, lot 153; ill. cover (color), lot 153 (color). Art & Auction (October 1993): cover. Ill. cover. Weinberg, Jonathon. Speaking for Vice: Homosexuality in the Art of Charles Demuth, Marsden Hartley, and the First American Avant-Garde. New Haven, Connecticut: Yale University Press, 1993. Text pp. 214, 21; ill. p. 215, fig. 74 (color). Welcome to Our City, Charles Demuth. Collection Cameo sheet, Terra Museum of Art, Chicago, Illinois, July 1994. Ill. (black & white). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 24 (checklist); ill. p. 30 (color). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 24 (checklist); ill. p. 30 (color). Cartwright, Derrick R. and Paul J. Karlstrom. American Moderns, 1900–1950. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Ill. p. 2 (color). Cartwright, Derrick R. and Paul J. Karlstrom. L'Amérique et les modernes, 1900–1950. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Ill. p. 2 (color). Cartwright, Derrick. "The City and Country: American Perspectives, 1870–1920." American Art Review 7, no. 1 (January-February 2000): 100–11. Ill. p. 108 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 172, 194; ill. pp. 14 (color), 173 (color), 194 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 172, 194; ill. cover (color detail), pp. 14 (color), 173 (color), 194 (black & white). Derouet, Christian et al. "Paris, capitale de l'Amérique." L'avant-garde américaine à Paris, 1918–1939. Edited by Sophie Lévy. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Ill. p. 53, cat. no. 23 (color). Derouet, Christian et al. A Transatlantic Avant-Garde: American Artists in Paris, 1918–1939. Edited by Sophie Lévy. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Ill. p. 53, cat. no. 23 (color). Mullaney, Tom. "Terra's Next Move." Art & Antiques (September 2003): 21. Text p. 21; ill. p. 21 (color). Davidson, Susan, ed. Art in America: 300 Years of Innovation. (exh. cat., National Museum of China, Beijing; Shanghai Museum). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. Text p. 198; ill. p. 215 (color). Davidson, Susan, ed. Art in America: 300 Years of Innovation. (exh. cat., National Museum of China, Beijing; Shanghai Museum). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. (Chinese edition). Text p. 198; ill. p. 215 (color). Art In America: 300 years of Innovation. Hong Kong: Wen Wei Publishing Co. Ltd, 2007. (in Chinese), Ill. p. 121 (color). Davidson, Susan, ed. Art in America: 300 Years of Innovation. (exh. cat., The Pushkin Museum of Fine Arts, Moscow, Russia). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. (Russian edition). Ill. cover (color), p. 113 (color). Davidson, Susan, ed. Art in the USA: 300 años de innovación. (exh. cat., Guggenheim Museum Bilbao). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. Ill. p. 153 (color). Hambleton, Gross. Governing Cities in the Urban Era. New York, NY: Palgrave MacMillan US, 2007. Text “Acknowledgment section”. Ill. cover (color). Fahlman, Betsy and Claire Barry. Chimneys and Towers: Charles Demuth’s Late Paintings of Lancaster. (exh. cat. Amon Carter Museum) Philadelphia, PA: University of Pennsylvania Press, 2008. Text pp. 101, 134. Brock, Charles, Nancy Anderson, and Harry Cooper. American Modernism: The Shein Collection. (exh. cat., National Gallery of Art, Washington DC) Washington DC: National Gallery of Art, 2010. Text p. 45. Lampe, Anne M. Demuth in the City of Lights. (exh. cat. Woodmere Art Museum, Philadelphia, Pennsylvania). Philadelphia, Pennsylvania: Woodmere Art Museum, 2011. Text p. 18; ill. p. 19, fig. 28 (color). Art Across America. (exh. cat., National Museum of Korea, Los Angeles County Museum of Art, Museum of Fine Arts, Houston, Philadelphia Museum of Art and the Terra Foundation for American Art). Seoul, South Korea: National Museum of Korea, 2013. Text p. 281; ill. p. 280 (color). America: Painting a Nation. (exh. cat., Art Gallery of New South Wales, Los Angeles County Museum of Art, Museum of Fine Arts, Houston, National Museum of Korea, Philadelphia Museum of Art and the Terra Foundation for American Art). Sydney, Australia: Art Gallery of New South Wales, 2013. Text p. 178; ill. p. 179, cat. no. 60 (color), back cover flap (color detail). Bourguignon, Katherine M., Lauren Kroiz, and Leo G. Mazow. America’s Cool Modernism: O’Keeffe to Hopper. Oxford, United Kingdom: Ashmolean Museum of Art & Archaeology–University of Oxford, 2018. Text p. 33, cat. no. 24 (checklist); ill. pp. 32, 126 (color). Pathways to Modernism: American Art, 1865-1945. (exh. cat. Shanghai Museum with Art Institute of Chicago and Terra Foundation for American Art). Shanghai: Shanghai Museum, 2018. Text p. 122; ill. p. 123 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text p. 258; ill. p. 258 (color).

Rue du Singe qui Pêche

Charles Demuth

Date: 1921

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.44

Text Entries: "The Downtown Gallery Papers; Charles Demuth #35," Archives of American Art, Roll ND/30, Frames #50, 51, 54, 55, 74, 75, 77, 78–81, 183, 184. Ritchie, Andrew Carnduff. Charles Demuth. (exh. cat., The Museum of Modern Art). New York: The Museum of Modern Art, 1950. Ill. p. 72. The Classic Tradition in Contemporary Art. (exh. cat., Walker Art Center). Minneapolis, Minnesota: Walker Art Center, 1953. Ill. p. 17. Farnham, Emily. Charles Demuth: His Life, Psychology and Works. PhD dissertation, Ohio State University, 1959. Vol. I, fig. 37, p. 409, vol. II, text p. 560. The Precisionist View in American Art. (exh. cat., Walker Art Center). Minneapolis, Minnesota: Walker Art Center, 1960. Cat. p. 55. An Exhibition of Works of Art, Lent by the Alumni of Williams College. (exh. cat., Williams College Museum of Art). Williamstown, Massachusetts: Williams College Museum of Art, 1962. Text p. 18. Charles Demuth: the Mechanical Encrusted on the Living. (exh. cat., The Art Galleries, University of California, Santa Barbara). Santa Barbara, California: The Art Galleries, University of California, Santa Barbara, 1971. Text p. 20. Farnham, Emily. Charles Demuth: Behind a Laughing Mask. Norman, Oklahoma: University of Oklahoma Press, 1971. Text pp. 120, 148, 206. Hunter, Sam. American Art of the 20th Century. New York: Harry N. Abrams, 1972. Ill. no. 201, p. 118 (black & white). Eiseman, Alvord L. A Study of the Development of an Artist: Charles Demuth. PhD dissertation, New York University, 1976. Vol. I, text pp. 366–69, ill. p. 367. Second Williams College Alumni Loan Exhibition. (exh. cat., Williams College Museum of Art). Williamstown, Massachusetts: Williams College Museum of Art, 1976. Text p. 14; cat. 15, p. 38. Norton, Thomas E., ed. Homage to Charles Demuth: Still Life Painter of Lancaster. Ephrata, Pennsylvania: Science Press, 1978. Ill. p. 74. Buildings: Architecture in American Modernism. (exh. cat., Hirschl & Adler Galleries, Inc.). New York: Hirschl & Adler Galleries, Inc., 1980. Text p. 28; ill. no. 23, p. 29. "Weekend [review of "The Geometric Tradition in American Painting, 1920–80]." The New York Times (Friday, April 11, 1980). Text. "Hirschl & Adler Exhibition Review." New York Daily News (November 21, 1980). Pisano, Ronald G. An American Place. (exh. cat., The Parrish Art Museum). Southampton, New York: The Parrish Art Museum, 1981. Ill. no. 1 (black & white). "Parrish Art Museum Exhibition Review." Newsday (July 9, 1981). Eiseman, Alvord L. Charles Demuth. New York: Watson-Guptill Publications, 1982. Text pp. 16, 65; pl. 26, p. 64 (color). Fernand Léger and the Modern Spirit. (exh. cat., The Museum of Fine Arts, Houston). Houston, Texas: The Museum of Fine Arts, 1982. Text p. 181; fig. 9, p. 182. Tsujimoto, Karen. Images of America: Precisionist Painting and Modern Photography. (exh. cat., San Francisco Museum of Modern Art). Seattle, Washington: Published for the San Francisco Museum of Modern Art by University of Washington Press, 1982. Text no. 39, p. 233 (checklist). Haskell, Barbara. Charles Demuth. (exh. cat., Whitney Museum of American Art). New York: Whitney Museum of American Art in association with Harry N. Abrams, Inc., Publishers, 1987. Pl. 68, p. 156 (color) Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-170, p. 279 (color). Rue du Singe qui Pêche, Charles Demuth. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, November 1988. Ill. (black & white). Clair, Jean, ed. The 1920s: Age of the Metropolis. Montreal, Canada: The Montreal Museum of Fine Arts, 1991. Text p. 357, pl. 474, p. 363 (color). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 14, 24 (checklist); fig. 6, p. 14 (black & white). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 14, 24 (checklist); fig. 6, p. 14 (black & white). Cartwright, Derrick R. and Paul J. Karlstrom. American Moderns, 1900–1950. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text pp. 37, 60 (checklist); pl. 10, p. 37 (color). Cartwright, Derrick R. and Paul J. Karlstrom. L'Amérique et les modernes, 1900–1950. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text pp. 37, 60 (checklist); pl. 10, p. 37 (color). Inheriting Cubism: The Impact of Cubism on American Art, 1909–1936. (exh. cat., Hollis Taggart Galleries). New York: Hollis Taggart Galleries, 2001. Text pp. 39-40; ill. p. 40 (black and white). American Art 1908–1947: From Winslow Homer to Jackson Pollock. (exh. cat. Reunion des musées nationaux). Paris, France: Editions de la Reunion des musées nationaux, 2001. Text pp. 104–15; ill. p. 121 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 172. Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 172. Derouet, Christian et al. A Transatlantic Avant-Garde: American Artists in Paris, 1918–1939. Edited by Sophie Lévy. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Cat. no. 21, p. 51 (color). Derouet, Christian et al. "Paris, capitale de l'Amérique." L'avant-garde américaine à Paris, 1918–1939. Edited by Sophie Lévy. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Cat. no. 21, p. 51 (color). Fahlman, Betsy and Claire Barry. Chimneys and Towers: Charles Demuth's Late Paintings of Lancaster. (exh. cat., Amon Carter Museum). Fort Worth, Texas: Amon Carter Museum, 2007. Text pp. 78,80, 197; ill. fig.37, p. 79 (color). Lampe, Anne M. Demuth in the City of Lights. (exh. cat. Woodmere Art Museum, Philadelphia, Pennsylvania). Philadelphia, Pennsylvania: Woodmere Art Museum, 2011. Text p. 18; ill. fig. 28, p. 19 (color). La Ville Magique. (exh. cat., Lille Métropole Musée d'Art Moderne d'Art Contemporain et d'Art Brut). Lille, France: Lille Métropole Musée d'Art Moderne d'Art Contemporain et d'Art Brut and Editions Gaillmard, 2012. Ill. cat. no. 119, p. 151 (color). Bourguignon, Katherine M., Lauren Kroiz, and Leo G. Mazow. America’s Cool Modernism: O’Keeffe to Hopper. Oxford, United Kingdom: Ashmolean Museum of Art & Archaeology–University of Oxford, 2018. Text p. 45, cat. no. 23 (checklist); ill. pp. 45, 126 (color). Mazow, Leo, with Sarah G. Powers. Edward Hopper and the American Hotel. (exh. cat., Virigina Museum of Fine Arts). Richmond, VA: Virginia Museum of Fine Arts, distributed by Yale University Press, 2019. Text p. 165; ill. p. 166 (color).