Skip to main content
Collections Menu

Artists Affiliated with Giverny

Close
Refine Results
Artist*
Classification(s)
Date
to
Collection Info
Metadata Embedded, 2019

Between the late 1880s and World War I, the Norman village of Giverny, France, was the site of a popular international artists' colony. A notable strength of the Terra's collection is art by Americans who were affiliated with Giverny.

Sort:
Filters
4 results
metadata embedded, 2021
Theodore Earl Butler
Date: 1897
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1987.3
Text Entries: <i>Claude Monet and the Giverny Artists</i>. (exh. cat., Charles E. Slatkin Galleries). New York: Charles E. Slatkin Galleries, 1960. Ill. no. 13.<br><br><i>T. E. Butler, 1860–1936</i>. (exh. cat., Hammer Galleries). New York: Hammer Galleries, 1963. Ill. no. 34.<br><br>Sellin, David. <i>Americans in Brittany and Normandy</i>. (exh. cat., Phoenix Art Museum). Phoenix, Arizona: Phoenix Art Museum, 1982. Ill. no. 91, p. 206 (black & white).<br><br>Love, Richard H. <i>Theodore Earl Butler: Emergence from Monet's Shadow</i>. Chicago, Illinois: Haase-Mumm Publishing Company, Inc., 1985. Text pp. 180–83, 197; pl. 35 (color detail), pl. 36 (color detail), pl. 37 (color).
metadata embedded, 2020
Theodore Earl Butler
Date: 1896
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1992.21
Text Entries: Giverny: summered 1888-1891; resident 1892 (returning temporarily to the States during the war) Four years after making his first trip to Giverny, Theodore Butler married Claude Monet's step-daughter Suzanne Hoschedé, an event memorialized by Theodore Robinson canvas of The Wedding March. In the years following, his wife and their two children, James and Alice, became frequent subjects for Butler's paintings-domestic scenes often marked by brilliant color and exuberant brushwork. The interior scene of The Card Players-Suzanne; daughter Alice; Suzanne's sister, Marthe; and artist William Howard Hart-was completed one year before Suzanne's untimely death.
metadata embedded, 2021
Theodore Earl Butler
Date: 1908
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1993.8
Text Entries: Joyes, Claire. <i>The Taste of Giverny: At Home with Monet and the American Impressionists</i>. Paris, France: Flammarion, 2000. Ill. p. 64 (color).<br><br> Lévy, Sophie, et al. <i>Twarze Ameryki: Portrety z kolekcji Terra Foundation for American Art, 1770–1940/Faces of America: Portraits from the collection of the Terra Foundation for American Art, 1770–1940</i>. (exh. cat. International Cultural Center). Cracow, Poland: International Cultural Center, 2006. Ill. p. 103 (color).<br><br> Bourguignon, Katherine M. et al. <i>Impressionist Giverny: A Colony of Artists, 1885–1915.</i> (exh. cat. Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for American Art, 2007. Text p. 204 (checklist); cat. p. 144 (color).<br><br> Bourguignon, Katherine M., Shunsuke Kijima and Sanjiro Minamikawa. <i>Monet and the Artists of Giverny: The Beginning of American Impressionism</i>. (exh. cat. Kitakyushu Municipal Museum of Art, The Bunkamura Museum of Art, Tokyo, and The Okayama Prefectural Museum of Art). Fukuoka, Japan: The Nishinippon Shimbun, 2010. Text cat. no. 61, pp. 117 (in Japanese), 1885 (in English); ill. p. 117 (color).<br><br>
metadata embedded, 2021
Theodore Earl Butler
Date: 1905
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1994.16
Text Entries: Sotheby's New York, New York (Sale 6568, May 25, 1994): lot 83. Ill. lot 83 (color).<br><br> Reymond, Nathalie. <i>Un regard américain sur Paris (An American Glance at Paris)</i>. Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 23; ill. p. 22 (color).<br><br> Cartwright, Derrick R. <i>The City and the Country: American Perspectives, 1870–1920</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 23 (checklist); ill. p. 29 (color).<br><br> Cartwright, Derrick R. <i>Ville et campagne: les artistes américains, 1870–1920</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 23 (checklist); ill. p. 29 (color).<br><br> Mancoff, Debra N. <i>Monet's Garden in Art</i>. London, England: Frances Lincoln Limited, 2001.<br><br> Gerdts, William H. and David F. Setford. <i>Impressions: Americans in France, 1860–1930</i> and <i>Claude Monet: Giverny and the North of France.</i> (exh. cat. Naples Museum of Art). Naples, Florida: Naples Museum of Art, 2007. Text pp. 17, 96 (checklist); ill. p. 38 (color).<br><br> Karasoulas, Margarita and Hollis Clayson. <i>Electric Paris</i>. (exh. cat., Bruce Museum). Greenwich, Connecticut: Bruce Museum, 2016. Text p. 56, cat. no. 10 (checklist); ill. p. 44 (color).<br><br> Meier, Allison. <a href=”http://hyperallergic.com/309744/how-artists-interpreted-the-transformation-of-paris-into-a-city-of-light/” target=”_blank”>“How Artists Interpreted the Transformation of Paris into a City of Light.” </a> Hyperallergic (July 11, 2016). Accessed July 11, 2016. Ill. (color).<br><br>