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(American, 1898–1989)

The Lumber Camp - Resting

1931
Wood engraving on off-white simile Japan or Japanese paper
Block: 9 1/16 x 11 1/16 in. (23.0 x 28.1 cm)
Sheet: 10 7/8 x 14 in. (27.6 x 35.6 cm)
Mat: 16 x 20 in. (40.6 x 50.8 cm)
Credit LineTerra Foundation for American Art, Daniel J. Terra Collection
Object number1996.33.e
SignedBottom right corner below image: Clare Leighton
Interpretation
Six rugged lumberjacks warm themselves around the wood-burning stove that dominates a rustic log cabin interior in Clare Leighton's Resting. Two men lounge on bunk beds at the left, while along the back wall another smokes his pipe. Three more huddled to the right of the stove are partly cloaked in shadow. A hanging lamp casts a raking light over the scene, throwing into somewhat grotesque relief the men's rough features and such details of the setting as the crude floor of still-rounded logs and drying socks hanging from the ceiling rafters. Near the bottom edge of the image, a sleeping cat nestles in a box, underscoring the companionable peace enjoyed by the work-weary lumberjacks. Leighton used areas of solid black and thin etched lines to convey dense, distorting shadows in a composition defined by strong diagonals, notably the stove's angled chimney, the rafter glimpsed at the upper left, and the shadows cast by lamp and stove.

Resting is the fifth in Leighton's "Lumber Camp Series" of six wood engravings based on her visit to a Canadian lumber camp in the winter of 1930–31. It departs from the first four images, which show the men laboring in the frigid woods, but suggests that the cramped setting of their brief leisure is as inhospitable as the cold outdoors in which they work. Barely individualized in the outdoor scenes, in which they are often shown with their backs toward the viewer or hunched over in their grueling labor, the lumberjacks are distinguishable in Resting by their various poses and by the strong facial features and distinct hairstyles and clothing of the three facing the viewer.
ProvenanceThe artist
Margo Pollins Schab, Inc., New York, New York
Terra Foundation for the Arts Collection, Chicago, Illinois, 1996
Exhibition History
Visions of a Nation: Exploring Identity through American Art, Terra Museum of American Art, Chicago, Illinois (organizer). Venue: Terra Museum of American Art, Chicago, Illinois, August 10, 1996–January 12, 1997.

(Re)Presenting Women, Terra Museum of American Art, Chicago, Illinois (organizer). Venue: Terra Museum of American Art, Chicago, Illinois, October 16, 2001–January 13, 2002.

The People Work: American Perspectives, 1840–1940 (Le Travail à l'oeuvre: les artistes américains 1840–1940), Terra Museum of American Art, Chicago, Illinois (organizer). Venue: Musée d'Art Américain Giverny, France, June 8–August 17, 2003. [exh. cat.]

Manifest Destiny, Manifest Responsibility: Environmentalism and the Art of the American Landscape. Terra Foundation for American Art, Chicago, Illinois and Loyola University Museum of Art, Chicago, Illinois (organizers). Venue: Loyola University Museum of Art, May 17–August 10, 2008. [exh. cat.]

Published References
Hardie, Martin. "The Wood Engravings of Clare Leighton." The Print Collector's Quarterly 22 (April 1935). No. 200, p. 163; pp. 139–165.

Fletcher, William Dolan. Clare Leighton, An Exhibition: American Sheaves, English Seed Corn. (exh. cat., Boston Public Library). Boston, Massachusetts: Boston Public Library, 1978. No. 196.

Jaffe, Patricia. The Wood Engravings of Clare Leighton. Cambridge, Massachusetts: Silent Books, 1992. No. 43.

Brownlee, Peter John. Manifest Destiny / Manifest Responsibility: Environmentalism and the Art of the American Landscape. (exh. cat., Loyola University Museum of Art, Chicago, Illinois). Chicago, Illinois: Terra Foundation for American Art and Loyola University Museum of Art, 2008. Text p. 36 (checklist).