Maurice Brazil Prendergast

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Franklin Park, Boston

Maurice Brazil Prendergast

Date: c. 1895

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.113

Text Entries: Pepper, Charles Hovey. "Is Drawing to Disappear in Artistic Individuality?" The World To-Day 19 (July 1910): 716–19. Text p. 719. Rhys, Hedley Howell. Maurice Prendergast, 1859–1924. (exh. cat., Museum of Fine Arts). Boston and Cambridge, Massachusetts: Museum of Fine Arts, Boston and Harvard University Press, 1960. Text no. 56, p. 80 (checklist); ill. no. 56, p. 141 (black & white). Paintings and Water Colors by Maurice Prendergast. (exh. cat., The Knoedler Galleries). New York: The Knoedler Galleries, 1966. Ill. no. 4 (black & white). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 614, p. 356; ill. no. 614, p. 356 (black & white). Piccoli, Valéria, Fernanda Pitta, and Taylor Poulin. Pelas ruas: vida moderna e experiências urbanas na arte dos Estados Unidos, 1893-1976. (exh. cat., Pinacoteca do Estado de São Paulo and Terra Foundation for American Art). São Paulo, Brazil: Pinacoteca do Estado de São Paulo, 2022. Pl. p. 37 (color).

Lady in Blue, Waiting

Maurice Brazil Prendergast

Date: 1893–94

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1987.28

Text Entries: Parke-Bernet Galleries, New York, New York (Sale 2862, May 15, 1969): lot 28. Ill. lot 28 (as "Woman in Blue"). "The Turn of the Century." Kennedy Quarterly 15 (September 1977): 239–47, 259. Ill. no. 193. Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 548, p. 338; ill. no. 548, p. 339 (black & white). Regard sur cinq années d'expositions. (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Ill. p. 62 (color).

Franklin Park, Boston

Maurice Brazil Prendergast

Date: 1895–97

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.111

Text Entries: "American Paintings Will Be Sold at Sotheby's May 30." Antiques & the Arts Weekly (May 18, 1984): 72. Ill. p. 72. Sotheby's, New York, New York (Sale 5190, May 30, 1984): lot 46. Ill. lot 46. Fairbrother, Trevor J. et al. The Bostonians: Painters of an Elegant Age, 1870–1930. (exh. cat., Museum of Fine Arts). Boston, Massachusetts: Museum of Fine Arts, 1986. Cat. no. 105, p. 190 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-110, p. 219 (color). Von Wilhelm Weber. "Prendergasts Heitere Botschaft." Kunst, Kultur & TV (November 1, 1987): Sektion 5. Ill. and text. Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 612, p. 355; ill. no. 612, p. 355 (black & white). Southgate, M. Therese. "The Cover." The Journal of the American Medical Association 263:17 (May 2, 1990): 2286. Text p. 2286; ill. cover (color). Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 92; fig. 88, p. 93 (black & white). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 92; fig. 88, p. 93 (black & white). Franklin Park, Boston, Maurice Brazil Prendergast. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, April 1996. Ill. (black & white). Faragher, John Mack et al. Out of Many: A History of the American People. Upper Saddle River, New Jersey: Prentice Hall, 1997. Ill. p. 605. Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Ill. p. 62 (color). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 26 (checklist); ill. p. 37 (color). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 26 (checklist); ill. p. 37 (color). Cartwright, Derrick. "The City and Country: American Perspectives 1870–1920." American Art Review 7:1 (January–February 2000): 100–11. Ill. p. 107 (color). Mathews, Nancy Mowll with Elizabeth Kennedy. Prendergast in Italy. (exh. cat. also translated into Italian as Prendergast in Italia; all pages are identical) London: Merrell in association with Williams College Museum of Art and the Terra Foundation for American Art, 2009. Text p. 23; fig. 14, p. 24 (color).

Viewing the Ships

Maurice Brazil Prendergast

Date: c. 1895–1897

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.125

Text Entries: Beckelmann, Jurgen. "Der Sommer der Mary Cassatt." Welt (July 4, 1982): 4. Ill. p. 4. McClelland, Donald R., Barbara Novak and Harold Spencer. Impressionnistes Américains (American Impressionism). (exh. cat., Smithsonian Traveling Exhibition Service). Washington, D.C.: Smithsonian Traveling Exhibition Service, 1982. Ill. no. 41. Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-111, p. 220 (color). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 599, p. 352; ill. no. 599, p. 352 (black & white). Homann, Joachim, Trevor J. Fairbrother, Nancy Mowill Mathews, Joseph J. Rishel and Richard J. Wattenmaker. Maurice Prendergast: By the Sea. (exh. cat., Bowdoin College Museum of Art). Brunswick, Maine: Bowdoin College Museum of Art and DelMonico Books, an imprint of Prestel Publishing, Munich, London and New York, 2013. Text p. 166; pl. 5, p. 39 (color).

The Grand Canal, Venice

Maurice Brazil Prendergast

Date: c. 1898–99

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.123

Text Entries: The Magazine Antiques 116:4 (October 1979): 731 (color). Gerdts, William H. American Impressionism. (exh. cat., Henry Art Gallery). Seattle, Washington: Henry Art Gallery, University of Washington, 1980. Text p. 137; ill. p. 118 (color). Five American Masters of Watercolor. (exh. cat., Terra Museum of American Art). Evanston, Illinois: Terra Museum of American Art, 1981. Ill. cover (color). Seldin, Donna. Americans in Venice 1879–1913. (exh. cat., Coe Kerr Gallery, Inc.). New York: Coe Kerr Gallery, Inc., 1983. Ill. no. 52, p. 70 (color). Langdale, Cecily. Monotypes by Maurice Prendergast in the Terra Museum of American Art. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1984. Text p. 41; fig. 12, p. 29 (black & white). Lovell, Margaretta M. Venice: The American View, 1860–1920. (exh. cat., The Fine Arts Museums of San Francisco). San Francisco, California: The Fine Arts Museums of San Francisco, 1984. Text p. 89; ill. no. 46, p. 89 (black & white). Seldin, Donna. The Remembered Image: Prendergast Watercolors 1896–1906. (exh. cat., Coe Kerr Gallery, Inc.). New York: Coe Kerr Gallery, Inc., 1986. Text pp. 10–11; fig. 15 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-112, p. 221 (color). Lovell, Margaretta. A Visitable Past, Views of Venice by American Artists. Chicago, Illinois: University of Chicago Press, 1989. Text pp. 88–90; pl. 12 (color), ill. cover jacket (color). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 707, p. 384; pl. 22, p. 129 (color), ill. no. 707, p. 384 (black & white). Milroy, Elizabeth. Painters of a New Century: The Eight. (exh. cat., Milwaukee Art Museum). Milwaukee, Wisconsin: Milwaukee Art Museum, 1991. Text p. 126; ill. no. 7, p. 125 (color). Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 93; fig. 89, p. 93 (black & white). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 93; fig. 89, p. 93 (black & white). Stebbins, Theodore E. Jr. et al. The Lure of Italy: American Artists and the Italian Experience, 1760–1914. (exh. cat., Museum of Fine Arts, Boston). Boston, Massachusetts and New York: Museum of Fine Arts, Boston in association with Harry N. Abrams, Inc., Publishers, 1992. Text p. 428, 430; ill. no. 127, p. 429 (color). The Grand Canal, Venice, Maurice Brazil Prendergast. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, November 1993. Ill. (black & white). Reed, Sue Welsh and Carol Troyen. Awash in Color: Homer, Sargent, and the Great American Watercolor. (exh. cat., Museum of Fine Arts). Boston, Massachusetts: Museum of Fine Arts, Boston in association with Bulfinch Press, Little, Brown and Company, 1993. Text p. liv; fig. 15, p. liv (black & white). Wattenmaker, Richard J. Maurice Prendergast. New York: Harry N. Abrams, Inc., Publishers in association with The National Museum of American Art, Smithsonian Institution, 1994. Text p. 48; pl. 32, p. 50 (color). Garver, Walter. "Meet the Masters." Watercolor Magic 6:4 (Autumn 1998): 14–16, 18. Ill. p. 18 (color). Gerdts, William H. American Impressionism. Second edition. New York: Abbeville Press, 2001. Pl. 13, p. 23 (color). Kennedy, Elizabeth et al. The Eight and American Modernisms. (exh. cat., New Britain Museum of American Art, New Britain, CT and Milwaukee Art Museum, Milwaukee, WI). Chicago, Illinois: Terra Foundation for American Art, 2009. Text p. 110; Ill. p. 111 (color). Mathews, Nancy Mowll with Elizabeth Kennedy. Prendergast in Italy. (exh. cat. also translated into Italian as Prendergast in Italia; all pages are identical) London: Merrell in association with Williams College Museum of Art and the Terra Foundation for American Art, 2009. Text p. 60, 174 (checklist); fig. 67, p. 59 (color). Ormond, Richard and Elaine Kilmurray. John Singer Sargent: Venetian Figures and Landscapes 1898-1913, Complete Paintings, Volume VI. New Haven, Connecticut and London, Great Britain: Yale University Press, 2009. Text p. 30; fig. 16, p. 30 (color). Mathews, Nancy Mowll.Maurice Prendergast in Italy." American Art Review (February 2010): 84–89. Ill., p. 86 (color).

Monte Pincio, Rome

Maurice Brazil Prendergast

Date: 1898–99

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.117

Text Entries: "Gallery and Studio Notes." Boston Evening Transcript (February 27, 1900): 12. Text p. 12. Glavin, Ellen, S. N. D. and Eleanor Green. "Chronology." In Maurice Prendergast: Art of Impulse and Color. (exh. cat., University of Maryland Art Gallery). College Park, Maryland: University of Maryland, 1976. Text p. 40. The Magazine Antiques 71:4 (April 1982): 779. Ill. p. 779 (color). Langdale, Cecily. Monotypes by Maurice Prendergast in the Terra Museum of American Art. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1984. Text pp. 14, 34, 41, 124; fig. 11, p. 29 (black & white). Sokol, David M. "The Terra Museum of American Art, Evanston, Illinois." The Magazine Antiques 126:5 (November 1984): 1156–69. Pl. XXIV, p. 1166 (color). Seldin, Donna. The Remembered Image: Prendergast Watercolors 1896–1906. (exh. cat., Coe Kerr Gallery). New York: Coe Kerr Gallery, 1986. Text p. 11; cover (color), fig. 18 (color). Adelson, Warren. The Unknown Pastels: Maurice Brazil Prendergast. (exh. cat., Coe Kerr Gallery). New York: Coe Kerr Gallery, 1987. Text p. 9; fig. 2, p. 9 (black & white). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Text p. 6; pl. T-113, p. 222 (color). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 746, p. 397; ill. no. 746, p. 397 (black & white). Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 93; fig. 90, p. 95 (black & white). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 93; fig. 90, p. 95 (black & white). Wattenmaker, Richard J. Maurice Prendergast. New York: Harry N. Abrams, Inc., Publishers in association with The National Museum of American Art, Smithsonian Institution, 1994. Text p. 52; pl. 38, p. 55 (color). Mathews, Nancy Mowll with Elizabeth Kennedy. Prendergast in Italy. (exh. cat. also translated into Italian as Prendergast in Italia; all pages are identical) London: Merrell in association with Williams College Museum of Art and the Terra Foundation for American Art, 2009. Text p. 120, 177 (checklist); fig. 45, p. 123 (color).

St. Malo

Maurice Brazil Prendergast

Date: after 1907

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.121

Text Entries: McClelland, Donald, Barbara Novak and Harold Spencer. Impressionistes Américains. (exh. cat., Smithsonian Traveling Exhibition Service). Washington, D.C.: Smithsonian Traveling Exhibition Service, 1982. Ill. no. 46. Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-122, p. 231 (color). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 902, p. 437; ill. no. 902, p. 437 (black & white). Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 96; fig. 96, p. 96 (black & white). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 96; fig. 96, p. 96 (black & white). St. Malo, Maurice Brazil Prendergast. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, April 1999. Ill. (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 142, 203; ill. pp. 143 (color), 203 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 142, 203; ill. pp. 143 (color), 203 (black & white). Kennedy, Elizabeth et al. The Eight and American Modernisms. (exh. cat., New Britain Museum of American Art, New Britain, Connecticut and Milwaukee Art Museum, Milwaukee, Wisconsin). Ill. p. 125 (color).

Sunny Day at the Beach

Maurice Brazil Prendergast

Date: 1916–19

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.67

Text Entries: Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-123, p. 232 (color). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 1303, p. 525; ill. no. 1303, p. 525 (black & white).