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Home Front; Daily Life in the Civil War North

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Metadata Embedded, 2017

These nine paintings from the Terra's collection are included in Chicago's only major exhibition commemorating the 150th anniversary of the Civil War. The exhibition is on view at The Newberry Library September 27, 2013 – March 4, 2014.

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Metadata Embedded, 2020
Eugene Benson
Date: 1858
Credit Line: Terra Foundation for American Art, Daniel J. Terra Art Acquisition Endowment Fund
Object number: 1999.6
Text Entries: <i>The Magazine Antiques</i> 153:5 (May 1998): 658. Ill. p. 658 (color).<br><br> Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens.<i>Home Front: Daily Life in the Civil War North with a foreword by Adam Goodheart.</i>(exh. Cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 10, 48-50, 51, 159 (checklist); Fig. 26, p. 49 (color).<br><br>
Metadata Embedded, 2017
Frederic Edwin Church
Date: 1861
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1992.27
Text Entries: Christie, Manson & Woods International Inc., New York, New York (Sale Jo Ann, December 8, 1978): lot 24. Text p. 16; ill. lot 24 (color).<br><br> Burke, Doreen Bolger. “Frederic Edwin Church and ‘The Banner of Dawn.” <i>The American Art Journal</i> 14, no. 2 (Spring 1982): 39–46. Text p. 40, n. 1.<br><br> Hemphill, Christopher. "Daniel Terra and His Museum." <i>Town & Country</i> (February 1984): 193–206. Text p. 196; ill. p. 193 (color).<br><br> Sokol, David M. "The Terra Museum of American Art, Evanston, Illinois." <i>The Magazine Antiques</i> 126, no. 5 (November 1984): 1156–69. Text p. 1158; ill. p. 1158, Pl. VI (color).<br><br> Atkinson, D. Scott et al. <i>A Proud Heritage: Two Centuries of American Art</i>. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Text p. 137; ill. p. 137, pl. T-28 (color).<br><br> Ragans, Rosalind. <i>Art Talk</i>. Mission Hills, California: Glencoe Publishing Company, 1988. Ill. p. 267.<br><br> <i>Our Banner in the Sky, </i>Frederic Edwin Church. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, January 1991. Ill. (black & white). <br><br> Kloss, William et al. <i>America in Art: Fifty Great Paintings Celebrating Fifty Years</i>. (exh. cat., Santa Barbara Museum of Art). Santa Barbara, California: Santa Barbara Museum of Art, 1991. Text p. 26; ill. cover (color detail), p. 27 (black & white). <br><br> Southgate, M. Therese. "The Cover." <i>The Journal of the American Medical Association</i> 266:1 (July 3, 1991): 27. Text p. 27; ill. cover (color). <br><br> Southgate, M. Therese. "The Cover." <i>The Journal of the American Medical Association Czechoslovakia</i> (1992): 15. Text p. 15; ill. cover (color). <br><br> Rawson, Cynthia. "Frederic Edwin Church." <i>Art Education</i> (September 1992): 27–28. Text p. 27; ill. p. 28 (color).<br><br> Purves, Alan C. et al. <i>ScottForesman Literature and Integrated Studies: American Literature</i>. Glenview, Illinois: ScottForesman, 1997. Ill. p. 377. <br><br> Walker, Andrew. "American Art & the Civil War." <i>American Art Review</i> 11, no. 5 (1999): 126–31, 207. Text pp. 127, 131, 207 n. 4; ill. p. 126 (color).<br><br> Cartwright, Derrick R. <i>The Extraordinary and the Everyday: American Perspectives, 1820–1920</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 22 (checklist); ill. p. 31 (color).<br><br> Cartwright, Derrick R. <i>L'Héroïque et le quotidian: les artistes américains, 1820–1920</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 22 (checklist); ill. p. 31 (color).<br><br> Conn, Steven and Andrew Walker. "The History in the Art: Painting the Civil War," in "Terrain of Freedom: American Art and the Civil War." Special issue, <i>Museum Studies</i> 27, no. 1 (2001): 60–81. Text p. 74; ill. cover, p. 73 (color).<br><br> Bourguignon, Katherine M. and Elizabeth Kennedy. <i>An American Point of View: The Daniel J. Terra Collection</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 76; ill. p. 76 (black & white).<br><br> Bourguignon, Katherine M. and Elizabeth Kennedy. <i>Un regard transatlantique. La collection d'art américain de Daniel J. Terra</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 76; ill. p. 76 (black & white).<br><br> Kennedy, Elizabeth. "The Terra Museum of American Art." <i>American Art Review</i> (December 2002): 126–41. Text p. 131.<br><br> Novak, Barbara. <i>Voyages of the Self: Pairs, Parallels, and Patterns in American Art and Literature</i>. New York: Oxford University Press, 2007. Text pp. 68-69; ill. p. 69, fig. 4.7 (black and white).<br><br> Davidson, Susan, ed. <i>Art in America: 300 Years of Innovation</i>. (exh. cat., National Museum of China, Beijing; Shanghai Museum). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. Text p. 104; ill. p. 96, fig. 46 (color).<br><br> <i>Art In America: 300 years of Innovation.</i> Hong Kong: Wen Wei Publishing Co. Ltd, 2007. (in Chinese) Ill. pp. 44–45 (color). Davidson, Susan, ed. <i>Art in America: 300 Years of Innovation</i>. (exh. cat., National Museum of China, Beijing; Shanghai Museum). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. (Chinese edition). Ill. p. 98 (color).<br><br> Davidson, Susan, ed. <i>Art in America: 300 Years of Innovation</i>. (exh. cat., The Pushkin Museum of Fine Arts, Moscow, Russia). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. (Russian edition). Ill. p. 77 (color).<br><br> Davidson, Susan, ed. <i>Art in the USA: 300 años de innovación</i>. (exh. cat., Guggenheim Museum Bilbao). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. (Spanish edition). Ill. p. 90 (color).<br><br> Harrison, Alfred C., Jr. “Frederic Edwin Church’s <i>Our Banner in the Sky</i>: An Update on an American Icon.” <i>The Magazine Antiques</i> 184, no. 5 (November 2008): 150–151. Text pp. 150, 151 n. 9.<br><br> Sharp, Kevin. <i>Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era</i>. Memphis, TN: The Dixon Gallery and Gardens, 2009. Ill. p. 133 (color).<br><br> Southgate, M. Therese. <i>The Art of JAMA III: Covers and Essays from the Journal of the American Medical Association</i>. Chicago, Illinois: American Medical Association, 2011. Text p. 48; ill. p. 49 (color).<br><br> Bercovitch, Sacvan. <i>The American Jeremiad</i>. Madison, Wisconsin: University of Wisconsin Press, 1978, 2012. Ill. 2012 edition, front cover (color detail), back cover (color). <br><br> Wilton, Andrew. <i>Frederic Church and the Landscape Oil Sketch</i>, (exh. cat. National Gallery, London). London, UK: National Gallery Company, 2013. Text pp. 19, 46; ill. p. 46, cat. no. 10 (color).<br><br> Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens. <i>Home Front: Daily Life in the Civil War North.</i> (exh. cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 4–5, 6, 7, 129, 160 (checklist), 169n4 ; ill. cover, p. 6, fig. 6 (color).<br><br> <i>Pathways to Modernism: American Art, 1865-1945</i>. (exh. cat. Shanghai Museum with Art Institute of Chicago and Terra Foundation for American Art). Shanghai: Shanghai Museum, 2018. Text p. 14; ill. p. 15 (color).<br><br> Bourguignon, Katherine M., and Peter John Brownlee, eds. <i>Conversations with the Collection: A Terra Foundation Collection Handbook.</i> Chicago: Terra Foundation for American Art, 2018. Text p. 61; ill. p. 61 (color).<br><br>
2019 Photography, Metadata Embedded
Alfred Thompson Bricher
Date: 1864
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1993.17
Text Entries: Southgate, M. Therese. "The Cover." <i>The Journal of the American Medical Association</i> 272:11 (September 21, 1994): 835. Text p. 835; ill. cover (color).<br><br>Brownlee, Peter John.  <i>Manifest Destiny / Manifest Responsibility: Environmentalism and the Art of the American Landscape</i>. (exh. cat., Loyola University Museum of Art, Chicago, Illinois). Chicago, Illinois: Terra Foundation for American Art and Loyola University Museum of Art, 2008.  Text p. 34 (checklist).<br><br> Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens.<i>Home Front: Daily Life in the Civil War North with a foreword by Adam Goodheart.</i>(exh. Cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 148, 150, 151, 160 (checklist); Fig. 87, p. 149 (color).<br><br>Bourguignon, Katherine and Valerie Reis. <i>The Studio of Nature, 1860-1910: The Terra Collection in Context</i>. (exh. cat, Terra Foundation for American Art with the Musée des Impressionnismes Giverny). Paris, France: Réunion des musées nationaux, 2020.  Pl. 1, p. 57 (color).<br><br>
Metadata Embedded, 2019
Winslow Homer
Date: 1864
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1994.11
Text Entries: Goodrich, Lloyd. <i>Winslow Homer</i>. New York: Published for the Whitney Museum of American Art by Macmillan, 1944. Ill. frontispiece.<br><br> Goodrich, Lloyd. <i>Winslow Homer</i>. New York: George Braziller, 1959. Ill. no. 3. <br><br> Christie's New York, New York (Sale ANNABELLE-7894, May 26, 1994): lot 31. Text p. 44; ill. lot 31, p. 45 (color).<br><br> Wilson, Claire. "Winslow Homer at Giverny." <i>France Magazine</i> 35 (Summer 1995). Ill. p. 9.<br><br> <i>On Guard</i>, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, January 1996. Ill. (black & white).<br><br> <i>Regard sur cinq années d'expositions</i> (<i>Five Years of Exhibitions at a Glance</i>). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 93; ill. p. 88 (color).<br><br> Bourguignon, Katherine M. and Elizabeth Kennedy. <i>An American Point of View: The Daniel J. Terra Collection</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 88, 198; ill. pp. 9 (color), 89 (color), 198 (black & white).<br><br> Bourguignon, Katherine M. and Elizabeth Kennedy. <i>Un regard transatlantique. La collection d'art américain de Daniel J. Terra</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 88, 198; ill. pp. 9 (color), 89 (color), 198 (black & white).<br><br> <i>Side by Side: Works from the Terra Foundation for the Arts and the Detroit Institute of Arts</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 11; ill. p. 10 (color).<br><br> <i>Deux collections en regard: oeuvres de la Terra Foundation for the Arts et du Detroit Institute of Arts</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 11; ill. p. 10 (color).<br><br> Tedeschi, Martha with Kristi Dahm. <i>Watercolors by Winslow Homer: The Color of Light.</i> (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text p. 37; ill. p. 39 fig. 3 (color).<br><br> Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens.<i>Home Front: Daily Life in the Civil War North with a foreword by Adam Goodheart.</i>(exh. Cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 70, 121, 162 (checklist), 178n31; Fig. 72, p. 120 (color).<br><br> Byrd, Dana E. and Frank H. Goodyear. <i>Winslow Homer and the Camera: Photography and the Art of Painting</i>. (exh. cat., Bowdoin College Museum of Art). New Haven: Yale University Press, 2018. Pl. 12, p. 80 (color). <br><br> <i>Pathways to Modernism: American Art, 1865–1945</i>. (exh. cat. Shanghai Museum with Art Institute of Chicago and Terra Foundation for American Art). Shanghai: Shanghai Museum, 2018. Text p. 18; ill. p. 19 (color).<br><br>
2017 Metadata embedded
Thomas Moran
Date: 1864
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1999.99
Text Entries: Sotheby's New York, New York (Sale 6568, May 25, 1994): lot 29. Ill. lot 29 (color).<br><br> <i>Autumn on the Wissahickon</i>, Thomas Moran. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, October 1996. Ill. (black & white).<br><br> Anderson, Nancy K. <i>Thomas Moran</i>. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1997. Ill. p. 352 (black & white). <br><br> Cartwright, Derrick R. <i>The City and the Country: American Perspectives, 1870–1920</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 17, 25 (checklist); fig. 15, p. 17 (black & white).<br><br> Cartwright, Derrick R. <i>Ville et campagne: les artistes américains, 1870–1920</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 17, 25 (checklist); fig. 15, p. 17 (black & white).<br><br> Cartwright, Derrick R. <i>Waves and Waterways: American Perspectives, 1850–1900</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 27 (checklist); ill. p. 31 (color).<br><br> Cartwright, Derrick R. <i>Rivières et rivages: les artistes américains, 1850–1900</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 27 (checklist); ill. p. 31 (color).<br><br> Bourguignon, Katherine M. and Elizabeth Kennedy. <i>An American Point of View: The Daniel J. Terra Collection</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 60, 202; ill. pp. 5 (color), 61 (color), 202 (black & white).<br><br> Bourguignon, Katherine M. and Elizabeth Kennedy. <i>Un regard transatlantique. La collection d'art américain de Daniel J. Terra</i>. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text pp. 60, 202; ill. pp. 5 (color), 61 (color), 202 (black & white).<br><br> Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens. <i>Home Front: Daily Life in the Civil War North with a foreword by Adam Goodheart.</i>(exh. cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 148, 150, 151, 163 (checklist); Fig. 88, p. 149 (color).<br><br> Bourguignon, Katherine M., and Peter John Brownlee, eds. <i>Conversations with the Collection: A Terra Foundation Collection Handbook.</i> Chicago: Terra Foundation for American Art, 2018. Text pp. 45-46, 63; fig. 2, p. 46; ill. p. 63 (color).<br><br>
Fruit Piece: Apples on Tin Cups
William Sidney Mount
Date: 1864
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1999.100
Text Entries: <i>The Spirit of the Fair</i>. New York, New York: John F. Trow, 1864. Text p. 166 (checklist, as <i>Apples and Tin Cups</i>).<br><br> <i>Catalogue of the Art Exhibition at the Metropolitan Fair in Aid of the U.S. Sanitary Commission</i>. New York, New York: John F. Trow, 1864. Text p. 18, cat. no. 347 (checklist, as <i>Apples and Tin Cups</i>).<br><br> <i>Catalogue of Paintings and Other Works Presented to the Metropolitan Fair in Aid of the U.S. Sanitary Commission</i>. New York, New York: Geroge F. Nesbitt & Co., 1864. Text p. 10, cat. no. 136 (as <i>Apples and Tin Cups</i>).<br><br> Frankenstein, Alfred. <i>William Sidney Mount</i>. New York: Harry N. Abrams, Inc., 1975. Text pp. 367, 379, 477.<br><br> “Painting.” <i>The Bulletin of the Cleveland Museum of Art</i> 64, no. 5 (June 1977). Text p. 163.<br><br> <i>American Paintings III</i>. New York: Berry-Hill Galleries, Inc., 1985. Text p. 14; ill. p. 14 (color).<br><br> Atkinson, D. Scott et al. <i>A Proud Heritage: Two Centuries of American Art</i>. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Ill. p. 126, pl. T-17 (color).<br><br> Weber, Bruce. <i>The Apple of America: The Apple in 19th Century American Art</i>. (exh. cat., Berry-Hill Galleries, Inc.). New York: Berry-Hill Galleries, Inc., 1993. Text p. 48 (checklist); ill. cover (color); p. 31, no. 17 (black & white).<br><br> <i>Fruit Piece: Apples on Tin Cups, </i>William Sidney Mount. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, December 1996. Ill. (black & white).<br><br> Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens. <i>Home Front: Daily Life in the Civil War North with a foreword by Adam Goodheart. </i>(exh. cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 129, 135-36, 146, 155, 163 (checklist); ill. p. 128, fig. 75 (color).<br><br> <i>American Encounters: The Simple Pleasures of Still Life. </i>(exh. cat., Crystal Bridges Museum of American Art, High Museum of Art, Musée du Louvre and the Terra Foundation for American Art). Atlanta, Georgia: The High Museum of Art, 2014. Text pp. 23, 48, 50; ill. p. 49, cat. no. 5 (color).<br><br> <i>New Frontiers IV: Fastes et fragments. Aux origines de la nature morte américaine</i>. (exh. cat., Crystal Bridges Museum of American Art, High Museum of Art, Musée du Louvre and the Terra Foundation for American Art). Atlanta, Georgia: The High Museum of Art, 2014. Text, pp. 24, 48, 50; ill. p. 49, cat. no. 5 (color).<br><br> Bourguignon, Katherine M., and Peter John Brownlee, eds. <i>Conversations with the Collection: A Terra Foundation Collection Handbook.</i> Chicago: Terra Foundation for American Art, 2018. Text pp. 86-87, 92; fig. 5, p. 87; ill. p. 92 (color).<br><br>
Metadata Embedded, 2019
Sanford Robinson Gifford
Date: 1866
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1999.57
Text Entries: Sanford Robinson Gifford depicted the wilderness of the Catskill mountain range beside elements of human settlement and progress in this canvas, a powerful example of Hudson River School painting. Gifford found in nature the means for aesthetic, nationalistic, and often moral expression in response to industrial growth, westward expansion, and post-Civil War tension of the mid-nineteenth century.
2017 Metadata embedded
Lilly Martin Spencer
Date: c. 1867–68
Credit Line: Terra Foundation for American Art, Daniel J. Terra Art Acquisition Endowment Fund
Object number: 2007.1
Text Entries: Orange, Judd, and Company. “A Beautiful Gift. A Picture for the Home Circle. ‘Dandelion Time.’ by Mrs. Lilly M. Spencer.” <i>Hearth and Home</i> (January 14, 1871): 36. Text p. 36.<br><br> Orange, Judd, and Company. “A Beautiful Gift. A Picture for the Home Circle. ‘Dandelion Time.’ by Mrs. Lilly M. Spencer.” <i>Hearth and Home</i> (February 25, 1871): 156. Text p. 156.<br><br> Orange, Judd, and Company. “A Beautiful Gift. A Picture for the Home Circle. ‘Dandelion Time.’ by Mrs. Lilly M. Spencer.” <i>Hearth and Home</i> (April 8, 1871): 276. Text p. 276.<br><br> Orange, Judd, and Company. “A Beautiful Gift. A Picture for the Home Circle. ‘Dandelion Time.’ by Mrs. Lilly M. Spencer.” <i>Hearth and Home</i> (July 8, 1871): 535. Text p. 535.<br><br> Bolton-Smith, Robin and William Truettner. <i>Lilly Martin Spencer, 1822–1902: The Joys of Sentiment</i>. (exh. cat., National Collection of Fine Arts, Washington, D.C.) Washington, D.C.: Smithsonian Institution Press, 1973. Text, p. 189.<br><br> <i>American Paintings, 1850–1965</i>. (exh. cat., Spanierman Gallery, New York, New York). New York, New York: Spanierman Gallery. Text, p. 6; ill. no. 6, p. 6 (color).<br><br> Conner, Holly Pyne. <i>Angels and Tomboys: Girlhood in Nineteenth-century American Art</i>. (exh. cat., Newark Museum). Newark, New Jersey: Newark Museum, 2012. Text pp. 21, 23–24, 174 (checklist); ill. fig. 1, opposite p. 11(color).<br><br> Leggio, Gail. “Angels and Tomboys: Picturing the American Girl.” <i>American Arts Quarterly</i> 30 (Winter 2013): 23–31. Text p. 24.<br><br> Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens. <i>Home Front: Daily Life in the Civil War North.</i>(exh. cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 11, 102–103, 114, 116, 117–118, 121–122, 123, 125, 164 (checklist), 178n33, 178n34, 1789n43; ill. p. 100, fig. 58 (color), p. 201, fig. 59 (color detail).<br><br> <i>Pathways to Modernism: American Art, 1865–1945</i>. (exh. cat. Shanghai Museum with Art Institute of Chicago and Terra Foundation for American Art). Shanghai: Shanghai Museum, 2018. Text p. 20; ill. p. 21 (color).<br><br> Bourguignon, Katherine M., and Peter John Brownlee, eds. <i>Conversations with the Collection: A Terra Foundation Collection Handbook.</i> Chicago: Terra Foundation for American Art, 2018. Text pp. 84-86, 95; fig. 4, p. 85; ill. p. 95 (color).
Metadata Embedded, 2017
Samuel Colman, Jr.
Date: 1868
Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection
Object number: 1984.4
Text Entries: <i>The Magazine Antiques</i> 126:4 (October 1984): 658. Ill. p. 658 (color).<br><br>Sokol, David M. "The Terra Museum of American Art, Evanston, Illinois." <i>The Magazine Antiques</i> 126:5 (November 1984): 1156–69. Pl. XI, p. 1160 (color). <br><br>Atkinson, D. Scott et al. <i>A Proud Heritage: Two Centuries of American Art</i>. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-32, p. 141 (color).<br><br><i>Ships Unloading, New York, </i>Samuel Colman, Jr. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, June 1989. Ill. (black & white).<br><br>Cartwright, Derrick R. <i>Waves and Waterways: American Perspectives, 1850–1900</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text pp. 17, 26 (checklist); fig. 10, p. 17 (black & white).<br><br>Cartwright, Derrick R. <i>Rivières et rivages: les artistes américains, 1850–1900</i>. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text pp. 17, 26 (checklist); fig. 10, p. 17 (black & white).<br><br>Bourguignon, Katherine M. and Elizabeth Kennedy. <i>The People Work: American Perspectives, 1840–1940</i>. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 27 (checklist); ill. p. 35 (color).<br><br>Bourguignon, Katherine M. and Elizabeth Kennedy. <i>Le Travail à l'oeuvre: les artistes américains, 1840–1940</i>. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 27; ill. p. 35 (color).<br><br> Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens.<i>Home Front: Daily Life in the Civil War North with a foreword by Adam Goodheart.</i>  (exh. cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 10, 15-16, 42-43, 160 (checklist); Fig. 11 p. 14 (color), fig. 24, p. 43 (color detail).<br><br>   Jaffe, Stephen H. and Jessica Lautin,<i>Capital of capital: money, banking, and power in New York City.</i> (exh. cat. Museum of the City of New York). New York: Columbia University Press, 2014.Ill. pp. 67-68 (detail) (black & white), p. 74 (color), Text p. 69, p. 74.<br><br>Bourguignon, Katherine M., and Peter John Brownlee, eds. <i>Conversations with the Collection: A Terra Foundation Collection Handbook.</i> Chicago: Terra Foundation for American Art, 2018. Text p. 96; ill. p. 96 (color).<br><br>