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The Home of the Red, White, and Blue

Lilly Martin Spencer

Date: c. 1867–68

Credit Line: Terra Foundation for American Art, Daniel J. Terra Art Acquisition Endowment Fund

Object number: 2007.1

Text Entries: Orange, Judd, and Company. “A Beautiful Gift. A Picture for the Home Circle. ‘Dandelion Time.’ by Mrs. Lilly M. Spencer.” Hearth and Home (January 14, 1871): 36. Text p. 36. Orange, Judd, and Company. “A Beautiful Gift. A Picture for the Home Circle. ‘Dandelion Time.’ by Mrs. Lilly M. Spencer.” Hearth and Home (February 25, 1871): 156. Text p. 156. Orange, Judd, and Company. “A Beautiful Gift. A Picture for the Home Circle. ‘Dandelion Time.’ by Mrs. Lilly M. Spencer.” Hearth and Home (April 8, 1871): 276. Text p. 276. Orange, Judd, and Company. “A Beautiful Gift. A Picture for the Home Circle. ‘Dandelion Time.’ by Mrs. Lilly M. Spencer.” Hearth and Home (July 8, 1871): 535. Text p. 535. Bolton-Smith, Robin and William Truettner. Lilly Martin Spencer, 1822–1902: The Joys of Sentiment. (exh. cat., National Collection of Fine Arts, Washington, D.C.) Washington, D.C.: Smithsonian Institution Press, 1973. Text, p. 189. American Paintings, 1850–1965. (exh. cat., Spanierman Gallery, New York, New York). New York, New York: Spanierman Gallery. Text, p. 6; ill. no. 6, p. 6 (color). Conner, Holly Pyne. Angels and Tomboys: Girlhood in Nineteenth-century American Art. (exh. cat., Newark Museum). Newark, New Jersey: Newark Museum, 2012. Text pp. 21, 23–24, 174 (checklist); ill. fig. 1, opposite p. 11(color). Leggio, Gail. “Angels and Tomboys: Picturing the American Girl.” American Arts Quarterly 30 (Winter 2013): 23–31. Text p. 24. Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens. Home Front: Daily Life in the Civil War North.(exh. cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 11, 102–103, 114, 116, 117–118, 121–122, 123, 125, 164 (checklist), 178n33, 178n34, 1789n43; ill. p. 100, fig. 58 (color), p. 201, fig. 59 (color detail). Pathways to Modernism: American Art, 1865–1945. (exh. cat. Shanghai Museum with Art Institute of Chicago and Terra Foundation for American Art). Shanghai: Shanghai Museum, 2018. Text p. 20; ill. p. 21 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 84-86, 95; fig. 4, p. 85; ill. p. 95 (color).

Haymakers

Winslow Homer

Date: 1867

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1989.9

Text Entries: Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 10, 26, 234; fig. 64, p. 235 (color). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 10, 26, 234; fig. 64, p. 235 (color). Haymakers, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, January 1992. Ill. (black & white). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. p. 7. Tedeschi, Martha with Dahm, Kristi. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text p. 30; ill p. 30 fig. 17 (color). Regard sur cinq années d'expositions (Five Years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 89; ill. p. 92 (color). Haltman, Kenneth. "Antipastoralism in Early Winslow Homer." Art Bulletin 80:1 (March 1998): 93–112. Text p. 99; fig. 11, p. 98 (black and white). Bourguignon, Katherine M. and Elizabeth Kennedy. The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 13, 28 (checklist); ill. p. 2 (color), fig. 6, p. 13 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Le Travail à l'oeuvre: les artistes américains, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 13, 28 (checklist); ill. p. 2 (color), fig. 6, p. 13 (black & white). Griffith, Bronwyn A. E. Passing Through Paris: Americans in France, 1860–1930. (exh. brochure, Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for American Art, 2005. Text n.p.; fig. 5, n.p. (color). Griffith, Bronwyn A. E. Le Passage à Paris: les artistes américains en France, 1860–1930. (exh. brochure, Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for American Art, 2005. Text n.p.; fig. 5, n.p. (color). Tedeschi, Martha with Kristi Dahm. Watercolors by Winslow Homer: The Color of Light.(exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text p. 30; ill. fig 17, p. 30 (color). Barter, Judith A., ed. The Age of Impressionism: Masterpieces from The Art Institute of Chicago. Chicago, Illinois: The Art Institute of Chicago, 2011. Text, p. 20; ill. fig. 5 (color). Tsinghua University Art Museum. Americans Abroad: Landscape and Artistic Exchange, 1800-1920. (exh. cat. Tsinghua University Art Museum) Beijing: Tsinghua University, 2018. Text p. 114; ill. p. 115 (color).

Ships Unloading, New York

Samuel Colman, Jr.

Date: 1868

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1984.4

Text Entries: The Magazine Antiques 126:4 (October 1984): 658. Ill. p. 658 (color). Sokol, David M. "The Terra Museum of American Art, Evanston, Illinois." The Magazine Antiques 126:5 (November 1984): 1156–69. Pl. XI, p. 1160 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-32, p. 141 (color). Ships Unloading, New York, Samuel Colman, Jr. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, June 1989. Ill. (black & white). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text pp. 17, 26 (checklist); fig. 10, p. 17 (black & white). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text pp. 17, 26 (checklist); fig. 10, p. 17 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 27 (checklist); ill. p. 35 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. Le Travail à l'oeuvre: les artistes américains, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 27; ill. p. 35 (color). Brownlee, Peter John, Sarah Burns, Diane Dillon, Daniel Greene, and Scott Manning Stevens.Home Front: Daily Life in the Civil War North with a foreword by Adam Goodheart. (exh. cat., Terra Foundation for American Art and Newberry Library). Chicago: University of Chicago Press, 2013. Text pp. 10, 15-16, 42-43, 160 (checklist); Fig. 11 p. 14 (color), fig. 24, p. 43 (color detail). Jaffe, Stephen H. and Jessica Lautin,Capital of capital: money, banking, and power in New York City. (exh. cat. Museum of the City of New York). New York: Columbia University Press, 2014.Ill. pp. 67-68 (detail) (black & white), p. 74 (color), Text p. 69, p. 74. Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text p. 96; ill. p. 96 (color).

Croquet Match

Winslow Homer

Date: 1868–69

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.72

Text Entries: Pousette-Dart, Nathaniel. Winslow Homer. New York: Frederick A. Stokes Company, 1923. Pl. 59. Goodrich, Lloyd. "Winslow Homer." The Arts 6 (October 1924). Ill. p. 195. Creative Art I (November 1927). Ill. p. xxvi (as Croquet). Bolton, Theodore. "The Art of Winslow Homer: An Estimate in 1932." The Fine Arts 18 (February 1932). Pl. 24 (as The Croquet Match (1872) [sic] as seen from the porch of a Summer Hotel). Devrel, Howard. "Homage to Homer." The New York Times (February 1, 1959). Goodrich, Lloyd. Winslow Homer. New York, G. Braziller, 1959. Pl. 12. Latham, David. "Winslow Homer in the Mountains." Appalachia 32 (June 15, 1966). Ill. p. 79. Novak, Barbara. American Painting of the Nineteenth Century: Realism, Idealism, and the American Experience. New York: Praeger, 1969. Text pp. 173–74; ill. 10-9, p. 172 (black & white). A Gallery Collects. New York: Hirschl & Adler Galleries, Inc., 1977. Text no. 38; ill. no. 38 (color). Novak, Barbara. American Painting of the Nineteenth Century: Realism, Idealism, and the American Experience, 2nd ed. New York: Praeger, 1979. Text pp. 173–74; ill. 10-9, p. 172 (black & white). Novak, Barbara. Nature and Culture: American Landscape Painting 1825–1875. New York: Oxford University Press, 1980. Ill. no. 121, p. 242 (black and white credited as "Hirschl and Adler Galleries, New York"). Curry, David Park. "Winslow Homer and Croquet." The Magazine Antiques 126:1 (July 1984): 154-62. Text p. 160; pl. IV, p. 159 (color). Curry, David Park. Winslow Homer: The Croquet Game. (exh. cat. Yale University Art Gallery). New Haven, Connecticut: Yale University Art Gallery, 1984. Fig. 40 (color). "Ein Hort fur amerikanische Malerei." Kunst, Kultur & TV. (August 23, 1987): Sektion 4. Ill. cover (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Text p. 157; pl. T-48, p. 157 (color). Croquet Match, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, March 1989. Ill. (black & white). Jennings, Kate F. Winslow Homer. Greenwich, Connecticut: Brompton Books Corporation, 1990. Ill. pp. 26–27 (color). Rhodes, Reilly, ed. Sport in America from American Museums. (exh. cat., The National Art Museum of Sport). Indianapolis, Indiana: The National Art Museum of Sport, 1990. Text p. 47; ill. p. 46 (color). Berkow, Ira. "When Athletes are the Stuff of Art." The New York Times (February 7, 1992): B1, B6. Ill. p. B1. Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 26; fig. 11, p. 27 (black and white). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 26; fig. 11, p. 27 (black and white). Novak, Barbara. Nature and Culture: American Landscape Painting 1825-1875, rev. ed. New York: Oxford University Press, 1995. Ill. no. 121, p. 242 (black and white credited as "Hirschl and Adler Galleries, New York"). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. p. 8. Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text pp. 89–90; ill. p. 88 (color). Kushner, Marilyn, Barbara Gallati and Linda S. Ferber. Winslow Homer: Illustrating America. (exh. cat., The Brooklyn Museum of Art). New York: The Brooklyn Museum of Art in association with George Braziller, Inc., 2000. Text p. 12; fig. 2, p. 13 (black & white). Winslow Homer: An American Genius at the Parthenon; The Move Toward Abstraction. (exh. cat., The Parthenon). Nashville, Tennessee: The Parthenon, 2000. Text p. 21. Hofelt, Miranda. Croquet Match, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, May 2002. Ill. (color). Novak, Barbara. American Painting of the Nineteenth Century: Realism, Idealism, and the American Experience, 3rd ed. New York: Praeger, 2007. Text p. 144; ill. 10.4, p. 145 (black & white). Novak, Barbara. Nature and Culture: American Landscape Painting 1825-1875, 3rd ed. New York: Oxford University Press, 1980. Text p. 209; ill. no. 10.7, p. 209 (black and white).

Picnic Party in the Woods

John George Brown

Date: 1872

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1994.1

Text Entries: Hoopes, Donelson F. and Nancy Wall Moure. American Narrative Painting. (exh. cat., Los Angeles County Museum of Art). Los Angeles, California: Los Angeles County Museum of Art in association with Praeger Publishers, Inc., 1974. Text pp. 139–40; ill. no. 66, p. 141 (color as Waiting for a Partner). Wilmerding, John et al. An American Perspective: Nineteenth-Century Art from the Collection of Jo Ann & Julian Ganz, Jr. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1981. Text pp. 54, 56, 118–19; fig. 47 (color), ill. p. 118 (black and white). Ayres, Linda. "An American Perspective: Nineteenth-Century Art from the Collection of Jo Ann and Julian Ganz Jr." The Magazine Antiques (January 1982): 258–69. Text p. 267; fig. 4, p. 268 (black & white). Hoppin, Martha J. Country Paths and City Sidewalks: The Art of J. G. Brown. (exh. cat., George Walter Smith Art Museum). Springfield, Massachusetts: George Walter Vincent Smith Art Museum, 1989. Text pp. 13, 51 (checklist); fig. 33, p. 42 (color). Southgate, M. Therese. "The Cover." Journal of the American Medical Association 272:3 (July 20, 1994): 175. Text p. 175; ill. cover (color). Cartwright, Derrick R. The Extraordinary and the Everyday: American Perspectives, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 13; fig. 6, p. 12 (black & white). Cartwright, Derrick R. L'Héroïque et le quotidian: les artistes américains, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 13; fig. 6, p. 12 (black & white). Hoppin, Martha. The World of J. G. Brown. Chesterfield, Massachusetts: Chameleon Books, 2010. Text pp. 81, 83, 95, 231 note 35; ill. p. 82 (color). Art Across America. (exh. cat., National Museum of Korea, Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, Philadelphia Museum of Art and the Terra Foundation for American Art). Seoul, South Korea: National Museum of Korea, 2013. (English and Korean versions). Text pp. 35, 163; ill. fig. 19, p. 36 (color), p. 162 (color). America: Painting a Nation. (exh. cat., Art Gallery of New South Wales, the Los Angeles County Museum of Art, the Museum of Fine Arts, Houston, the National Museum of Korea, the Philadelphia Museum of Art and the Terra Foundation for American Art). Sydney, Australia: Art Gallery of New South Wales, 2013. Text p. 108; ill. cat. no. 28, p. 109 (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text p. 97; ill. p. 97 (color).

The Yankee Pedlar

Thomas Waterman Wood

Date: 1872

Credit Line: Terra Foundation for American Art, Daniel J. Terra Art Acquisition Endowment Fund

Object number: 1998.3

Text Entries: "A Home Artist." The Vermont Watchman 66, no. 26 (April 19, 1871): 1. Text p. 1 (as The Yankee Peddler). "Exhibition of the Art Association." Brooklyn Eagle (March 11, 1872). “Fine Arts: The Academy of Design.” The New York Times (April 20, 1873). Text (as The Yankee Peddler). "Art Gossip." New York Evening Mail (April 30, 1872). "National Academy of Design." The Evening Post (April 14, 1873). Text (as The Peddler). "Art Annual Exhibition of National Academy of Design." The Aldine 4, no. 6 (June 1873): 127. Text p. 127. The Green-Mountain Freeman. Montpelier, VT (June 25, 1873). Text (as The Yankee Peddler). "American Painters-Thomas W. Wood, N.A." The Art Journal 5, no. 2 (1876): 114–15. Text p. 115; ill. p. 115 (reproduced as a wood engraving). Art Journal (1878): 155. Ill. p. 155 (reproduced as a wood engraving). Cooper, W. A., “Artists in Their Studios V: Thomas Waterman Wood, N.A.” Godey’s Magazine 131, no. 781 (July 1895): 3–7. Text p. 6 (as Yankee Pedlar). Willis, S. Turner. “A Gift to Montpelier.” Godeys Magazine 131, no. 782 (August 1895): 184–191. Text p. 188. Catalogue of the Pictures in the Art Gallery in Montpelier: The Thomas W. Wood Collection. Montpelier, Vermont: The Capital City Press, 1913. Text pp. 14–15. Crockett, Walter Hill. Vermont: The Green Mountain State. New York, NY: The Century History Company, Inc., 1923. Text p. 567 (as The Yankee Peddler). Art for Gardens Together with Furniture, Paintings, Marbles, Staircases and Objets D’Art Chosen from Important Estates and Collections Here and Abroad. New York, NY: American Art Association, Anderson Galleries Inc., 1933. Text (foreword); p. 44, cat. no. 153; ill. p. 44 (black & white, as The Yankee Peddler). Gerdts, William H. The American Painting Collection of Mrs. Norman B. Woolworth. (exh. cat., Coe Kerr Gallery, Inc.). New York: Coe Kerr Gallery, Inc., 1970. Text p. 45, 47; ill. p. 69, pl. 124 (black & white as The Yankee Peddler). Williams, Jr., Hermann W. Mirror to the American Past. Greenwich, Connecticut: New York Graphic Society, 1973. Text p. 160; ill. p. 160, fig. 151 (black & white as The Yankee Peddler). Hills, Patricia. The Painters' America, Rural and Urban Life, 1810–1910. (exh. cat., Whitney Museum of American Art). New York: Praeger Publishers in association with the Whitney Museum of American Art, 1974. Text p. 80; ill. p. 80, no. 98 (as The Yankee Peddler). Hasker, Leslie A. and J. Kevin Graffagnino. "Thomas Waterman Wood and the Image of Nineteenth-Century America." The Magazine Antiques 118 (November 1980): 1032–42. Text p. 1034; fig. 10, p. 1039 (as The Yankee Peddler). Gerdts, William H. Art Across America: Two Centuries of Regional Painting. Vol. 1. New York: Abbeville Press, 1990. Text pp. 45; ill. p. 45, pl. 1.37 (black & white as The Yankee Peddler). Witkowski, Terrence H. “Farmers Bargaining: Buying and Selling as a Subject in American Genre Painting, 1835-1868.” Journal of Macromarketing 16, no. 2 (December 1, 1996): 84–101. Text p. 94 (as The Yankee Peddler). The Yankee Pedlar, Thomas Waterman Wood. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, May 2000. Ill. (black & white). Cartwright, Derrick R. The Extraordinary and the Everyday: American Perspectives, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 24 (checklist); ill. p. 35 (color as The Yankee Peddlar). Cartwright, Derrick R. L'Héroïque et le quotidian: les artistes américains, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text p. 24 (checklist); ill. p. 35 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 16, 30 (checklist); ill. p. 16, fig. 1 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Le Travail à l'oeuvre: les artistes américains, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 16, 30 (checklist); ill. p. 16, fig. 1 (black & white). Cassidy, Victor M. “The Feast Part I.” Artnet (June 16, 2005). Accessed February 16, 2017. Text; ill. (color). Davidson, Susan, ed. Art in America: 300 Years of Innovation. (exh. cat., National Museum of China, Beijing; Shanghai Museum). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. Text p. 143; ill. p. 143, fig. 61 (color). Davidson, Susan, ed. Art in America: 300 Years of Innovation. (exh. cat., National Museum of China, Beijing; Shanghai Museum). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. Chinese edition. Text p. 143; ill. p. 143, fig. 61 (color). Art In America: 300 years of Innovation. Hong Kong: Wen Wei Publishing Co. Ltd, 2007. (in Chinese) Ill. p. 47 (color). Davidson, Susan, ed. Art in the USA: 300 años de innovación. (exh. cat., Guggenheim Museum Bilbao). New York, NY: Solomon R. Guggenheim Foundation; Chicago, IL: Terra Foundation for American Art, 2007. Ill. p. 96 (color). Tallack, Douglas. “Review: Art as Diplomacy.” Journal of American Studies 42, no. 1 (April 2008): 141-145. Text p. 142. Mazow, Leo G. and Kevin Murphy. Taxing Visions: Financial Episodes in Late Nineteenth-Century American Art. (exh. cat. Palmer Museum of Art and The Huntington Library, Art Collections, and Botanical Gardens). University Park, Pennsylvania: Palmer Museum of Art, Pennsylvania State Univeristy, 2010. Text pp. 59, 72 (checklist); ill. p. 60, fig. 54 (color). Art Across America. (exh. cat., National Museum of Korea, Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, Philadelphia Museum of Art and the Terra Foundation for American Art). Seoul, South Korea: National Museum of Korea, 2013. Text pp. 35, 165; ill. p. 36, fig. 21 (color), p. 164 (color). America: Painting a Nation. (exh. cat., Art Gallery of New South Wales, the Los Angeles County Museum of Art, the Museum of Fine Arts, Houston, the National Museum of Korea, the Philadelphia Museum of Art and the Terra Foundation for American Art). Sydney, Australia: Art Gallery of New South Wales, 2013. Text p. 106; ill. p. 107, cat. no. 27 (color). Frost, Andrew. “America: Painting a Nation, Art Gallery of NSW – review.” The Guardian (November 10, 2013). Accessed February 16, 2017. <a href="https://www.theguardian.com/artanddesign/2013/nov/11/america-painting-a-nation-art-gallery-of-nsw-review" target="_blank">https://www.theguardian.com/artanddesign/2013/nov/11/america-painting-a-nation-art-gallery-of-nsw-review</a>. Text. Allen, Christopher. “America: Painting a Nation at the Art Gallery of NSW.” The Australian (November 30, 2013). Accessed February 16, 2017. <a href="http://www.theaustralian.com.au/arts/review/america-painting-a-nation-at-the-art-gallery-of-nsw/news-story/901564ecf3f8809f66e11d830677d6d7" target="_blank">http://www.theaustralian.com.au/arts/review/america-painting-a-nation-at-the-art-gallery-of-nsw/news-story/901564ecf3f8809f66e11d830677d6d7</a>. Text; ill. (color). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text p. 103; ill. p. 103 (color).

Girls in a Landscape

Winslow Homer

Date: c. 1873

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.73

Text Entries: The American Painting Collection of Mrs. Norman B. Woolworth. (exh. cat., Coe Kerr Gallery, Inc.). New York: Coe Kerr Gallery, Inc., 1970. Ill. 51, p. 32. Hendricks, Gordon. The Life and Works of Winslow Homer. New York: Harry N. Abrams, Inc., 1979. Text p. 100; fig. 142, p. 90 (black & white). Girls in a Landscape, Winslow Homer. Collection Cameo sheet, Terra Museum of American Art, Chicago, Illinois, January 1995. Ill. (black & white). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. p. 9.

The Whittling Boy

Winslow Homer

Date: 1873

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1994.12

Text Entries: Goodrich, Lloyd. Winslow Homer. (exh. cat., Whitney Museum of American Art). New York: Whitney Museum of American Art, 1973. Text p. 137 (checklist); ill. p. 68 (black & white). “News and Notes: Discoveries and Thefts.” ARLIS/NA Newsletter 3, no. 6 (October 1975): 121. Text p. 121. “News and Notes: Lost and Found.” ARLIS/NA Newsletter 4, no. 2 (February 1976): 64. Text p. 64. Hendricks, Gordon. The Life and Works of Winslow Homer. New York: Harry N. Abrams, Inc., 1979. Text p. 113; ill. p. 298, CL-279 (black & white). Christie's, New York, New York (Sale ANNABELLE-7894, May 26, 1994): lot 19. Text p. 30, lot 19; ill. p. 31. Berman, Ann E. "American Paintings." Art & Auction 17:2 (September 1994): 80–81. Text p. 81; ill. p. 81 (black & white). Blaugrund, Annette. The Tenth Street Studio Building. (exh. cat., Parrish Art Museum). Southampton, New York: Parrish Art Museum, 1997. Text pp. 91, 138 (checklist); ill. p. 96, fig. 54 (color). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 24 (checklist); ill. p. 45 (color). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 24 (checklist); ill. p. 45 (color). Cartwright, Derrick. "The City and Country: American Perspectives, 1870–1920." American Art Review 7:1 (January-February 2000): 100–11. Ill. p. 104 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 88; ill. p. 88 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Text p. 88; ill. p. 88 (black & white). Side by Side: Works from the Terra Foundation for the Arts and the Detroit Institute of the Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 22 (checklist). Deux collections en regard: oeuvres de la Terra Foundation for the Arts et du Detroit Institute of Arts. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 22 (checklist). Goodrich, Lloyd and Abigail Booth Gerdts. Record of Works by Winslow Homer. Vol. 2, 1867 through 1876. New York: Spanierman Gallery, LLC, 2005. Text p. 213, no. 432; ill. p. 213, no. 432 (black & white). Tedeschi, Martha with Kristi Dahm. Watercolors by Winslow Homer: The Color of Light. (exh. cat., The Art Institute of Chicago, Chicago, Illinois). Chicago, Illinois: The Art Institute of Chicago, 2008. Text pp. 37–38; ill. p. 39, fig. 4 (color). Twain, Mark. The Adventures of Tom Sawyer. Hartford, Connecticut: American Publishing Company, 1876. Reprinted with an introduction and notes by Peter Stoneley, Oxford’s World Classics. Oxford: Oxford University Press, 2008. Ill. on 2008 edition cover (color, detail). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 106, 107; ill. p. 107, detail pp. 108-109 (color).

Three Boys on the Shore

Winslow Homer

Date: 1873

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.75

Text Entries: Goodrich, Lloyd. Winslow Homer. New York: George Braziller, 1959. Pl. 16. Kirshner, Judith Russi. "The Terra Collection." United: The Magazine of the Friendly Skies (December 1982): 52–59. Ill. p. 57 (color). Sotheby's New York, New York (Sale 4841M, April 23, 1982): lot 30. Ill. cover (color), lot 30 (color). "Sensible and Steady: American Art." Art & Antiques (July–August 1982): 31–32. Text p. 32; ill. p. 31. De Weck, Ziba. Winslow Homer and the New England Coast. (exh. cat., Whitney Museum of American Art, Fairfield County). New York: Whitney Museum of American Art, 1984. Text p. 10 (checklist). Hemphill, Christopher. "Daniel Terra and His Collection." Town & Country (February 1984): 196. Sokol, David M. "The Terra Museum of American Art, Evanston, Illinois." The Magazine Antiques 126:5 (November 1984): 1156–69. Pl. XXI, p. 1164 (color). Cooper, Helen A. Winslow Homer Watercolors. (exh. cat., National Gallery of Art). Washington, D.C.: National Gallery of Art, 1986. Text pp. 20, 244 (checklist); fig. 9, p. 23 (color). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-49, p. 158 (color). Atkinson, D. Scott and Jochen Wierich. Winslow Homer in Gloucester. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1990. Text pp. 7, 16, 21, 32, 53, 104 (checklist); ill. cover (color), pl. 1, p. 62 (color). Cikovsky, Jr., Nicolai. Winslow Homer: Watercolors. Southport, Connecticut: Hugh Lauter Levin Associates, Inc., 1991. Pl. 10, p. 26 (color). Jennings, Kate F. Winslow Homer. New York: Crescent Books, 1990. Ill. p. 38 (color). Seiden, Sloan. "Seascapes, Landscapes, Escapes." Arts & Entertainment (July 1993): 16–21. Ill. p. 16 (color). Wilson, Claire. "Winslow Homer at Giverny." France Magazine 35 (Summer 1995). Ill. pp. 8–9. Regard sur cinq années d'expositions (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 95; ill. p. 94 (color). American Paintings from a Private Collection. Sotheby's Catalogue, New York, New York (May 24, 2000). Text p. 11; fig. 2, p. 11 (color). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 27 (checklist); ill. p. 14 (color). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 27 (checklist); ill. p. 14 (color). Unger, Miles and Arnold Skolnick. The Watercolors of Winslow Homer. New York: W. W. Norton & Company, 2001. Text, p. 38; ill. pp. 34–35 (color). Johns, Elizabeth,Winslow Homer: The Nature of Observation. Berkeley and Los Angeles, California: University of California Press, 2002. Text pp. X (checklist), 74; ill. plate 7 (color). Lévy, Sophie, ed. Winslow Homer: Poet of the Sea. (exh. cat., Musée d'Art Américain Giverny and the Dulwich Picture Gallery). Chicago, Illinois: Terra Foundation for American Art, 2006. Text pp. 57–58, 141 (checklist); ill., p. 57 (color detail), p. 67 (color). Art in America (June/July 2006): 74. Ill. (color). Art News 105:6 (June 2006): 61. Ill. (color). American Art Review (August 2006): 130–131. Text, p. 131; ill. p. 131 (color). Curtis, Judith A. Rocky Neck Art Colony,1850–1950, Gloucester, Massachusetts. Gloucester, Massachusetts: Rocky Neck Art Colony, Inc., 2008. Text, p. 14; ill. p. 14 (color). American Art. Christie's catalogue, New York, New York (May 22, 2014). ill. p. 38 (color). Cross, William R. Homer at the Beach: A Marine Painter’s Journey, 1869-1880. (exh. cat., Cape Ann Museum). Gloucester: Cape Ann Museum, 2019. Text pp. 82-83; ill. p. 81 (color).

The Chemist

Charles Moeller

Date: c. 1875

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.98

Text Entries: Annual Report. Lawter Chemicals, Inc., 1978. Ill. cover. Gerdts, William H. The Art of Healing: Medicine and Science in American Art. (Brochure, Birmingham Museum of Art). Birmingham, Alabama: Birmingham Museum of Art, 1981. Ill. (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 29 (checklist); ill. p. 38 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. Le Travail à l'oeuvre: les artistes américains, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 29 (checklist); ill. p. 38 (color).

Les modèles de Pont-Aven

Robert Wylie

Date: c. 1875

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.166

Text Entries: Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 222; pl. 57, p. 223 (color). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text p. 222; pl. 57, p. 223 (color). Myers, Julia R. "'Sympathy for Humanity': Robert Wylie and His Paintings of Breton Life." The American Art Journal 28:1–2 (1997): 82–121. Fig. 1, p. 82 (black & white), ill. back cover (color). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 18, 27 (checklist); fig. 19, p. 18 (black & white). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text pp. 18, 27 (checklist); fig. 19, p. 18 (black & white). Cartwright, Derrick R. The Extraordinary and the Everyday: American Perspectives, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text pp. 18, 24 (checklist); fig. 6, p. 18 (black & white). Cartwright, Derrick R. L'Héroïque et le quotidien: les artistes américains, 1820–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2001. Text pp. 18, 24 (checklist); fig. 6, p. 18 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text p. 30 (checklist). Myers, Julia Rowland. "J. Alden Weir's essay on 'Modern Life': In the Park of 1879." The American Art Journal 34–35 (2003–2004): 145–185. Text p.158; fig. 12, p. 159 (black & white). Lévy, Sophie, et al. Twarze Ameryki: Portrety z kolekcji Terra Foundation for American Art, 1770–1940/Faces of America: Portraits from the collection of the Terra Foundation for American Art, 1770–1940. (exh. cat. International Cultural Center). Cracow, Poland: International Cultural Center, 2006. Ill. p. 88 (color). Wardle, Marian, ed. The Weir Family 1820–1920: Expanding the Traditions of American Art. (exh. cat. Brigham Young University Museum of Art). Lebanon, New Hampshire: University Press of New England, 2011. Text, p. 65, ill. fig. 3.7, p. 64 (black & white).

Breton Woman with a Basket, Study for “En route pour la pêche” and “Fishing for Oysters at Cancale”

John Singer Sargent

Date: 1877

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1996.53

Text Entries: Parke-Bernet Galleries, Inc., New York, New York (April 7–8, 1971): lot 33. Text lot 33 (as Breton Woman with Basket: Sketch for "The Oyster Gatherers of Cancale"). Mount, Charles Merrill. “The Works of John Singer Sargent in Washington.” Records of the Columbia Historical Society, Washington D.C. 49 (1973/74): Text p. 450 (general reference to studies for Oyster Gatherers of Cancale). John Singer Sargent, his own work. (exh. cat., Coe Kerr Gallery). New York: Coe Kerr Gallery and Wittenborn Art Books, 1980. Text p. 4 (general reference to studies for Oyster Gatherers of Cancale). Fairbrother, Trevor. "Sargent's Genre Paintings and the Issues of Suppression and Privacy." In Studies in the History of Art: Vol. 37 Symposium Papers XXI: American Art around 1900: Lectures in Memory of Daniel Fraad. Washington D.C.: National Gallery of Art, 1990. Text p. 30 (general reference to studies for Oyster Gatherers of Cancale). Cartwright, Derrick R. Waves and Waterways: American Perspectives, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 36 (color, as Breton Woman with a Basket (Sketch for "The Oyster Gatherers of Cancale")). Cartwright, Derrick R. Rivières et rivages: les artistes américains, 1850–1900. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 2000. Text p. 28 (checklist); ill. p. 36 (color, as Bretonne au panier, esquisse pour "Les Ramasseuses d'huitres de Cancale"). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Ill. p. 94 (black & white, as Breton Woman with a Basket (Sketch for "The Oyster Gatherers of Cancale")). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Ill. p. 94 (black & white, as Bretonne au panier, esquisse pour "Les Ramasseuses d'huitres de Cancale"). Kennedy, Elizabeth. “The Terra Museum of American Art.” American Art Review 14, no. 6 (2002): Text pp. 128–129 (as Breton Woman with a Basket). The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art, Musée d’Art Américain). Giverny, France: Musée d’Art Américain, 2003. Text p. 30 (checklist, as Breton Woman with Basket, Sketch for "The Oyster Gatherers of Cancale"). Le travail a l’oeuvre: les artistes américains, 1840–1940. (exh. cat., Terra Museum of American Art, Musée d’Art Américain). Giverny, France: Musée d’Art Américain, 2003. Text p. 30 (checklist, as Bretonne au panier, esquisse pour "Les Ramasseuses d'huitres de Cancale"). McHugh, Rich. The Rough Guide to Chicago. London: Rough Guides Limited, 2003. Text p. 61 (general reference to studies for Oyster Gatherers of Cancale). Ormond, Richard, et al. John Singer Sargent: Figures and Landscapes, 1874–1882; Complete Paintings: Volume IV. New Haven; London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2006. Text pp. 86, 108, 117, 120, 396-97; Ill. p. 117, fig. 63 (black & white), p. 120 (color, as Study for "Oyster Gatherers of Cancale"). Cash, Sarah. Sargent and the Sea. (exh. cat., Corcoran Gallery of Art). Washington, DC: Corcoran Gallery of Art, 2009. Text pp. 97, 101, 103, 105; ill. p. 101, fig. 142 (color). Scherer, Barrymore Laurence. “Sargent’s Sea Fever.” The Wall Street Journal (October 27, 2009). Accessed October 27, 2016. <a href="http://www.wsj.com/articles/SB10001424052748703746604574463420530345580" target="_blank">http://www.wsj.com/articles/SB10001424052748703746604574463420530345580</a>. Text (general reference to studies for Oyster Gatherers of Cancale). Donnelly, Jennifer A. “Sargent and the Wyeths in London: Sargent and the Sea, Royal Academy of Arts (10 July–26 September 2010) The Wyeth Family: Three Generations of American Art, Dulwich Picture Gallery (9 June–22 August 2010).” Transatlantica: Revue d’études américaines. American Studies Journal 1 (2010): Text p. 2 (general reference to studies for Oyster Gatherers of Cancale). Payne, Christiana. “Modernity at the Seaside.” Oxford Art Journal 33, no. 2 (2010): 239–241. Text p. 239 (general reference to studies for Oyster Gatherers of Cancale). Curry, David Park. “Sargent: Washington, Houston and London.” The Burlington Magazine 152, no. 1289 (2010): Text p. 560 (general reference to studies for Oyster Gatherers of Cancale). Cumming, Laura. “Sargent and the Sea: Royal Academy, London.” The Guardian (July 17, 2010). Accessed October 27, 2016. <a href="https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy" target="_blank">https://www.theguardian.com/artanddesign/2010/jul/18/singer-sargent-sea-royal-academy</a>. Text (general reference to studies for Oyster Gatherers of Cancale). Cash, Sarah, ed. Corcoran Gallery of Art: American Paintings to 1945. Washington D.C.: Corcoran Gallery of Art, 2011. Text p. 143, p. 268n9 (general reference to studies for Oyster Gatherers of Cancale). "Sargent and the Sea is Down at the Shallow End.” Evening Standard (July 22, 2010). Accessed October 27, 2016. <a href="http://www.standard.co.uk/arts/sargent-and-the-sea-is-down-at-the-shallow-end-7420849.html" target="_blank">http://www.standard.co.uk/arts/sargent-and-the-sea-is-down-at-the-shallow-end-7420849.html</a>. Text (general reference to studies for Oyster Gatherers of Cancale). Bourguignon, Katherine M., and Peter John Brownlee, eds. Conversations with the Collection: A Terra Foundation Collection Handbook. Chicago: Terra Foundation for American Art, 2018. Text pp. 125, 127; ill. p. 124 (color). Standring, Timothy J., ed. Whistler to Cassatt: American Painters in France. (exh. cat., Denver Art Museum). New Haven, CT: Yale University Press, 2021. Text p. 36; ill. p. 43 (color).