Maurice Brazil Prendergast

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Red Haired Lady with Hat

Maurice Brazil Prendergast

Date: c. 1891–1894

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.103

Text Entries: Langdale, Cecily. The Monotypes of Maurice Prendergast. (exh. cat., Davis & Long Company). New York: Davis & Long Company, 1979. Text p. 11; ill. no. 8, p. 18 (color), p. 42 (black & white). Langdale, Cecily. Monotypes by Maurice Prendergast in the Terra Museum of American Art. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1984. Text pp. 12, 27, 28, 32, 37, 58; ill. no. 6, p. 59 (color). Bonesteel, Michael. "Impressions of Past." Pioneer Press [Evanston, Illinois] (May 30, 1985). Ill. "Experimentation with Modernism: Museum Exhibit to Display 55 Prendergast Monotypes." [North Adams] Transcript (September 13, 1985): 6. Ill. p. 6. Spencer, Harold. "On Some Works by Maurice Prendergast." Bulletin [William Benton Museum of Art, University of Connecticut] 13 (1985): 27. Text p. 27. "Williams College Show." Sunday Republican (September 22, 1985): F: 16. Ill. p. F16. Heimann, Nora M. "Singular Impressions." Arts [The Magazine for Members of The Minneapolis Society of Fine Arts] 9:12 (December 1986): 20–23. Text p. 22. "Prendergast Monotypes to be at Whitney Museum." Antiques & the Arts Weekly (February 27, 1987): 13. Text p. 13. Richard, Paul. "Sweetness and Night: Maurice Prendergast at the National Gallery." The Washington Post (January 25, 1988): C1, C6. Ill. p. C1. A Profile of the East Building: Ten Years at the National Gallery of Art. Washington, D.C.: Black Star Publishing Company, 1989. Ill. p. 153 (color). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany, and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 1576, p. 577; ill. no. 1576, p. 577 (black & white). Reymond, Nathalie. Un regard américain sur Paris (An American Glance at Paris). Chicago, Illinois: Terra Foundation for the Arts, 1997. Ill. p. 80 (color). Bourguignon, Katherine M. and Elizabeth Kennedy. An American Point of View: The Daniel J. Terra Collection. Chicago, Illinois: Terra Foundation for the Arts, 2002. Ill. p. 138 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Un regard transatlantique. La collection d'art américain de Daniel J. Terra. Chicago, Illinois: Terra Foundation for the Arts, 2002. Ill. p. 138 (black & white). Vanessa Lecomte, editor. Portrait of a Lady : peinture et photographies américains (exh. cat., Musée d'Art Américain Giverny and Musée des beaux-arts de Bordeaux). Chicago, Illinois: Terra Foundation for American Art, 2008. Text (checklist) p. 94.

Lady with Handkerchief

Maurice Brazil Prendergast

Date: c. 1891–94

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.90

Text Entries: Langdale, Cecily. The Monotypes of Maurice Prendergast. (exh. cat., Davis & Long Company). New York: Davis & Long Company, 1979. Ill. no. 6, p. 40 (black & white). Langdale, Cecily. Monotypes by Maurice Prendergast in the Terra Museum of American Art. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1984. Text pp. 12, 25, 32, 37, 39, 54; ill. no. 4, p. 55 (color). Richard, Paul. "The Shadow of Duncan Phillips." Washington Post (January 25, 1985): C: 1, 6. Text p. C6. "Prendergast Monotypes to be at Whitney Museum." Antiques & the Arts Weekly (February 27, 1987): 13. Text p. 13. Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany, and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 1571, p. 576; ill. no. 1571, p. 576 (black & white). Reymond, Nathalie. Un regard américain sur Paris (An American Glance at Paris). Chicago, Illinois: Terra Foundation for the Arts, 1997. Ill. p. 80 (color).

Green Dress

Maurice Brazil Prendergast

Date: c. 1891–94

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.114

Text Entries: Langdale, Cecily. The Monotypes of Maurice Prendergast. (exh. cat., Davis & Long Company). New York: Davis & Long Company, 1979. Text p. 12; ill. no. 7, p. 41 (black & white). Langdale, Cecily. Monotypes by Maurice Prendergast in the Terra Museum of American Art. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1984. Text pp. 12, 28, 32, 56, 58; ill. no. 5, p. 57 (color). Heimann, Nora M. "Singular Impressions." Arts [The Magazine for Members of The Minneapolis Society of Fine Arts] 9:12 (December 1986): 20–23. Text p. 22. "Prendergast Monotypes to be at Whitney Museum." Antiques & the Arts Weekly (February 27, 1987): 13. Text p. 13. Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-99, p. 208 (color). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 1574, pp. 576–77; ill. no. 1574, p. 576 (black & white). Lecomte, Vanessa, editor. Portrait of a Lady : peinture et photographies américains (exh. cat., Musée d'Art Américain Giverny and Musée des beaux-arts de Bordeaux). Chicago, Illinois: Terra Foundation for American Art, 2008. Text (checklist) p. 94.

Lady with Umbrella

Maurice Brazil Prendergast

Date: c. 1891–94

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1999.115

Text Entries: "Collection of Decorative Drawings Shown at Hart & Watson's." Boston Sunday Herald (December 19, 1897): 30. Text p. 30. The Magazine Antiques 65:4 (April 1979): 705. Ill. p. 705 (black & white). Langdale, Cecily. The Monotypes of Maurice Prendergast. (exh. cat., Davis & Long Company). New York: Davis & Long Company, 1979. Text p. 11; ill. no. 3, p. 37 (black & white). Master Print from Six Centuries: Catalog Number 10. New York: David Tunick, 1980. Ill. no. 68. Langdale, Cecily. Monotypes by Maurice Prendergast in the Terra Museum of American Art. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1984. Text pp. 12, 28, 32, 52; ill. no. 3, p. 53 (color). Richard, Paul. "Sweetness and Night: Maurice Prendergast at the National Gallery." Washington Post (June 15, 1986): C: 1, 6. Text p. C6. [possibly] "Prendergast Monotypes to be at Whitney Museum." Antiques & the Arts Weekly (February 27, 1987): 13. Text p. 13 (probably Lady with Umbrella). Ross, John, Clare Romano, and Tim Ross. The Complete Printmaker. New York: Free Press, 1989. Ill. p. 248 (black & white). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 1572, p. 576; ill. no. 1572, p. 576 (black & white).

Lady on the Boulevard

Maurice Brazil Prendergast

Date: 1892–94

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.64

Text Entries: Maurice Brazil Prendergast began experimenting with creating small paintings on panel during his first trip to Paris. This work is among those early efforts and reflects a recurring motif for Prendergast, that of the fashionably attired woman. Here she is executed with calligraphic vitality and painterly exuberance. Her over-the-shoulder glance and swirling skirt further enhance the expression of a moment in time captured.

The Luxembourg Garden, Paris

Maurice Brazil Prendergast

Date: c. 1890–94

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.68

Text Entries: The Magazine Antiques 117:5 (May 1980): 936. Ill. p. 936 (color). Sotheby's New York, New York (Sale 4375, May 12, 1980): lot 23. Langdale, Cecily. Monotypes by Maurice Prendergast in the Terra Museum of American Art. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1984. Text pp. 12, 15, 41; fig. 1, p. 10 (black & white as The Tuileries Gardens, Paris). Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-106, p. 215 (color as The Tuileries Gardens, Paris). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 9, p. 212; ill. no. 9, p. 212 (black & white as The Tuileries Gardens, Paris). Clark, Carol. American Drawings and Watercolors in the Robert Lehman Collection. New York: The Metropolitan Museum of Art in association with Princeton University Press, 1992. Text p. 81; fig. 4.6, p. 81. Gerdts, William H. et al. Lasting Impressions: American Painters in France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 91, 264; pl. 82, p. 265 (color as The Tuileries Gardens, Paris). Gerdts, William H. et al. Impressions de toujours: les peintres américains en France, 1865–1915. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1992. Text pp. 91, 264; pl. 82, p. 265 (color as The Tuileries Gardens, Paris). Reymond, Nathalie. Un regard américain sur Paris. (An American Glance at Paris). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 86; ill. p. 85 (color). Cartwright, Derrick R. The City and the Country: American Perspectives, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 10; fig. 2, p. 11 (black & white). Cartwright, Derrick R. Ville et campagne: les artistes américains, 1870–1920. (exh. cat., Musée d'Art Américain Giverny). Chicago, Illinois: Terra Foundation for the Arts, 1999. Text p. 10; fig. 2, p. 11 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. The People Work: American Perspectives, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 22, 29 (checklist); fig. 10, p. 22 (black & white). Bourguignon, Katherine M. and Elizabeth Kennedy. Le Travail à l'oeuvre: les artistes américains, 1840–1940. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 2003. Text pp. 22, 29 (checklist); fig. 10, p. 22 (black & white). Adler, Kathleen et al. Americans in Paris, 1860–1900. (exh. cat. National Gallery of Art) London, England: National Gallery Company Limited, 2006. Text pp. 14, 93, 253; ill. cat. 2, p. 15 (color), p. 253 (color). Lecomte, Vanessa, editor. Portrait of a Lady : peintures de photographies américaines (exh. cat., Musée d'Art Américaine Giverny and Musée des beaux-arts de Bordeaux). Chicago, Illinois: Terra Foundation for American Art, 2008. Text (checklist) p. 94. Willsdon, Clare A.P. Impressionist Gardens. (exh. cat., National Galleries of Scotland). Edinburgh, Scotland: National Galleries of Scotland, 2010. Text, cat. no. 53, pp. 82, 158; ill. p. 82 (color). Willsdon, Clare A. P. Jardines Impressionistas. (exh. cat., Museo Thyssen-Bornemisza and Fundación Madrid). Madrid, Spain: Museo Thyssen-Bornemisza, 2010 (Spanish version). Text, cat. no. 106, p. 193; ill. p. 266 (color).

Lady in Blue, Waiting

Maurice Brazil Prendergast

Date: 1893–94

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1987.28

Text Entries: Parke-Bernet Galleries, New York, New York (Sale 2862, May 15, 1969): lot 28. Ill. lot 28 (as "Woman in Blue"). "The Turn of the Century." Kennedy Quarterly 15 (September 1977): 239–47, 259. Ill. no. 193. Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 548, p. 338; ill. no. 548, p. 339 (black & white). Regard sur cinq années d'expositions. (Five years of Exhibitions at a Glance). Chicago, Illinois: Terra Foundation for the Arts, 1997. Ill. p. 62 (color).

Bareback Rider

Maurice Brazil Prendergast

Date: c. 1894–95

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.70

Text Entries: Langdale, Cecily. Monotypes by Maurice Prendergast in the Terra Museum of American Art. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1984. Text pp. 26, 31, 33, 35, 84, 86; ill. no. 20, p. 87 (color). Stevens, Elisabeth. "Monotypes Have Lyricism." Baltimore Sun (March 8, 1985): B: 1, 4. Text p. 4B. Heimann, Nora M. "Singular Impressions." Arts [The Magazine for Members of The Minneapolis Society of Fine Arts] 9:12 (December 1986): 20–3. Ill. p. 22 (color). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 1593, p. 583; ill. no. 1593, p. 583 (black & white). Reymond, Nathalie. Un regard américain sur Paris. (An American Glance at Paris). Chicago, Illinois: Terra Foundation for the Arts, 1997. Text p. 84; ill. p. 82 (color).

Promenade

Maurice Brazil Prendergast

Date: c. 1895–97

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.100

Text Entries: Langdale, Cecily. The Monotypes of Maurice Prendergast. (exh. cat., Davis & Long Company). New York: Davis & Long Company, 1979. Ill. no. 53, p. 88 (black & white). Langdale, Cecily. Monotypes by Maurice Prendergast in the Terra Museum of American Art. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1984. Text pp. 12, 25, 100; ill. no. 27, p. 101 (color). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany, and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 1689, p. 610; ill. no. 1689, p. 610 (black & white).

The Race

Maurice Brazil Prendergast

Date: c. 1895–97

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.101

Text Entries: Phillips, Matt. Maurice Prendergast: The Monotypes. (exh. cat., William Cooper Procter Art Center). Annandale-on-Hudson, New York: William Cooper Procter Art Center, Bard College, 1967. Ill. no. 44. Sotheby's New York, New York (Sale 5235, November 8–9, 1984): lot 97. Ill. cover (color); lot 97 (black & white). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany, and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 1669, p. 604; ill. no. 1669, p. 604 (black & white). Wattenmaker, Richard J. Maurice Prendergast. New York: Harry N. Abrams, Inc., in association with The National Museum of American Art, Smithsonian Institution, 1994. Pl. 16, p. 32 (color).

Reflection

Maurice Brazil Prendergast

Date: c. 1895–97

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.104

Text Entries: Phillips, Matt. "Prendergast." Bard Papers 2:1 (1966): 32, 34. Text p. 32. Phillips, Matt. Maurice Prendergast: The Monotypes. (exh. cat., William Cooper Procter Art Center). Annandale-on-Hudson, New York: William Cooper Procter Art Center, Bard College, 1967. Text p. 3. Langdale, Cecily. Monotypes by Maurice Prendergast in the Terra Museum of American Art. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1984. Text pp. 25, 32, 38, 142; ill. no. 48, p. 143 (color). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany, and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 1667, p. 603; ill. no. 1667, p. 603 (black & white).

Skipping Rope

Maurice Brazil Prendergast

Date: c. 1895–97

Credit Line: Terra Foundation for American Art, Daniel J. Terra Collection

Object number: 1992.105

Text Entries: Langdale, Cecily. The Monotypes of Maurice Prendergast. (exh. cat., Davis & Long Company). New York: Davis & Long Company, 1979. Text pp. 11, 13, 56; ill. no. 23, p. 57 (black & white). Langdale, Cecily. Monotypes by Maurice Prendergast in the Terra Museum of American Art. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Museum of American Art, 1984. Text pp. 25, 30, 35, 37, 39, 70, 72; ill. no. 12, p. 71 (color). Heimann, Nora M. "Singular Impressions." Arts [The Magazine for Members of The Minneapolis Society of Fine Arts] 9:12 (December 1986): 20-23. Text p. 22. Atkinson, D. Scott et al. A Proud Heritage: Two Centuries of American Art. Edited by Terry A. Neff. (exh. cat., Terra Museum of American Art). Chicago, Illinois: Terra Foundation for the Arts, 1987. Pl. T-102, p. 211 (color). Clark, Carol, Nancy Mowll Mathews and Gwendolyn Owens. Maurice Brazil Prendergast; Charles Prendergast: A Catalogue Raisonné. Munich, Germany, and Williamstown, Massachusetts: Prestel-Verlag and The President and Trustees of Williams College, 1990. No. 1610, p. 586; ill. no. 1610, p. 586 (black & white).